A hitman who took over the family business from his father ends up taking a young woman after she’s witnessed a hit. There is something more to her that is making him care about her survival.
Tag Archives: Crime
Halloween Ends (2022)
For a long time, “Halloween” has been a lot about the inexplicable evil that arose in Haddonfield. But what Danny McBride and director David Gordon Green attempt to do is explain that Michael Myers is only symptomatic of what resides at Haddonfield. Like everywhere in humanity, there always has to be a scapegoat for to pit hatred and fear on to something, and Michael Myers was for a long time the epicenter of it in Haddonfield. “Halloween Ends” explores more the idea of evil as an amorphous entity rather than a maniac in a mask. While Michael Myers was every bit as evil and a force of darkness as we saw in “Halloween,” the final film in the new trilogy takes a step back to look deeper in to the darkness.
The Black Phone (2022)
Director Scott Derrickson bring to screen what is really one of the more riveting thrillers of 2022. While “The Black Phone” almost always runs the risk of getting lost in its obvious influences of Stephen King and Amblin, “The Black Phone” ends up being a truly engaging and often scary hostage thriller. This one thinks somewhat outside the box bringing us not only in to the hot seat of the character that’s been kidnapped, but it also gives us a look at the echoes that emanate with every victim that villain “The Grabber” has ever victimized and murdered.
Dr. Cheon and the Lost Talisman (2023)
A man who has faked being an exorcist for years, swindling people out of money while not actually doing much beyond providing a placebo for their issues finds himself faced with a real possession case and must rise to the occasion or move on from his career.
Natty Knocks (2023)
With these indie horror films set during the Autumn or Halloween, the filmmakers often tend to forget that Halloween should be a spice, not the main ingredient. Dwight Little who is mostly famed for delivering “Halloween 4” give us a movie that is in essence a Halloween movie. And it’s a Halloween movie with a pale faced villain. But it’s not a movie with a certain pale faced villain because, you know, copyright and all that. What could have been a great Halloween flavored horror movie is essentially just a chore to sit through.
Hellraiser: Judgment (2018)
Allegedly Gary J. Tunnicliffe originally drew up a script for a “Hellraiser” movie which he then retooled in to an indie horror film after it was rejected. Later his concept was reworked in to a “Hellraiser” movie as a means of keeping the series in motion. Without the bits about the Cenobites, “Judgment” feels like a cheap “Seven” knock off about a serial killer that weaponizes the ten commandments instead of the seven deadly sins. It feels like a movie that was made in 2002 with choppy editing and murky directing that made it feel like a music video for Evanescence or System of a Down.
Headless Horseman (2022)
Take two cups of “Ghost Rider,” one cup of “Spawn,” a dash of “The Crow,” mix it up with only a fraction of the budget, and you have Jose Prendes’ “Headless Horseman.” The Asylum’s newest mockbuster watches like an off brand comic book movie from the late nineties. It feels like something from a studio that couldn’t afford Marvel’s “Ghost Rider,” so they opted for a character from an obscure indie label. If it seems like I’m just mocking “Headless Horseman,” I’m truly not. I was surprised at how much I didn’t hate it, as while the movie borrows from the aforementioned series’ wholesale, it amounts to some cheesy, charming fun.