I, Robot (2004)

Posted on December 26, 2004 by Felix Vasquez

“I, Robot” is very, very loosely based on Asimov’s concept and stories, and, as much as I wanted to, I didn’t hate it. As a matter of fact, I had a real blast. The first point this had up for it was the fact it was directed Alex Proyas, Proyas is the director of two of my favorite films of the past fifteen years, the first one being the imaginative and beautifully morbid film “Dark City”, and one of my favorite films of all time “The Crow” a marvelous ode to the legacy of Brandon Lee, one of my film icons. Proyas is one great underrated director and he puts his skills to work in this wild and fun but still thought-provoking film. Will Smith plays Dell Spooner, an officer for the now futuristic Chicago who despises robots. The problem with his hatred for them is that they’re everywhere now under servitude as tools for humans like a utensil.

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Bulletproof Monk (2003)

Posted on December 12, 2004 by Felix Vasquez

I never read an issue of the actual comic this was based on, but judging by this often times ridiculous and stupid piece of popcorn numb skullery, the comic can’t be that good. This is the type of stuff that would appeal to a fourteen year old boy, the type of film that unfortunately plays more like a “Power Rangers” episode than an actual comic book movie with an awful fight sequence in the opening amidst a backdrop of a bad CGI forest in which Chow Yun Fat, our hero, and his master fight along a bridge as a young boy looks on. The young boy, by the way, is shown quite often, but disappears later on in the movie to play no role whatsoever, but I digress. This is one of those films with one of those odd realities in which everyone, everyone knows Kung Fu! Even the German soldier villains. I don’t know it. I can handle myself well, but I don’t know kung fu, but alas, if I lived in this reality I’d know it automatically. If only, eh?

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Saw (2004)

Posted on November 6, 2004 by Felix Vasquez

“Saw” is quite possibly the horror film I’ve been waiting for for years. It’s sick, twisted, disgusting, tense, gory, shocking, and claustrophobic. This does not start off with comforting the audience and easing them into the story, it opens in which one of the men named Adam (Leigh Wahnell) emerges from a bathtub of water screaming and meets Dr. Lawrence Gordon who is basically in the same boat. Playing like a “Sunset Boulevard” meets “Se7en” we see the story of both men and what led up to their capture and why they’re there.

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The Butterfly Effect (2004)

Posted on October 24, 2004 by Felix Vasquez

“The Butterfly Effect” is a rather ludicrous hybrid of two very good movies “Donnie Darko”, and “Frequency” and what results is the bastard child of the two. It’s a pretty dumb and utterly pretentious jumbled drama that is never sure what it’s trying to say, or what in fact it means. Is it a tragedy? Drama? Thriller? Science Fiction? Fractured Romance? Does the butterfly effect really apply to this, or is that theory just used as a plot device for this? I was never really sure, but what I was sure of is that this definitely is none of the more complex dimensions.

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Runaway Jury (2003)

Posted on October 10, 2004 by Felix Vasquez

“Runaway Jury” is the type of film that makes me happy to be such a hardcore movie fan, beautiful cast, well acted, well directed, and taut, this is a prime courtroom thriller. Based on the book by John Grisham whose name has become synonymous with courtroom dramas, rather than focusing solely on the drama in the courtroom, we also focus on the people behind the curtain, the defense and the prosecution who pick jurors one by one and decide which would be most suitable. The difference in this process are the two people behind it; Wendell Rohr and Rankin Fitch played by heavyweights Dustin Hoffman and Gene Hackman, Rohr (Hoffman) is a fiercely moral lawyer who plays by the rules along with his newest assistant Lawrence Green (Jeremy Piven) who can read body language and voice tones, he gets his job by convincing Rohr he’ll be needed during this trial if he intends on winning and defeating Fitch.

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Kill Bill: The Whole Bloody Affair (2003)

Posted on October 10, 2004 by Felix Vasquez

This is Tarantino’s fourth film after a self imposed hiatus in filmmaking. Originally set to be one whole film, the studios made him split his long story into two films, possibly for franchising opportunities, but who knows? I watched “Kill Bill” with the wide-eyed enthusiasm of a child looking onto his first action film, and Tarantino’s first attempt at the action genre, and I was stunned. The “Kill Bill” franchise has become a hit, commercially, critically, and with Tarantino’s fiercely devoted fan base, who have stuck by the prolific director. Tarantino manages to set yet another precedent with “Kill Bill” which is simply a brilliant movie. I admit, I’m not a fan of Tarantino’s, he makes brilliant work and “Reservoir Dogs” and “Pulp Fiction” are excellent, but I wouldn’t call myself a fan. “Kill Bill Vol. 1” has me re-considering my thoughts, though.

This is the same old revenge flick we’ve seen in every Japanese martial arts film, and western, and Tarantino knows that, and that’s his mission, to make a film of his very own, his very own revenge flick paying tribute to his favorite films, his very own film that resembles a Japanese exploitation saga right down to the theme music, which is beautiful from funkadelic soul, to Japanese pop, to the theme song of “The Green Hornet” that really had me high. This movie is not only a thrill to watch but is also a good game you can play called “spot the reference”. There are dozens of movie references here, and hell, it could make a good drinking game. For every movie reference you spot you take a shot.

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Shattered Glass (2003)

Posted on September 26, 2004 by Felix Vasquez

“Shattered Glass” is the fact based drama about the newspaper “The New Republic”, a small time barely known news magazine for Washington that offered news articles about world events and finance. The magazine, while struggling, did have a flourishing and passionate staff of reporters and journalists, one of them being Stephen Glass, a young likable reporter who always has a new story, during meetings, he pitches to the editors which always goes to print. “Shattered Glass” is based on the real events that occurred in 1995 – 98 in which reporter Stephen Glass was discovered to have been fabricating articles over a long period of his career.

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