Tag Archives: Comedy

Black Cats and Broomsticks (1955)

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“Each year a hundred Americans die because they go to a wizard instead of a doctor.” Ah yes, the great Wizard epidemic of 1955, I read about that in the text books. Americans had wizards and sorcerers, where as today we have Goop. Oddly enough, this short subject PSA for Americans fearing witches and Satanism confuses pseudo-science and superstition with actual witchcraft. A lot of Americans were under the idea that sacrificing animals to Satan was just the same as crossing your fingers for a dose of good luck. Those wacky Americans!

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Michael Legge: Ghoul’s Night Out

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Underground film icon Michael Legge is celebrated for his distinctive horror-comedy films that mix the macabre with wonderfully droll silliness. On this episode on “The Online Movie Show,” the Massachusetts-baed creator of such brilliantly batty films as “Working Stiffs,” “Honey Glaze,” “Brain Drainer,” “My Mouth Lies Screaming” and “Monochromia” – as well as his foray into serious horror, “Evan Straw” – discusses his remarkable career and previews his upcoming film “Crawlers.”

The episode can be heard here.

“The Online Movie Show” is produced at Platinum Wolfe Studios.

Bugs Bunny’s Howl-oween Special (1977)

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It’s Halloween and Daffy Duck’s Nephew encounters Witch Hazel while trick or treating. Terrified he runs away screaming and insisting to Daffy that he saw a witch. Determined to prove him wrong he takes him to her house. Meanwhile Bugs turns up in the same costume Daffy’s nephew is wearing and has his own adventure with Witch Hazel. As always with these Looney Tunes “movies,” they’re really just bare boned one page premises serving as frames for craftily edited montages that count as big movies. If you hadn’t seen these Looney Tunes shorts a million times like yours truly, you’d never really be able to tell much a difference.

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Ghostbusters 2 (1989)

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“Ghostbusters” was a superb one and done premise that worked because it had such regular men who were called in to confront some spectacular circumstances, and in the end have to figure out how to live in a reality where they’ve essentially proven the existence of the supernatural. It’s surprising that the follow up is so sub-par and often monotonous as it almost has nothing to do with the original concept. It kind of goes through the motions and doesn’t exactly know how to continue building on these originally complex and flawed individuals. They don’t evolve much at all from when we last saw them, and writer Harold Ramis and Dan Akroyd seem to be painted in to a corner by devolving them and building them back up all over again.

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La pazza gioia (Like Crazy) (2016) [San Diego Italian Film Festival 2017]

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Two women interned in a psychiatric facility in Tuscany escape looking for a little bit of happiness.

Written by Paolo Virzy and Francesca Archibugi based on a story by Virzy who also directs, La pazza gioia is a lovely story of two women with not much in common coming together to try and find some happiness. Given that both are crazy leads to this being complicated by where they live and their issues as well as how they are viewed on the outside of the facility. These characters are charming even as their issues come to light and they are clearly not completely innocent. Their background is explored in a way that gives a view on mental facility patients that is not all negative. It’s a view on them that is gentle, loving, and caring. The characters are shown as humans first, crazy second. Their goals are like anyone else’s; they just go about things a bit differently. The way the film approaches mental health is refreshing as the story is not at the expense of the patients but respectful of them and their beings. They are fully fleshed characters and not caricatures of their issues, something that brings the viewer in and creates a story that is easily enjoyed while showing how hard life can be for people with mental problems and issues.

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Happy Death Day (2017)

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If the premise for “Happy Death Day” sounds eerily similar a certain Bill Murray comedy where a man has to re-live the same day over and over, it’s not you. “Happy Death Day” is unofficially a remake of said movie but with a murder mystery injected for good measure. The thing about “Happy Death Day” is that it knows it’s literally a redoing of “Groundhog Day.” Seriously, it literally stops to acknowledge the fact that we’re watching a modern re-imagining of a sort. Not that that hinders the experience of “Happy Death Day” thankfully. Through and through it’s mediocre, but it charms as an engaging coming of age romance painted in the shade of a horror comedy.

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