The Return of the Living Dead (1985)

return-of-the-living-dead

Director Dan O’Bannon’s 1985 zombie picture is about as pitch perfect a horror comedy you can get. The film itself re-imagines the walking dead and manages to deliver oodles of comedy and horror nuggets to its audience that has kept it alive and kicking since its initial release. What many thought was once an untouchable formula transformed the walking dead in to a beast anyone could tinker with, and allowed other writers and directors a chance at re-creating the modern zombie. Sadly, none have been quite as successful as Dan O’Bannon and the minds of “The Return of the Living Dead.”

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Girl vs. Monster (2012)

gvsmWhile many kids of the nineties will agree that DCOM’s simply aren’t as good or as innocent as they used to be, the talent has improved enormously. Most of the actors in the past DCOM’s (Disney Channel Original Movies) were always so blustery and stilted in their performances, in spite of the fact that Disney took more risks with their movies. These days, they’ve traded subtlety for talent. “Kickin’ It” is one of the few successful boy oriented shows Disney has launched. It’s a show about a group of kids who deal with growing up through the skill of martial arts, and one of its stars Olivia Holt has displayed a real charm and charisma that’s tough to keep contained.

In “Girl vs. Monster” she has a real magnetism and appeal that makes her the ideal choice for the role of a young girl about to come in to her own as a monster hunter in a legacy of master monster hunters in her family. “Girl vs. Monster” contains elements of “Supernatural,” and “Ghostbusters,” with a hint of “Hocus Pocus” and manages to be rather entertaining. Skyler Lewis is a bold and brave young girl who isn’t afraid of anything. She leaps on to a rafter to fix a Halloween banner and lands the fall with grace, and before leaving with her friends engages in a performance with a local band for the room. She’s the envy of many people, and we’re forced to believe somewhat of an outcast. Her parents are primarily mold specialists whom are incredibly over protective and refuse to let her attend the Halloween party thrown by musician Ryan, who begs Skyler to sing for the group when lead singer Myra is hurt in a hilarious accident. Refusing to let her go, Skyler’s odd parents leave her in the charge of her uncle, and lock her inside the house.

Determined to make it out, she shuts the power down to the house and accidentally frees the evil Deimata from the ghost chamber in their basement. On a mission to possess Skyler and feed on her fear, Diemata is intent on hunting Skyler down as Skyler comes to grips with the fact that she has to be a hero. Very much in the vein of “Halloweentown,” Skyler is a girl who loves Halloween whose over protective parents are suppressing her until a certain age where she can become a hero of some kind. In that regard it’s rather derivative. I also never understood why the parents would house a ghost chamber in their basement and make their power grid so functional and easily shut down by hand when their house is protected by a key pad. And what would Deimata accomplish by possessing Skyler? Was it a part of a master plan to destroy the legacy of monster hunters? Or was she trying to inflict revenge on Skyler’s parents? As with most DCOM’s, “Girl vs. Monster” is entertaining and very charming, but often very silly and doesn’t entirely make a lot of sense in the end.

But the primary reason to watch “Girl vs. Monster” is because it’s such an interesting concept worthy of a few follow-ups for the character of Skyler, and star Holt has a real enthusiasm and draw that’s tough to ignore. As with all DCOM’s, this new film is about a character coming of age, and ultimately she has to learn how to cope with fear and use it as a means of thriving in life rather than letting it control her. As the film progresses we learn that Skyler may not be too normal, while her two friends often paralyzed by their insecurities may be more in control around demonic beings. The trio of ghouls feast off of the insecurities of teenagers, and are basically just metaphors for anxiety, insecurity, and self-esteem. They’re manifestations of those flaws, and they feed on such horrors.

