It’s exciting that after seven films, “Mission Impossible” still gives audiences the good old fashioned action movies that were prominent in movie theaters. Christopher McQuarrie’s treatment of the “Mission: Impossible” has never been over stylish which amplifies the old fashioned feeling of his take on Tom Cruise’s epic movie series, and I love it. There are spies, and mysteries, and chases through streets, car chases, femme fatales, a classic macguffin, and even a massive fight staged on, in, and on top of a moving train across Europe. It’s vintage adventure movie serial cinema amplified with a huge budget and some wonderful performances all around.
Tag Archives: Adventure
Every Bugs Bunny Ever: Bugs Bunny and the Three Bears (1944)
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
Bugs Bunny and the Three Bears (1944)
Directed by Chuck Jones
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Robert Cannon
“Once Upon a Time There were Three Bears–” is what sets of the chaos of what happens when Bugs Bunny meets the iconic three bears. The three bears is the iconic bedside story written by Robert Southey from the nineteenth century, and it’s been twisted, and retold, and adapted dozens of times since its introduction. While Warner and the Looney Tunes aren’t the first to offer animated versions of the Three Bears, they are surely the best. Here, rather than three inadvertent characters of a story that come across Goldilocks, they’re instead a dysfunctional family on the verge of starvation. This take on the three bears is not only prime material for pure comedy but it’s one of the few times in this era where there’s not a traditional nuclear family.
The Flood (2023)
So basically, Brandon Slagle’s “The Flood” is “Assault on Precinct 13” but with killer alligators. That’s it. That’s the whole of the concept and premise. You can fill in the rest, if you’ve been watching movies for a while; which is not to say that “The Flood” is a bad film, it’s just not something that I haven’t seen before. Truth be told, there are nuggets of a great film embedded within “The Flood” but if you’re expecting a full on alligator siege movie in the vein of “Crawl,” then your best bet is looking elsewhere.
“My Adventures with Superman” is a Great Addition to the Superman Lore
While I spent the last week finding time to finish the first two seasons of “Superman & Lois,” I set aside time to watch the highly anticipated “My Adventures with Superman,” which stealthily premiered on Cartoon Network’s adult programming block Adult Swim. That in and of itself is bizarre, as there’s nothing adult about “My Adventures with Superman.” The series is highly stylized to look like anime, but there’s no swearing, or intense violence, or any kind of sexual content. This is as wholesome and pure as Superman’s been in a long time, and it’s actually a series I’d recommend to literally any Superman fan young or old.
Joy Ride (2023)
There’s been this subtle movement to break all of the stereotypes of Asians in cinema and fiction in general, and I’m enjoying it. “Joy Ride” is one of the newest entries in this new wave of mainstream Asian cinema that appeals to a niche audience but is also broad enough for everyone to relate to. “Joy Ride” is a film I liken very much to “Bridesmaids” and “The Hangover” to where four friends go through a sense of self realization, all while wreaking havoc on one big road trip. The foursome in “Joy Ride” are all wonderfully fleshed out individuals that are seeking fulfillment and a sense of purpose, and they end up finding it. This is all in service of their friend Audrey whose attempts to seal a big deal at her law firm send her on the journey she didn’t know she needed.
Every Bugs Bunny Ever: What’s Cookin’ Doc? (1944)
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
What’s Cookin’ Doc? (1944)
Directed by Bob Clampett
Written by Michael Sasanoff
Music by Carl W. Stalling
Animation by Bob McKimson
“What’s Cookin Doc?” is one of the few times where Warner tried to mimic Tex Avery, as where Avery had a knack for creating shorts that featured various facets of society and satirizing them, Bob Clampett and Bob McKimson go for that same method. With the narration, cuts to various sight gags, clever subversions of jokes, and implementation of live action footage to help land a joke, it’s hard not to compare this to a Tex Avery/MGM creation. That’s not a criticism per se, but more an observation, as it’s obvious what they’re aiming for here. Their primary goal is to satirize Hollywood and the Hollywood climate of the time. They also inject their big star Bugs Bunny in to the proceedings, which adds an extra spice that makes it all the better.
BAD MOVIE MONDAY: Star Wars Episode IX: The Rise of Skywalker
I’ve never liked reviewing a film right when it comes out. You get caught up in the hype whether you like it or not, swallowed into the propellers of either the always positive marketing machine or the always negative social media rage engine, both of which are revving at full speed. So your review suffers because you can’t stay impartial in that sort of environment. It’s like trying to judge the power of a hurricane while standing in the eye of the storm. I saw this movie a few years ago. I won’t say that I “watched” it because that wouldn’t be accurate.
I played it on a streaming service and then sort of half glanced at the screen. Now, in the interest of science, I’m going to watch it again because I feel it’s a good example of what I like to call “advertiser friendly corporate content.” This is the sort of movie that has an insultingly low opinion of its audience. It’s cynical, insincere, soulless, lazy, and ultimately empty. It’s to cinema what school cafeteria food is to cuisine.
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