The Slumber Party (2023)

I imagine the board meeting at Disney Channel went “What if we did “The Hangover”–but G rated?” And what we got was “The Slumber Party.” Director Veronica Rodriguez lays all of her influences out for the audience from minute one, even involving a small group of friends that make a pact that results in a night that neither of them can recall. It’s almost verbatim sans any and all adult content. Not that that’s a bad thing in particular, as thankfully “The Slumber Party” is quite good. The fact it’s blatantly derivative of the aforementioned movie is outweighed by the charisma of its cast, and its lively energy.

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Haunted Mansion (2023)

I never had the pleasure of riding the famous Disney attraction but I know enough about it to understand the particulars of the story and its appeal. After the somewhat awful 2003 attempt with Eddie Murphy, Disney takes another crack at adapting one of their most iconic attractions. In the end it amounts to a very entertaining and heartfelt horror comedy that I imagine will allow for a good gateway for budding horror fans. I won’t proclaim it as a masterpiece, but when all was said and done, I was so much more satisfied than I was with the 2003 first attempt.

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Every Bugs Bunny Ever: Hare-Ribbin’ (1944)

2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.

Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.

Hare-Ribbin’ (1944)
Directed by Bob Clampett
Written by Lou Lilly
Music by Carl W. Stalling
Animation by Bob McKimson

It’s pretty surprising how many of Bugs Bunny’s shorts were trimmed down or censored over the years once they made it to cable television. The syndicated airings always opted to take out certain scenes, which is indicative of where Warner’s head space was when approaching these characters. Bugs Bunny’s original appeal was to a general, wider audience, so he was able to realty wreak havoc most of the time. I’m not referencing the black face or horrible racial stereotypes, none of that is even remotely funny. I talk about more in the terms of death and how these shorts handle it. Although I can appreciate the rule of not having Bugs Bunny perceived as either murdering another character, or being murdered, sometimes the joke is necessary for a pay off.

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The Primevals (2023) [Fantasia Film Festival 2023]

Although Charles Band and his studios are mainly known for horror, Band also dabbled heavily in to action, comedy, porn, and yes, especially fantasy films. “The Primevals” in spite of its limited budget is perhaps the most complete and richly developed Charles Band backed film I’ve ever seen in the studio’s entire history. David Allen has a clear vision of what kind of adventure film and he fully realizes it in what is such a fun, inventive and vintage action adventure. With obvious influences from Harryhausen, RKO Pictures, movie serials, and the Fleischers, “The Primevals” is a damn good bit of matinee fare that I could easily myself re-watching and re-watching on VHS when I was a kid.

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Barbie (2023)

The idea of turning “Barbie” in to a feature film has been something Mattel has been grappling with for a very long time, and there was no other way to bring her to the big screen without turning her in to something of a meta comedy. Barbie is revered but also reviled for being beautiful, because with a lot of reasonable vitriol, Barbie has been considered a vapid unrealistic representation of beauty. “Barbie” seeks to confront a world that not only holds women to unrealistic standards, but also presents us with a Barbie whose own unrealistic standards are finally dawning on her. This forces her in to something of an existential crisis where she’s forced to look for the origin of her existence and how she can obtain that sense of perfection.

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Every Bugs Bunny Ever: Bugs Bunny Nips the Nips (1944)

2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.

Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.

Bugs Bunny Nips the Nips (1944)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Gerry Chiniquy

The best way to approach “Bugs Bunny Nips the Nips” is by examining it within the context upon which it was released. This was during World War II where anti-Asian sentiment was high. So, typical of movie studios at the time, the animators at Warner brought their iconic Bugs Bunny in to the war to fight a spiritual battle on screen against Japanese enemies. “Enemies” is putting it lightly. They’re horrendous Japanese stereotypes and clichés, and the animated short never misses a beat. There’s the Japanese that sounds like gibberish. There’s the big buck teeth, the bug eyes, the fractured English, the big glasses, there’s the appearance of a Sumo Wrestler for some reason, and yes, Bugs Bunny dresses as a Geisha girl to woo the sumo wrestler.

There’s also Bugs referring to them as “Japs” for most of the picture.

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National Lampoon’s Vacation (1983): 40th Anniversary Edition [4K UHD/Digital]

I think one of the reasons why Clark Griswold is so famous is that he’s basically the every man. He’s the man who is tasked with giving his family a good vacation even though he’d rather be home. He’s obligated, and the further he goes forward the harder it becomes to give up and go back. “Vacation” is the prime National Lampoon’s road trip movie where it’s anything but the norm from this sub-genre. Harold Ramis depicts not just a middle lower class family’s attempts to go on vacation, but for Clark Griswold to use it as a moment to savor his family.

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