Robert Kirkman’s “Invincible” is a Stellar, if Flawed, Superhero Epic

Full Disclosure: Amazon Studios gave us access to the first three episodes of “Invincible.” Please read with discretion.

I missed the boat when Invincible had its run in Image Comics, and I regret it, especially as a fan of “The Walking Dead.” Robert Kirkman is one of the group of Image comics heavyweights who manages to offer up his own superhero tale, but it’s given a massive twist that’s both bold and insanely violent. Taking the animated route this time out, producers Seth Rogen and Evan Goldberg help realize Kirkman’s epic “Invincible” for the small screen, sticking true to many of the comics original storylines, and unfolding what is a unique, exciting, albeit imperfect at times, saga.

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Zack Snyder’s Justice League (2021)

After relentless caterwauling from fans for four years, director Zack Snyder is allowed to return to the DCEU once again to offer his original vision (or a very close facsimile) of what he had planned for the “Justice League” and the DCEU. While I don’t miss Snyder and his involvement with the DC movies (the man loves his slow motion), his “Justice League” is, shocking enough, an infinitely superior adaptation than the 2017 Joss Whedon lemon. I wouldn’t call it a masterpiece, but if pushed in to a corner, I’d happily rewatch the “Snyder Cut” again, with warts and all.

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Tom and Jerry (2021)

Warner Animation props up the long rotted corpse of “Tom and Jerry” long enough to produce what I’m sure they hoped would be a blockbuster big screen adaptation. For a series that’s been languishing on video store shelves with cheaply made, watered down animated movies for years, it’s not a surprise that “Tom and Jerry” is about as bland as ever. It’s also not at all surprising that Tim Story is the man called on to deliver such an inoffensive, forgettable, mishmash of weird ideas and concepts.

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She’s the Man (2006)

Yet another take on “Twelfth Night” (in the current onslaught of Hollywood remaking every movie), it’s not a far off idea that “She’s the Man” sneakily tends to borrow so much more from the 1985 gender switching comedy “Just One of the Guys.” While you could easily make the argument that they’re adapted from the same material thus bound to be similar, it’s undeniable during the big “reveal” in the climax.

It’s something that the aforementioned eighties movie is known for.

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Fences (2016)

That’s the peculiar aspect about adapting a minimalist period piece for film. If you decide to stretch it to a bigger scope, you can ruin its integrity. But if you keep it small scale, its intended purpose seems redundant. For all things considered, Director Denzel Washington’s drama, adapted from the August Wilson stage play, is a great display of powerhouse performances from an ensemble cast. But it’s mainly that, and really not much else when all is said and done..

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Five More Great Minority Movie Heroes, Part IV

It’s Black History Month and we’re hoping to kick off a month of great articles and reviews celebrating Black culture in film, and pop culture. To help usher in the month, here is yet another installment of the “Minority Movie Heroes” series. As I’ve explained in the past, it’s hard to find actual heroes in film that are people of color whether African American, Latinx, Asian, et al. So, as with all the previous entries I scoured film as much as I could to feature five more minority movie heroes that deserve celebrating.

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25 Years Ago, “Romeo + Juliet” Gave Me My First Brush with Shakespeare

1996 was a big year for me. I was thirteen in middle school and my English teacher introduced me and my classmates to the work of William Shakespeare. Although we spent the year working on a project that explored the various works from the playwright, we were primarily focused on “Romeo & Juliet.” We spent most of the year reading the play in class and before the school year let up, my teacher staged her contemporary version of “Romeo & Juliet” for the school that everyone took part in. It was called “Ronnie & Julie.” I loved art but was way too shy to act, so naturally I was in the poster department.

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