Director Justin Baird’s “The Big Kiss Off” is a very charming movie with a lot of good intent behind it. Often times good intentions count for much, but they don’t always turn around a good movie. The good news is that “The Big Kiss Off” strives to be a new age PI crime comedy, and works because it really does present within it a tight narrative that is interesting, even when it falters every now and then.
Tag Archives: Crime
Short Term 12 (2013)
Brie Larson has remained one of the most subtle and hard working character actors in modern film, sometimes taking seemingly missed turns in great indies (The Spectacular Now), and often blowing people away with supporting performances (Scott Pilgrim vs. The World). In “Short Term 12,” Larson proves she’s capable of being a lead and should often play the leading character in films that can show she’s a performer of beauty and immense vulnerability.
Head Cases: Serial Killers in the Delaware Valley (2013)
Independent filmmaker Anthony Spadaccini always had a keen visual eye, leaving no stone left unturned. You can tell by watching his films that he takes great pride in every shot and every camera angle. His films are an emotional experience, but even more than that, they are a visual experience to remember. You feel as though you are entering another dimension or another universe. You are a little uncomfortable, scared, and unsure, yet you can’t look away and you can’t wait to see what unfolds next. It grabs the viewer right from the get go and doesn’t let go.
Head Cases: Serial Killers in the Delaware Valley (2013)
Independent filmmaker Anthony Spadaccini always had a keen visual eye, leaving no stone left unturned. You can tell by watching his films that he takes great pride in every shot and every camera angle. His films are an emotional experience, but even more than that, they are a visual experience to remember. You feel as though you are entering another dimension or another universe. You are a little uncomfortable, scared, and unsure, yet you can’t look away and you can’t wait to see what unfolds next. It grabs the viewer right from the get go and doesn’t let go.
Carrie (2013)
If there’s anything I can say about the remake of “Carrie” is that it’s at least better than the 2002 version. It’s more focused and sleeker. I remember reading on many articles that director Kimberly Pierce was planning to deliver a new and dynamic version of Stephen King’s “Carrie” that differed greatly from Brian DePalma’s iconic horror masterpiece. I’d love to know what happened during the entire development of this film because watching it, all I saw were callbacks to the original DePalma movie. Surely, there’s the addition of the internet and a small riff on cyber bullying but it’s really just a riff on DePalma’s film.
The Spectacular Now (2013)
Director James Ponsoldt’s drama is very much a film that takes its pages from John Hughes’ teen oriented films about change and growing up. “The Spectacular Now” is much in the arena of “Breakfast Club,” and “Say Anything” where what we once thought we understood is actually false, and we eventually reach a fork in the road where we must decide to move on, or stay perpetually stunted by our environment. Director Ponsoldt introduces us to the destructive part of our lives that keep us from accepting growth and adulthood, and he just happens to be our protagonist Sutter.
Jungleground (1995)
I really enjoy Roddy Piper as an action star. The man had screen presence, charisma, an could turn any clunky role in to a bonafide winner. The 1995 cheapie “Jungle Ground” is a two pronged vehicle for Piper, acting as his own custom tailored “Escape from New York” and “Die Hard.” It’s Piper as an average cop stuck behind enemy lines in a lawless gang warzone who has to fight his way out and save his wife. He even gets to shoot down a criminal declaring “Hi Ho, Silver.” Too bad “Yippee Ki Yay, Motherfucker” was taken.