I quite like the premise of “Hell Comes to Hollywood.” Create a short horror story that in some way involves Hollywoodland and its devices. In that general framework, Eric Miller’s compendium of various horror stories from a cadre of actual Hollywood screenwriters and television writers makes Hollywood feel so bleak and hopeless. There are no happy endings in any of the stories presented here, and thankfully there isn’t a bad story to be read either.
The stories here range from forgettable to really damn good. Even the worst story is really just a groaner that will inspire you to quickly flip to the next story hoping for the best. Most of “Hell Comes to Hollywood” does tend to fall in to the trappings of monotony most times, which is a caveat. The writers base their stories on vapid shallow human beings or the horrors of the movie studio system, and there’s never really anything that breaks out from the pair of themes. Sometimes they collide in the most unusual ways.




