In “Nebraska,” Woody Grant is convinced that he’s won a million dollars. So convinced is he that he’s won, that soon everyone begins to believe it. What were once old friends, are now people intent on collecting a debt from him, while old relatives come knocking at his door asking for a hand out. Woody Grant is known as the town degenerate, a man who lived life as a loser and will die a loser, only when he perceives himself as a winner, do people begin to believe he is, and try to exploit that.
Before the series wore out the gimmick like a bad pair of pants (Homer was a Seattle grunge rocker? Seriously?), “The Simpsons” had the tendency to evoke some of the most heartfelt nostalgic episodes of all time. They not only were hilarious and infinitely quotable, but they also packed a lot of heart. “The Way We Was” chronicles the beginnings of Homer and Marge’s tumultuous romance, and how they managed to find love in one another in spite of being polar opposites. The episode has great meaning to me, if only because it introduced me to one of my favorite songs of all time, “The Joker” from Steve Miller.
I’m surprised Cartoon Network decided to remake and bring back the “Powerpuff Girls.” After their infamous statements in 2013 that their cartoons are aimed for boys and boys only, I’m not too sure what the reasoning is behind bringing back their very entertaining series about the three heroic young girls fighting crime in Townsville. I know, it’s all about the dollar at the end. They want money, and will only invest in series that make money. But when they basically told girls to go bake cookies, and stop watching the network last year, “Powerpuff Girls” is an odd show to re-invent and bring back for a new generation. I almost expected “Foster’s Home” or “Johnny Bravo” to be their target remakes.
Director Justin Baird’s “The Big Kiss Off” is a very charming movie with a lot of good intent behind it. Often times good intentions count for much, but they don’t always turn around a good movie. The good news is that “The Big Kiss Off” strives to be a new age PI crime comedy, and works because it really does present within it a tight narrative that is interesting, even when it falters every now and then.
“Harvey” is another one of those non-conformists dramedies that asks what the harms is in being a little different. In a time where normality and conservative thinking were a standard, and psychology was still a new aspect of society, “Harvey” is yet another wonderful tale about a unique individual who changes the lives of everyone around him. That’s all thanks to the small ounce of magic he brings to people that have convinced themselves they’re normal, but really aren’t. While “Harvey” fancies itself as a dramedy, it’s first and foremost a light hearted romp through fantasy and imagination, and will often inspire raucous laughter from viewers.
If you’re going to try and mimic one of the most successful teen comedies of the eighties, at least have the budget to back it up. “Hot Times at Montclair High” is one of the lamest rip off of “Fast Times” I’ve ever seen. It’s one of those films that takes every chance to copy from the previous film, except it fails to deliver what made the film such a success. Like great writing, engaging characters, comedy, and a truly interesting series of narratives and sub-plots.
Judging from “The Girl I Want,” all of life’s problems can be solved by watching Linnea Quigley and Karen Russell dancing and bouncing up and down on a bed for ten minutes set to rock music. I know that’s not the point of “The Girl I Want,” but I was entranced by Quigley and Russell flexing, bouncing, jiggling, and dancing for the screen for no apparent reason. Not that there ever has to be.