Hobo With a Shotgun (2011)

hwasgJason Eisener’s “Hobo with a Shotgun” was such a long time coming it’s ridiculous. With a movie that’s dared to defy all expectations, it’s very much a twisted balance between Troma and pure unadulterated Grindhouse madness that has the potential to reach mainstream audiences with a wider theatrical release. With “Grindhouse” flopping, and “Machete” floundering at the box office, “Hobo with a Shotgun” is a breath of fresh air, a movie so utterly filled with mind-blowing grindhouse tropes and a genuinely interesting story that you can almost feel the piss stained theater floor under your feet, while watching what essentially adds up to being a tongue in cheek and darkly disturbing take on the class warfare in America. This is Jason Eisener’s America, a world where the battle of rich and poor amounts to trips in to Scumtown USA where we lay our scene.

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Transporter 3 (2008)

transporter_three_ver3_xlgFrank Martin is back and is in deep doo doo for the third go around in the “Transporter” series. Now retired and taking a long needed vacation, fate comes crashing down his doors as he’s confronted with a colleague who is killed in the middle of what was supposed to be his job all along. When Frank is taken off guard he awakens to learn that he and his car can not be separated or else he and the enigmatic women in his co-pilot seat will go up in a burst of flames. “The Transporter” series has been one of my favorite knock offs of “The Driver” this millennium and Jason Statham is a wonderful successor to Ryan O’Neal as this man with tones of gray allowed more breathing room this go around.

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S.W.A.T.: Firefight (2011)

S.W.A.T.-FirefightBy now it’s a pretty quick assumption that we may never get a truly great movie about “SWAT” the television show. What was a gritty violent and often disturbing show about life on the business as a SWAT officer became a pretty high budget and meek blockbuster vehicle for a cast of B listers who were more GI Joe and less “Heat.” Now with “Firefight” the studio behind this star-less vehicle ups the ante by pretty much assuring we’ll never see a reboot ever again with a competent cast. Which is not to say “Firefight” is a bad movie. It’s not. In fact it’s a very well made and steadily paced “sequel” that takes every precaution to do what it can with the cast of D listers who take up spots that once belonged to up and comers like Colin Farrell and Jeremy Renner and veterans like Samuel L. Jackson.

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Ninja Assassin (2009)

Ninja-Assassin-WallWhile I appreciate the inherent ambition behind the script written by Matthew Sand and J. Michael Straczynski, any and all potential for absolute entertainment is wasted in the first fifteen minutes. Folks looking for a splatterific ninja quest will find the prologue to be one of the most grotesque and twisted openings to a ninja film. And then it goes downhill from there. It seems like the writers just aren’t happy enough with exploring the quest of ninja Raizo, but they instead want to focus on back story after meaningless back story.

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Scalene (2011)

scaleneMargo Martindale is amazing. That was my first reaction upon viewing her portrayal as the mentally anguished mother Janice Trimble in Zack Parker’s brutally demented and compelling revenge drama “Scalene,” a movie about points of view and how sometimes our own is all we need to get us through the night. Martindale commands an ingenious movie about the end of a tragedy and the beginning of lunacy where mom Janice Trimble is forced to confront many issues in the run time of the film. One of which is the possibility that her mentally disabled son brutally raped a college girl.

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Beavis and Butt-Head Do America (1996)

Before “South Park” and before “Jackass” Beavis and Butt Head treaded ground, first. They had commentary about aimlessness of our American educational system, they had gimmicks that made them iconic cartoon characters, and surely enough they indulged in pranks that were often so grotesque they should have been their own show. But most importantly they were funny and if you were around during the nineties, you can fondly remember seeing Beavis and Butthead everywhere. They were the source of all evil in the world next to Bart Simpson, and threatened to turn children in to raping thieving morons who would destroy the world. And while they were half right, Beavis and Butt head were stereotyped mainly because they were animated characters.

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I Saw the Devil (Akmareul boattda) (2010)

I SAW THE DEVILRevenge like anything is best served when in intricate doses. Batman, The Punisher, Freddy Krueger, they didn’t elicit their revenge in bouts of quick murder and or suicide. They instead withheld the final blow for as long as they possibly could and made the experience about as painful and immensely grueling as possible before the final closing shot. That’s the case for “I Saw the Devil” one of the most finely tuned revenge films ever created. It’s not just a movie about a man on a rampage looking for the monster who destroyed his life. It’s about a man embracing his inner most monsters and destroying the life of the man who took great pleasure in ruining his.

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