After a clown is killed by a virus in Romania, his corpses is brought back to the United States. Not long after, an office building is under attack by vampires and humanity’s only hope is a ragtag crew of inept night watchmen.
Tag Archives: Comedy
Jerry Lewis: The Man Behind the Clown (2017)
Gregory Monro’s documentary offers a scattershot overview of Jerry Lewis’ life and career, with a heavy emphasis on the funnyman’s peaks while carefully avoiding the controversies and failures that he generated. Lewis was the son of entertainers who put their careers before his childhood needs, and an emotional low point occurred when his parents managed to miss his bar mitzvah because they had stage engagements. The film notes that Lewis’ meteoric success in the late 1940s when he was barely out of his twenties created friction with his father Danny Lewis, a singer who never achieved stardom.
Tragedy Girls (2017) [Fantasia International Film Festival 2017]
Did you see “Scream 4”? Do you remember the finale and surprise reveal, as well as the reasoning for the murderer’s devious deeds? Well, then you’ve seen “Tragedy Girls.” It feels a lot like Tyler MacIntyre loved the finale to “Scream 4” so much that he took that one twenty minute explanation, and transformed it in to a ninety minute movie that presents glimmers of brilliance, but stumbles quite often. While many will liken “Tragedy Girls” to “Heathers,” it’s actually about as smug and annoyingly self-satisfied as films like “Detention” and “Easy A.”
The Night Watchmen (2017) [Fantasia International Film Festival 2017]
Coulrophobics look out, “The Night Watchmen” is easily your worst nightmare come true, but it’s also one of the best horror comedies I’ve seen in a while. Director Mitchell Altieri delivers one of hell of a great horror gore fest that imagines the world overrun by vampire zombie clowns. “The Night Watchmen” is set primarily in an office, and Altieri makes great use of it, picturing the night shift from hell. You could make a sub-genre out of horror movies set in an office work place, these days, but “The Night Watchmen” has a great time making use of the back drop, with the various halls and corners of the office, and the typically monotonous setting.
Dead Man Tells His Own Tale (El Muerto Cuenta su Historia) (2016) [Fantasia International Film Festival 2017]
A man who can best be described as a misogynist cheating liar finds himself undead and bound to do the biddings a coven trying to raise their goddess to take over the world.
Written by Nicolás Britos and Fabián Forte with the latter directing as well, Dead Man Tells His Own Tale sets up its lead to be despicable and dislikable, doing so very successfully and keeping that up almost throughout the entirety of the film. Then it attempts to make the public care for him and his undead plight, something that works a lot less given that he’s still an unlikable being and still is trying to do what he always has and wanted to without much care about how it affects the people around him. The way they build him makes it very hard to care for him. Most of the characters built are hard to care for as most are written in a way and into situations where they do things that make them less than likable. This creates an atmosphere of negativity that evolves towards the ending here which makes sense, but does not make this viewer want to care.
Small Gauge Trauma 2017 [Fantasia International Film Festival 2017]
Small Gauge Trauma is a programming block of shorts at the Fantasia Festival that sort of functions as a two hour anthology movie without a wraparound story. The shorts can be in any genre and are chosen by rough theme. In the 2017 edition’s case the theme was “Family” and while I know that this doesn’t sound overtly ominous, trust me when I say that it should.
Before I even start the review(s) I’m going to issue a mild to medium spoiler warning. Short films are, well… you know… short. So I have to talk about something and because the various runtimes are often under ten minutes I may mention stuff that happens towards the end. I promise I won’t ruin any twists and I will try not to describe every aspect of the plot and story, but I have to work with what I got.
68 Kill (2017) [Fantasia International Film Festival 2017]
A man living in an abusive relationship is put through the ringer and finds his inner strength to survive and move on following a wild and crazy night and day.
Based on the novel by Bryan Smith, written and directed by Trent Haaga, 68 Kill is an insane ride filled by crazy, lunatic characters. The whole thing seems completely nuts and ludicrous but it works. Somehow, Haaga took all the most ridiculous characters and situations and makes them work in a sort of white-trash opera. Here all the characters do dumb things for dumb reasons and they almost all are assholes and lunatics, yet the film is crazy fun to watch and has a story that moves at a good, fast pace and leads to a satisfactory ending. Haaga took all of the most unlikely elements to make one of those film that should not work yet does so beautifully.