As a man who had absolutely no faith in the remake of William Lustig’s grindhouse classic, it’s quite telling that the opening of the film inspired a gasp out of me, followed by a “Holy crap.” Director Franck Khalfoun also wisely sidesteps the grit of New York (New York now no longer the wasteland is was in the eighties) entirely in favor of the more menacing and vast Los Angeles, all the while injecting an artistic gloss that makes the madness seem more surreal. “Maniac” is a gruesome and disturbing re-working of the classic horror film, that pays respect to the original, while also challenging its gore and violence, in the process. Elijah Wood’s performance is surprisingly unsettling and occasionally horrifying, since his character Frank Zito is a victim of his own madness.
Tag Archives: Crime
RoboCop (2014)
Truthfully, how much further can Hollywood damage Robocop? I think the hoopla surrounding the Robocop remake was very over the top, if only because Hollywood neutered Robocop years ago. “Robocop” was about a man brutally shot to death whose corpse was resurrected in a metallic casing that allowed him to shoot rapists in the nuts. By the time “Robocop 3” ended, he was a mascot with a cartoon, appearing on lunch boxes, and a PG-13 television series. So truth be told, José Padilha‘s remake doesn’t damage the character any further. The best thing I can say about it is that it’s better than “Robocop 3.”
Say Anything… (1989)
Truly, “Say Anything” is one of the most iconic romance movies of all time. It’s a last gasp of the eighties and in many ways a very touching tale of two people finding one another. But one of the best things about it is the final scene. Much in the way “The Graduate” ended, “Say Anything” puts our characters through the ringer, and then throws everything up in the air leaving it there for the audience to figure out what will happen next. Like Benjamin and Elaine in “The Graduate,” our young couple sits on a plane awaiting their fate and look at one another pondering on what the future holds.
90’s Night In – 8-Movie Set (DVD)
For folks looking to re-live the nineties, Mill Creek Entertainment has made eight of the more notable and not so notable films from that decade available for folks craving overalls and ripped jeans. And there was that odd period where everyone was obsessed with swing dancing. What the hell was that about? Nonetheless, at over twelve hours long, Mill Creek offers eight dramedies of varying quality, and many of which are definite time capsules of the decade.
Gotham City Serials – Batman/Batman And Robin: The Complete 1940s Movie Serials Collection (DVD)
It’s a good time to be a Batman fan. With another movie coming up, a new prequel series, and the Adam West Batman show finally coming to DVD this year, Mill Creek is wise to release the forties theatrical serials for Batman fans daring enough to venture in to the sketchy movie serials of the 1940’s. Don’t go in to this string of movie serials expecting modern Batman, or even Adam West Batman. It’s a very low budget adaptation of the Bill Finger character that also is heavily steeped in racial stereotypes. If you can consider the context of the serials, you may just enjoy the two disc DVD from Mill Creek Entertainment.
Nurse 3D (2013)
If there’s anything really good I can say about “Nurse 3D” is that you certainly won’t be bored. Will you be entertained? Well, that’s debatable, but bored? Likely not. I certainly wasn’t bored through “Nurse 3D.” Granted, it’s one of those so bad it’s good exploitation horror movies, but it’s definitely a good time, and kept me watching from minute one. It also has its fair share of gorgeous women including Paz De La Huerta, and Katrina Bowden. Broken down objectively, director Douglas Aarniokoski’s “Nurse 3D” is simply just another obsession horror film, but takes the formula and completely drops it on its head. Director Douglas Aarniokoski films the story in a pulpy glossy lens, that makes the film feel like a neo-noir horror comedy very detracted from reality.
Bazookas: The Movie (2009)
If you loved films like “Porky’s,” or “Hot Resort,” then Michael G Leonard’s indie exploitation comedy is right up your alley. It’s as if someone took a script from 1983 and fitted it for modern times, without trimming any of what made eighties films so much damn fun. The gratuitous nudity, shameless innuendo, busty babes running around and frolicking, and the plot of the underdogs battling an evil corporation for control of a community, it all here and then some. You know where the director’s head is when the prologue of the film begins on a racquet ball match between a gym owner’s son and a gorgeous woman and ends on her topless and smashing her chest in to a glass window.





