This movie presents a common comedy formula often ensured to bring laughs but hardly do they ever and “Bringing Down the House” tackles the formula head-on: upper class white family is intruded by hip black person, hip black person lives with upper class white family, teaches upper class white father to appreciate kids and wife more and upper class white family grow to love hip minority. In a star vehicle of this kind I expected what I’d heard of “Non-stop laughs”; sure someone who watches comedies lately knows to never listen to hype, and boy was this film hyped.
Tag Archives: Crime
Bowling for Columbine (2002)
We’re raised at early ages to fear in America, and we’re also bombarded with images of violence and sex, so much so it becomes numbing. As many of us have periodic moments of violence, many of the people in this tend to look at violence with a sort of comfort, almost as if they perceive violence to be apart of life, almost expected of us. Such is shown when a man accused of aiding the Uni-bomber sticks a gun to his head to demonstrate the accuracy of his gun. In another part of the world, a young boy in kindergarten shot another classmate; why he did what he did is never explained, or perhaps it can’t be explained. When asked why he did so, he replied with an uncertain answer; perhaps he was angry, or mentally disturbed, but that seems too easy. No one is really sure why he shot another student, but it seems the young boy simply shot her; almost as if it was an expected course of action, a first response.
Basic (2003)
Director John McTiernan, after directing the horrible “Rollerball” remake, displays a high energy thriller which is beautifully directed; there some great shots in the film and the right mood and tension but ultimately it’s all wasted beneath the muddled confusing story. Taking it’s lesson from the classic “Rashomon”, an infantry group witnesses a murder take place attempting to rescue some survivors that never returned from a mission; they soon learn there was a large incident that took place and attempt to discover what occurred. Finding no options they call in DEA agent Tom Hardy played by the energetic John Travolta to take the reigns and interrogate the survivors and unfoil what occured while assisted by the scruffy Lt. Julia Osborne who discover a plot involving sadistic Sgt. Nathan West and his soldiers who hate him with a passion, and soon find much more beneath what looks like murder and drug dealing within the troop.
Open Range (2003)
Based on the novel “The Open Range Men” by Lauran Paine, Charley is a free ranger along with his superior whom he calls boss; the two friends are teamed with two other young employees and live a simple life out on the open range as nomads herding cows for a living until one of the young employees is badly beaten and imprisoned in a town. When Charley and Boss go to retrieve him they come across a crooked Marshall and town mayor and upon their arrival to their campground, they’re soon being watched and stalked by masked men upon their return to their home, but when Charley and boss decide to take it upon themselves to stop the stalkers, they return to their home ravaged beyond belief and their friends hurt badly.
The 25th Hour (2002)
“The 25th Hour” delves with the question of: If you only had one day left of freedom what would you do? Where would you go? Whom would you spend your last hours with. For Monty Brogan, it’s something he must face as he quickly looks out onto his seven year sentence in jail after being discovered by DEA agents for storing a kilo of drugs. But, as his last hour draws upon him he decides to tie up old wounds with his friends and family and discover who squealed on him to the DEA, what he inevitably discovers will shock him and make him question his life. From the opening scenes symbolic of New Yorkers and the events of 9/11 to the heart-wrenching finale, this thought provoking character study which dares to answer that question of what a man would do on his last days free. It’s also symbolic asking the audience watching, what would you do on your last day of freedom?
The Life of David Gale (2003)
“The Life of David Gale” is yet another Hollywood film preaching for a cause. I wouldn’t have much of a problem with such a concept if this film orchestrated it the right way without such a ridiculous turn of events in the last segment of the film. “The Life of David Gale” portrays capital punishment abolitionists not only as melodramatic, but as despicable, self-righteous, under-handed, hypocritical, smug, and sleazy. Not only is it an unfair and inaccurate portrayal of people who are anti-capital punishment but it contradicts the theme supposedly revealing that it’s for capitol punishment and supporting people who feel this way when it’s completely contradictory.
Liam (2000)
In the reality of “Liam” brought to screen by director Stephen Frears, the peasants of the Irish village owe debts whether they like it or not; they even owe debts to the local Catholic Church which rules over them like a mafia syndicate. In the time of the story told, the Catholic Church ruled over everyone with hypocrisy and cruelty where parishes came around the neighborhood to collect dues while the wives reluctantly gave simply out of guilt. The children are taken to Sunday school simply for shock tactics where they’re taught that if they sin, they would burn in hell. It is terrifying to youngest child, seven year old Liam, who has an odd fascination with the female body after accidentally walking in on his mother (Claire Hackett) in the bathroom.