Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)

Harley Quinn has been one of the most popular DC Comics anti-heroes of the last twenty years, and for good reason. She went from an abused spouse who served her partner thanks to years of mental abuse, gas lighting and Stockholm Syndrome, to someone who cast off the shadow of the Joker to carve out her own niche. Harley Quinn should be an easy adaptation but DC and Warner haven’t quite mastered it yet. After stealing the show in “Suicide Squad,” she steals the show again in “Birds of Prey” but still never quite comes out unscathed thanks to what is an imperfect and brutally flawed, albeit balls to the wall entertaining action movie.

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Alastair Sim’s School for Laughter: 4 Classic Comedies [Blu-Ray]

Like many movie lovers, you mainly associate Alastair Sim with his iconic portrayal of Ebenezer Scrooge in the 1951 masterpiece “A Christmas Carol.” His take on Scrooge remains one of the most celebrated and imitated to this day. But Alastair Sim also had a very seasoned career in various film roles that challenged the performer, and the cinema curators at Film Movement have made his other under seen, otherwise under appreciated performances from the period of 1947 and 1960 available for purchase.

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Carnival Magic (1981) [Blu-Ray/DVD]

I was never aware of what “Carnival Magic” was until “Mystery Science Theater 3000” covered it years ago. I’d never seen an alleged kids’ film that was so adamantly uncomfortable, and droning, and inappropriate before. Al Adamson, who was known mainly for adult exploitation films, took his hand at making a children’s adventure film, ends up making in inadvertent cult item that promises to confuse and dumbfound movie lovers for years in the same ilk as “Manos: The Hands of Fate,” and “Troll 2.” I don’t know if I’d call it a cult gem, but it certainly is a cinematic oddity.

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Shorts Round Up of The Week: Quarantine Edition

Happy April! We hope you and yours are doing well during these bizarre times. What with most things slowing down, I thought it’d be a great time to bring back “Shorts Round Up of the Week” once again with some back logs being cleared out from our submissions. This week we have some great short films that you can check out, now including a science fiction drama, a comedy, and a drama about the #MeToo movement.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers. 

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Fist of Fear, Touch of Death (1980): 40th Anniversary Limited Edition [Blu-Ray]

Full Disclosure: Film Detective were kind enough to allow us viewing of the digital elements of “Fist of Fear…” for the purposes of this review, since the release of the Limited Edition Blu-Ray and DVD have been delayed indefinitely due to the ensuing worldwide pandemic. Pre-orders are still open and Film Detective are ensuring copies to consumers when they’re given the green light to continue manufacturing.

There’s a hilarious segment in “The Simpsons” episode “Homer Badman” where Homer is interviewed by tabloid reporter Godfry Jones who promises to redeem his image after he’s accused of groping a young girl. Jones expectedly exploits Homer for the sake of ratings, editing the interview to make Homer look bad. But the editing is so awful that it’s an obvious hack job, and you can’t help but laugh at the sheer shamelessness of it all. The same can be said for “Fist of Fear, Touch of Death” the sheer height of Brucesploitation that takes scraps from Bruce Lee’s career and repurposes, re-edits, and splices footage in to just a god awful faux-documentary/sports drama.

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Bones (2001) [Blu-Ray]

Once artist Snoop Dogg became a gangster rap icon, he inevitably branched out in the early aughts in to bigger pastures. Before he became a family friendly talk show host, he was someone who promoted the image of the pimp, and then became an open advocate for cannabis. In between those hazy days in his late career, Snoop Dogg (or someone in his PR team) decided that they should try to re-condition him in to a horror character. The inevitable product was “Bones” an utterly tepid, dull horror vanity vehicle from the man that gave us “Demon Knight.”

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Verotika (2019)

Once in a while, the stars align and the moon shines bright enough to where a bonafide cult classic of horror cinema is born. Out of the absolute depths abysmal cinema comes one of the most laughable and painfully awful horror movies of the year. From rock icon Glenn Danzig, no less, comes his directorial debut, a live action adaptation of his comic book series “Verotik,” a title that mixes erotica and violence in to one monster. That wouldn’t be such a bad idea for an anthology. But someone forgot to tell Danzig that if you want to direct a movie, you probably should know how to operate a camera, first.

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