Accepted (2006)

I’ll say I had zero expectations in regards to “Accepted”, mainly because it looked so ridiculous, and vapid. And it is, but I enjoyed it, because it provides a very entertaining ninety minutes that starts out as a typical college comedy and transforms into a somewhat interesting social commentary. And it’s funny as hell. I like Justin Long a lot, I’ve liked him since “Jeepers Creepers” and in “Accepted”, he’s funny as a quasi-Ferris Bueller named Bartleby Gaines who has slacked off through high school, and to prevent breaking it to his family that he can’t get into any schools, he instead invents a school which then snowballs into a grand hoax.

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Talladega Nights: The Ballad of Ricky Bobby (2006)

talladeganights_magic_manBobby is a boy who dreams of becoming a racer, and when he finally gets the chance, he becomes one of the most popular racers in the industry. That is until he has a break down after a crash and now must rebuild what was taken away from him. Ferrell’s foray into adult comedy once again is a weak and mediocre one, and for every one hilarious joke that “Talladega Nights” hits with audiences, there are about four or five that really fail to be as funny as it could be. McKay’s film is too aware of itself, and instead of playing it deadpan while delivering the gags and jokes, it desperately tries to gauge laughs from the audience, including every such nuance and quirk it can just to assure itself that we’ll laugh.

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Soul Searcher (2005)

Soul-SearcherI am the grim reaper, I walk softly, carry a big scythe, and kick demonic ass from here to Narnia. And now you know the concept of “Soul Searcher”. I enjoyed this flick from the very beginning where our hero is driving a truck overnight and accidentally interrupts the grim reaper kicking a demons ass all over the street. The grim reaper is falling ill and needs a new apprentice to help him in stopping the forces of evil from opening the realm of Hades and letting in a horde of uglies, and the guy named Joe happens to be the man he’s looking for–and he’s taking no prisoners.

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Monster House (2006)

MV5BMTQyNzM3MTYyMl5BMl5BanBnXkFtZTYwMjYyOTY2._V1_SX640_SY720_It’s amazing what great voice acting, engaging characters, and wonderful animation can do for a film, isn’t it? When all is said and done “Monster House” is enough of a horror film to please the open-minded horror fan, and enough of a children’s film to keep them utterly entertained. I admit to writing off “Monster House” upon its arrival, only because while the film is wonderful, the story isn’t exactly original (ahem—Robert Wise’s “The Haunting”, anyone?), but the combination of a strong script, and truly down to Earth characters make “Monster House” a short but very entertaining piece of horror fantasy that reaches down into really human themes of loneliness, death, and puberty. What many will enjoy about this film is that it’s very much in the spirit of classics like “The Monster Squad” and “The Goonies”, in which we have a small group of kids whom are also outcasts that have to take on a giant obstacle when no one will stand in and help them out.

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Ultimate Avengers 2 (2006)

I was a little less forgiving for the sequel of “Ultimate Avengers” mainly because it was a sequel and I expected a lot from it, and mostly because it was so utterly disappointing. People whom have been following the “Ultimate Avengers” story, will be surprised to see that there are twists aplenty including some deaths of very important characters that could decide the fate of them all, and lead to rather sinister developments—but if you’ve read the comics, then you know what happens. Meanwhile, the animation is still rather excellent, especially since it’s darker and yet just as colorful as we previously remember. “Ultimate Avengers 2” is a lot of fun to look, but not suggested for kids. I wanted more of a story, more linear characterization, more personality, and I received just more of the first film. Surely, this adds a new character attempting to mix-up the chemistry and conflict, but it’s just a copy of the first in the end.

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Supercross (2005)

SupercrossIf you needed any verification towards the quality of “Supercross” you need look no further than the first ten minutes. After our character narrates that he and his brother are close, and that just because they’re close doesn’t mean they never compete, and that their father dreamed of having them as Supercross stars, we’re subjected to a nearly ten minute long opening featuring a montage of motocross sequences set to a dramatic scores and flickering credits. Oh joy. And then there’s the actual film after the stunt show. We’re dragged along with pool cleaners whom rely on their jobs and have nothing else in their lives except their job, which they rely on, and their bikes.

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V for Vendetta (2005)

If you’re expecting an average comic book adaptation from “V for Vendetta”, then you’re out of luck. McTeigue’s film is both an excellent action film, and a brutally intelligent political thriller fixed to the modern socio-economic and political currents with biting satire, and an almost demented subtle commentary that only those in touch with the current political events can and will catch on towards; suffice it to say “V for Vendetta” is far from your typical superhero actioner. Set in a semi-Orwellian society, the Wachowski’s altered the eighties era story Moore set to the political current in his home country to coincide with America’s direction and its current tide of terrorism; Moore’s hero V is a pure terrorist, by many definitions, but this hero is also a freedom fighter.

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