Every Bugs Bunny Ever: Hare Splitter (1948)

Hare Splitter (1948)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Ken Champin

The premise for “Hare Splitter” feels like someone took an old script for “Tom and Jerry” and retooled it for Bugs Bunny. One of my main problems that completely hinders “Hare Splitter” for me is that the whole short feels too much like it’s cribbing from the MGM formula. All that’s missing is the rambunctious mouse or angry yard dog. It too often feels like Tom and Butch should be the ones taking center stage instead of Bugs and his one and done rival Casbah. Too much of the short here feels like the animators were borrowing from Fred Quimby or Tex Avery (before his move to MGM), creating a premise that feels so far removed from what we’re used to seeing with Bugs Bunny.

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Lost in the Sky (2023) [Cinequest 2024]

Director Simon Öster and his team really do deliver an accomplishment of cinema, it’s a short film about the power of companionship and the classic tale of a species ending war that might not have resulted in the best outcome when all is said and done. “Lost in the Sky” revolves around a scavenger robot who has spent what we can only assume is an enormous amount of time in the aimlessness of space looking for humanity of any kind.

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Every Bugs Bunny Ever: Hot Cross Bunny (1948)

Hot Cross Bunny (1948)
Directed by Bob McKimson
Written by Warren Foster
Music by Carl W. Stalling
Animation by Manny Gould

Robert McKimson is one of my all time favorite directors for the Looney Tunes and Bugs Bunny, if only because his shorts always end up being so off the cuff and bizarre. But not bizarre in the Bob Clampett sense, but bizarre in original and outside the box. There’s just something so out of bounds about “Hot Cross Bunny” that even when I was a kid, I couldn’t get over the unusual energy of the short. When I was a kid, “Hot Cross Bunny” was one of the many shorts on constant rotation every Saturday morning on “The Bugs and Daffy Show” and I always got a kick out of it whenever it came on.

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Wonka (2023) [4K UHD/Digital]

Now Streaming on Digital and Available on Physical Media.

What made the 1971 screen version of Willy Wonka so entertaining was that while he was an idealist, he was also a well-worn cynic who hated people as much as he loved them. While he made candy for people, he also understood how ravenous and cut throat they could be. He approached everyone entering his factory with a sense of caution and quiet observation. Even with Charlie he saw something special in the boy but was quick to write him off at a moment’s notice. What’s missing from Timothée Chalamet’s Wonka is that sense of misanthropy; that sense that deep down while he likes people, he understands how nasty that they can be.

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The Brave Locomotive (2023) [Cinequest 2024]

Andrew Chesworth’s animated adventure is a neat and adorable tribute to the likes of Disney and classic Merrie Melodies tunes. It’s that classic tale about friendship, and commitment and loyalty above all else. While I was originally assuming this would be about a lot more, “The Brave Locomotive” keeps its intentions firmly planted in the more innocent side with a story about wicked companies and sticking to what works.

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Every Bugs Bunny Ever: Haredevil Hare (1948)

Haredevil Hare (1948)
Directed by Chuck Jones
Written by Michael Maltese
Music by Carl W. Stalling
Animation by Ben Washam

I freely admit that I have never been a fan of Marvin the Martian.

Yes, Yes, I know He’s one of the few ancillary characters from the Looney Tunes stable who’s managed to carve out his own niche. Back in the nineties he had his merchandise, and kitschy clothes and managed to set himself apart from Bugs to become his own character and he’s only appeared in five shorts, total! Just five. The thing I remember most about Marvin was that my cousin had this obnoxious alarm clock that he played over and over, first for our amusement and then just to get on our nerves. All in good fun, though. In either case, Marvin had his own corner of the universe with others like Michigan J. Frog and Tazmanian Devil, even appearing in many of the movies.

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Dune (2021)

Frank Herbert’s lengthy scifi trilogy are a series of books that Hollywood has tried again and again to conquer since their initial release. From Alejandro Jodorowsky’s mythical attempts, to David Lynch’s less than stellar effort, and so on, “Dune” is that one series of books Hollywood has been aching to grab some money off of. For Denis Villeneuve, he’s the perfect director to film such an elaborate, complex, and exhaustive science fiction story. “Dune” never quite turns out as great as it has every bit of potential to, but it’s saved primarily thanks to the stellar performances from an all star case and Villeneuve’s remarkable direction.

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