Godzilla x Kong: The New Empire (2024)

Now In Theaters Nationwide.

“Godzilla x Kong: The New Empire” in a nutshell:
Kong: Man, I just got my ass kicked. Help a Titan out?
Godzilla: Say less, bruv. We on this bitch.
Mothra: Allow it.

The best thing to remember about “The New Empire” going in to it is that Adam Wingard’s movie is for the monsters this time. There’s a lot less stuff about bureaucracy, and shady governments, and Armageddon. Now that we’ve hit on all those notes, Wingard gives us what can plainly be described as a fun, classic Saturday matinee. It’s a tribute to the classic monster mashes from Godzilla’s heyday where King Kong is the hero who calls upon a few of his friends, one of whom being Godzilla, to take down a new potential threat to mankind. A challenger to the throne, if you will.

So much of it works as I was hooked on the journey we’re taken on with King Kong.

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Every Bugs Bunny Ever: A-Lad-In His Lamp (1948)

A-Lad-In His Lamp (1948)
Directed by Bob McKimson
Written by Warren Foster
Animation by Charles McKimson
Music by Carl W. Stalling

This short from Bob McKimson holds significance on two levels.

The one being that it is apparently quite controversial for its depiction of middle Easterners. While I am not middle Eastern, I could understand why this short strikes a nerve today, as the middle East is depicted as nothing more than a lot of men that wield swords and solve everything with violence. Meanwhile the women are all mainly just harems and sex objects. It was apparently protested by late DJ Casey Kasem who hated the depiction of middle Easterners, and I can understand why that’d be troublesome. It’s a trope that Bugs Bunny’s shorts would continue with a lot of shorts set in the middle East or Asian communities.

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Every Bugs Bunny Ever: Hare Splitter (1948)

Hare Splitter (1948)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Ken Champin

The premise for “Hare Splitter” feels like someone took an old script for “Tom and Jerry” and retooled it for Bugs Bunny. One of my main problems that completely hinders “Hare Splitter” for me is that the whole short feels too much like it’s cribbing from the MGM formula. All that’s missing is the rambunctious mouse or angry yard dog. It too often feels like Tom and Butch should be the ones taking center stage instead of Bugs and his one and done rival Casbah. Too much of the short here feels like the animators were borrowing from Fred Quimby or Tex Avery (before his move to MGM), creating a premise that feels so far removed from what we’re used to seeing with Bugs Bunny.

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Lost in the Sky (2023) [Cinequest 2024]

Director Simon Öster and his team really do deliver an accomplishment of cinema, it’s a short film about the power of companionship and the classic tale of a species ending war that might not have resulted in the best outcome when all is said and done. “Lost in the Sky” revolves around a scavenger robot who has spent what we can only assume is an enormous amount of time in the aimlessness of space looking for humanity of any kind.

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Every Bugs Bunny Ever: Hot Cross Bunny (1948)

Hot Cross Bunny (1948)
Directed by Bob McKimson
Written by Warren Foster
Music by Carl W. Stalling
Animation by Manny Gould

Robert McKimson is one of my all time favorite directors for the Looney Tunes and Bugs Bunny, if only because his shorts always end up being so off the cuff and bizarre. But not bizarre in the Bob Clampett sense, but bizarre in original and outside the box. There’s just something so out of bounds about “Hot Cross Bunny” that even when I was a kid, I couldn’t get over the unusual energy of the short. When I was a kid, “Hot Cross Bunny” was one of the many shorts on constant rotation every Saturday morning on “The Bugs and Daffy Show” and I always got a kick out of it whenever it came on.

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Wonka (2023) [4K UHD/Digital]

Now Streaming on Digital and Available on Physical Media.

What made the 1971 screen version of Willy Wonka so entertaining was that while he was an idealist, he was also a well-worn cynic who hated people as much as he loved them. While he made candy for people, he also understood how ravenous and cut throat they could be. He approached everyone entering his factory with a sense of caution and quiet observation. Even with Charlie he saw something special in the boy but was quick to write him off at a moment’s notice. What’s missing from Timothée Chalamet’s Wonka is that sense of misanthropy; that sense that deep down while he likes people, he understands how nasty that they can be.

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The Brave Locomotive (2023) [Cinequest 2024]

Andrew Chesworth’s animated adventure is a neat and adorable tribute to the likes of Disney and classic Merrie Melodies tunes. It’s that classic tale about friendship, and commitment and loyalty above all else. While I was originally assuming this would be about a lot more, “The Brave Locomotive” keeps its intentions firmly planted in the more innocent side with a story about wicked companies and sticking to what works.

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