To defeat them they must ultimately face their fears, which means Skyler’s friend Sadie must confront her fear of public speaking, goofy Henry must battle a bullying scarecrow, and Skyler must perform her music for the party she’s attending. As with all modern DCOM’s, the cast is intended to do more than just act, so Olivia Holt pulls in double duty as a singer and actor and accomplishes some strong singing paired with some very catchy music for the film’s inevitable soundtrack. While it has bumps along the road, “Girl vs. Monster” has a clear message for its teen audience about confronting fears, while marketing on the growing popularity of talented star, Olivia Holt. It’s a very pleasing Halloween treat. With Disney trying to re-invent their Halloween tradition for a new audience and move away from the classic “Halloweentown,” the new “Girl vs. Monster” is a fun and exciting action comedy for the teens, but I doubt it’ll be as well received as the former more festive fantasy film. Olivia Holt has real potential, and I hope Disney banks on her more in the future.

Popcorn (1991)

There aren’t many movies that come along every so often like “Popcorn,” but it’s safe to say long before “Scream” stomped in to theaters to pay tribute to the classic horror tropes, movies like Mark Herrier’s “Popcorn” came and showed audiences how to do it first and better. Which is not to say “Popcorn” is as landmark as “Scream” was. In fact it’s about as unremarkable as any old shelf filler from the eighties. But for a film that came along during the death of the slasher genre in the early nineties, it’s a safe bet that “Popcorn” will whet the appetites of anyone looking for an eighties romp in the cinema with some classic devices of the slasher and mystery genre.

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Basket Case 3: The Progeny (1992)

basketcase3-coverThanks a lot to Frank Henenlotter for only making three “Basket Case” movies. I really couldn’t mentally handle eight or nine movies about Belial and his life with his moronic brother Duane. These two buffoons have to be the most non-threatening horror figures since Chucky. Duane went from a tortured soul to a goofy sidekick in three films, while Belial started life as a rabid monster incapable of speak to a daddy expecting children. After diddling fellow freak Eve in “Basket Case 2,” Belial unwittingly knocked her up, and now is expecting babies. Duane, after killing cardboard cut out Susan, and involuntarily stitching Belial back to him, has been locked up in a padded cell left to consider what he’s done.

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Basket Case 2 (1990)

BasketCase2It’s pretty hilarious how though the sequel to “Basket Case” is said to have taken place the night after Duane failed to commit suicide with Belial, actor Kevin Van Hentenryck seems to have aged since the first film from eight years prior. “Basket Case 2” embraces the idiocy this time around, taking the route of the “It’s Alive!” sequels. Rather than Belial being a rare case of a deformed monster, we learn that there are in fact a tribe of deformed monsters of various dispositions living in the suburbs. And they’re all being cared for by the eccentric Granny Ruth who not only cares for them but acts as their therapist. The line “I understand your pain, Belial, but ripping the faces off people may not be in your best interest.” is actually delivered with a dead pan expression.

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My Sucky Teen Romance (2012)

awHJIqTDirector Emily Hagins gained instant fame in 2006 when she recruited all of her friends and family to direct her first feature horror film. The production and Hagins’ enthusiasm for the genre garnered the attention of film critic Harry Knowles (who cameos as a vampire expert) who took Hagins under his wing helping to fuel her film career. In 2009, Hagins then became the topic of the excellent documentary “Zombie Girl: The Movie,” a light hearted and entertaining look at Hagins relentless efforts to complete her feature length zombie film “Pathogen.” The documentary took festivals by storm and remains one of the more heart felt depictions of filmmaking ever produced. Now that we’ve played catch up, “My Sucky Teen Romance” is director Emily Hagins one step forward in to a much more legitimate career as a film director.

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Transylmania (2009)

transylmania“Transylmania” is a pretty much just a waste of time. It rips from better horror comedies and tries in vain to construct something new and fails at every single turn imaginable. Go see “Transylvania Twist,” or “Young Frankenstein,” or “Abbot and Costello Meet Frankenstein,” or “Hold That Ghost” if you want to view what a true horror comedy is capable of. Hell, go see “Dracula Dead and Loving It” if you want to see a film that never quite manages to make use of its horror farce status but is still ten times better than “Transylmania.” It feels as if they wrote out a story (assuming there is a story) that involved a bunch of moronic college kids going to a foreign country. And then someone along the way figured they’d make some cash off the vampire craze and injected a lot of faux horror themes in to the script.

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