As big a fan as I am, and continue to be of M. Night Shyamalan, the one tragic fact of “The Last Airbender” is that there just isn’t a need for it. The original television series is about two or three years after its series finale, the series lasted about four or five seasons, it still plays in syndication, and there is a new story waiting in the wings. Fans of “Avatar” are in no short supply of their Airbender fix, so Shyamalan’s adaptation of the show isn’t all too necessary, nor was it wanted. So instantly the cards are stacked against him. Yours truly being a hardcore fan of the animated series (frankly, it’s one of the finest and most entertaining shows of the last decade), I was anxious to see what Shyamalan would do to “The Last Airbender,” and I wasn’t all too disappointed with what turned up on the screen.
Tag Archives: Adventure
The Karate Kid (2010)
You could have called this “Fist of the East,” or “Test of Fortitude” and it would have grossed obscene amounts of money at the box-office, regardless. It’s a movie that is so meticulously built to appeal to audiences and tickle every emotion possible, that it’s so much more a marketing gimmick than it is an actual movie. Calling it “Karate Kid” is just the icing on the cake. Eighties exploitation is huge. There are currently dozens of overgrown men on the cusp of forty mourning the days of Rocky Balboa, and cassette tapes, still bawling about how the eighties were so much better that calling it “Karate Kid” was a bonafide ticket to box office gold. Plus Jaden Smith is Will Smith’s son, and Will Smith always equals big bucks.
Yogi Bear's All-Star Comedy Christmas Caper (1982) (DVD)
For unabashed fans of Hanna Barbera, “Yogi Bear’s All-Star Comedy Christmas Caper” is a fun reunion of their heavyweights who band together to help a little girl find her father, and her father regain his love for his daughter. Whether it makes sense or not, this animated special is a short but sweet adventure where Yogi and Boo boo happen in to an accidental journey for good.
Year 4: Harry Potter and the Goblet of Fire Ultimate Edition (DVD)
While Mike Newell did in theory retain much of the mood and dread set by Alfonso Cuaron who injected his own individual flavor in to “Prisoner of Azkaban,” the fourth installment of the film series entitled “The Goblet of Fire” is no more entertaining than the aforementioned title. It’s even worse than the third one primarily because this series progresses more and more in to formulaic dribble and less in to adventurous and original fantasy doldrums that could stimulate the audience.
Director Newell’s installment is absolutely gorgeous to watch, but in the realm of story and characterization it brings very little to the table. Even with Ralph Fienne’s magnificent portrayal of the monstrous Lord Voldemort among the finale. The story this time delves in to Harry Potter’s dark side, and his capability to submerge himself to the dark side and become a pawn for Voldemort in the end.
Year 3: Harry Potter and the Prisoner of Azkaban Ultimate Edition (DVD)
For folks currently switching over to Blu-Ray this Christmas, there is also the option for traditional DVD releases, and this year available for all of the Potter fans is the Year 3 Ultimate Edition of Alfonso Cuaron’s “Harry Potter and the Prisoner of Azkaban” one of the few very entertaining installments of the Harry Potter series that has a truly dark and grim tone to it appealing toward adults and children alike.
This is one of the few films of the series that convinces me Harry Potter is not just for six year olds with a library card, and Cuaron lends a distinction that makes his version of the book much more bleak and atmospheric with a horror film sensibility and grit he brought over from “Children of Men.” Granted, I’m not a fan of the Harry Potter franchise in spite of my trying in the early days of the first book. I can still fondly recall reading the first book and midway through the text, I had to put it down and try to stay awake.
Disney’s A Christmas Carol (2009)
It’s rather disheartening how a film that is filled with such a visual epic scope can in the end feel so cold and lifeless. Even with the title now being “Disney’s A Christmas Carol” with Charles Dickens (you know, the author of the actual story?) craftily omitted from the publicity campaign. Robert Zemeckis’ insistence on delivering some of the more stone cold animated films, that continue to attempt to convince us that it’s so much more than a simple demo reel continues with “A Christmas Carol.” It’s yet another spin on Charles Dickens tales of Christmas and redemption through the lens of motion capture computer animation. And much like the method of motion capture, it tries to be about as humanistic and moving as possible, but never can capture the subtle quirks and nuances of the human face and their emotions.
Santa Claus Conquers the Martians (1964)
“That’s what you’re all becoming… Martianmallows.”
So the Martians of this piece have no idea what television is, despite watching it often. They have no idea what dolls are. They have no comprehension of the idea of tender loving care, but they’re fans of hamburgers and chocolate cake in pill form? How does that work? I have a feeling even with the notorious “Santa Claus Conquers the Martians” being touted to children in its original release, the kids in the audience sat through about twenty minutes, and thought this experience would be much better with some acid at hand. It’s not so much that “Santa Claus Conquers the Martians” is a bad movie, it’s that it’s so terribly put together and written that it ends up watching as a slow and painful death that you can’t help to look at with sheer disbelief.