20 Million Miles to Earth (1957)

Posted on October 9, 2013 by Felix Vasquez

In the fifties, many horror and science fiction films spoke of two things. The nuclear age, and the potential dangers of space exploration. While the US tested radiation, and strived to bring their men to space to explore other planets, Hollywood explored such ideas and its negative effects through filmmaking in films like “Godzilla”, “The Day The Earth Stood Still”, “Them”, and another film that would come in 1968 changing the face of filmmaking and horror for decades to come, a much more grim grotesque exploration in to the potential consequences of bringing a foreign chemical home with us and eventually spell doom for the rest of the world through a familiar foe.

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King Kong (1933)

Posted on October 9, 2013 by Felix Vasquez

Film icon Faye Wraye plays Ann Darrow, an actress who accompanies an expedition crew to “Skull Island” to discover the god-like giant ape King Kong, a gigantic monstrous animal who is worshipped by tribes that inhabit the island. When Carl Denham seeks to kidnap Kong to bring him to New York to market off of his size and make money, Kong is put on display for all to see. But when he escapes from his restraints and begins wreaking havoc on the city seeking out Ann who he’s fallen in love with.

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Small Soldiers (1998)

Posted on October 6, 2013 by Felix Vasquez

Director Joe Dante’s “Small Soldiers” is sadly a film without an actual audience. It’s tame for horror fans, and may possibly be much too menacing for kids. And while the film had real potential to burst out with merchandise and tie-ins, the premise never lasted beyond a single film. That’s a shame, too, since the idea of psychotic toys wreaking havoc almost never gets boring. As a hardcore fan of the “Puppet Master” movies, “Small Soldiers” feels like a high tech remake that really manages to work as dark comedy, and creepy fodder for young boys. War toys working toward their initiatives and becoming violent is just a great idea, even if the premise is far-fetched.

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Little Monsters (1989)

Posted on October 5, 2013 by Felix Vasquez

The 1989 horror comedy from Richard Greenberg is definitely one of the best buddy comedies from the late eighties. While nostalgia is very kind to it, many years later it’s just a very good movie that hasn’t aged all that well. In either case, “Little Monsters” is a childhood classic I recall watching about three times a day for a month, and still loving. I was a seven year old horror fan and couldn’t get enough of this world presented to us on-screen. It also helped that the movie starred Fred Savage who, at the time, was the big name as a child star.

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Blade (1998)

Posted on October 4, 2013 by Felix Vasquez

Though the media often cites Bryan Singer for starting the comic book movie boom of the twenty first century with his adaptation of “X-Men,” most comic book fans argue that “Blade” really started it all. “Blade” was a scaled down production based on a popular comic book character and managed to present an epic story with a minimal budget. It’s ironic that the character that would restart the comic book movie boom was a kitschy seventies horror character known primarily for being one of the few minority superheroes in the Marvel Universe. The adaptation of the Marv Wolfman character manages to get the character just right.

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Dead Before Dawn 3D (2012)

Posted on October 1, 2013 by Felix Vasquez

Watching “Dead Before Dawn” try to be funny is like going in to a third rate haunted house in the sticks on Halloween. It’s nice you’re trying really hard, but you really aren’t doing what you intend to. “Dead Before Dawn” tries to be many things, and one of them is a comedy. While it did elicit genuine laughs from me sporadically it manages to miss more than it hits. In fact by the end, the joke went on almost way too long. I was pretty relieved it ended or else I was afraid I’d begin to hate it.

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The Little Mermaid (1989)

Posted on September 30, 2013 by Felix Vasquez

Though it’s often thought of as the film that helped revive the animated film boom from Disney in the nineties, predating a string of hit films from the studio, “The Little Mermaid” is much like “Bambi.” It has amazing animation, and a wonderful soundtrack, but in the narrative frame, it’s unspectacular. While the former film garnered a nearly non-existent storyline with a simple resolution stretched in to ninety minutes, “The Little Mermaid” has almost nothing in the way of reasoning or logic for its heroine’s motives toward happiness.

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