While I appreciate the inherent ambition behind the script written by Matthew Sand and J. Michael Straczynski, any and all potential for absolute entertainment is wasted in the first fifteen minutes. Folks looking for a splatterific ninja quest will find the prologue to be one of the most grotesque and twisted openings to a ninja film. And then it goes downhill from there. It seems like the writers just aren’t happy enough with exploring the quest of ninja Raizo, but they instead want to focus on back story after meaningless back story.
Tag Archives: Crime
Scalene (2011)
Margo Martindale is amazing. That was my first reaction upon viewing her portrayal as the mentally anguished mother Janice Trimble in Zack Parker’s brutally demented and compelling revenge drama “Scalene,” a movie about points of view and how sometimes our own is all we need to get us through the night. Martindale commands an ingenious movie about the end of a tragedy and the beginning of lunacy where mom Janice Trimble is forced to confront many issues in the run time of the film. One of which is the possibility that her mentally disabled son brutally raped a college girl.
Beavis and Butt-Head Do America (1996)
Before “South Park” and before “Jackass” Beavis and Butt Head treaded ground, first. They had commentary about aimlessness of our American educational system, they had gimmicks that made them iconic cartoon characters, and surely enough they indulged in pranks that were often so grotesque they should have been their own show. But most importantly they were funny and if you were around during the nineties, you can fondly remember seeing Beavis and Butthead everywhere. They were the source of all evil in the world next to Bart Simpson, and threatened to turn children in to raping thieving morons who would destroy the world. And while they were half right, Beavis and Butt head were stereotyped mainly because they were animated characters.
I Saw the Devil (Akmareul boattda) (2010)
Revenge like anything is best served when in intricate doses. Batman, The Punisher, Freddy Krueger, they didn’t elicit their revenge in bouts of quick murder and or suicide. They instead withheld the final blow for as long as they possibly could and made the experience about as painful and immensely grueling as possible before the final closing shot. That’s the case for “I Saw the Devil” one of the most finely tuned revenge films ever created. It’s not just a movie about a man on a rampage looking for the monster who destroyed his life. It’s about a man embracing his inner most monsters and destroying the life of the man who took great pleasure in ruining his.
Ninja (2009)
If you’re looking for a big hunk of eighties ham and cheese perfected by Michael Dudikoff with “American Ninja,” you have to look no further than the 2009 ham and cheese feast known as “Ninja”! From start to finish this movie is based around some of the hammiest acting I’ve ever seen and is centered on some truly cheesy storylines that have about as much originality as a Jean Claude Van Damme Movie. Hell, the little boy in me loved the whole ninja mysicism behind Scott Adkin’s starring vehicle matched with the blundering storyline that was about predictable as you can imagine if you have your eyes wide open throughout the first twenty minutes, but for all intents and purposes the Isaac Florentine actioner is not intent on being a masterpiece of action cinema.
The Town (2010)
Ben Affleck impressed with his debut as director for “Gone Baby Gone,” a criminally underrated film. And he manages to impress yet again with “The Town,” a film about crime becoming a way of life, and death just another consequence for a profession. When is enough finally enough for someone? This is examined with Doug McRay, a man who has resorted to robbing banks for a living after a descent in to drugs. He’s mastered bank robbing down to a fine art, and one he specializes in that keeps him and his group of gun toting guns for hire constantly on the verge of being murdered on the job. As examined by the prologue, crime is often a way of life for folks in their city, and with Charlestown being the number one source for bank robbers, Doug only knows how to commit crimes, and is a veteran of such an common trade that he can barely remember what life was like before it.
Big Mommas: Like Father, Like Son (2011)
I love how studios assume that just because you stuff a moderately funny man like Ken Jeong in a hip moderately entertaining show like “Community,” you’re destined for comedic greatness. They thought they could work Jeong in for easy laughs in “Vampires Suck!” and they failed. And lo and behold he shows up in the first five minutes of “Big Momma’s” playing–what else–a crazy Asian man who happens to be a disgruntled postal worker. No one in “Big Momma’s” acts like an actual person you’d see on the street. No one would actually chase down and violently tussle with a mailman but hey, Martin Lawrence is grasping at straws in the final film series he really seems to be holding on to for dear life.