Steve is the only licensed detective in Venice a place he calls home and where he belongs heart and soul. When his dog gets taken during a robbery, he goes all out to him back.
Tag Archives: Crime
Everlasting (2016)
If there’s any independent film that deserves to take off and be celebrated by movie lovers far and wide, it’s Anthony Stabley’s “Everlasting.” It’s a gripping, emotional, and gut wrenching tale of love, death, and the loss of innocence. Writer, Director and producer Stabley creates a compelling drama with a dash of the supernatural that feels very sincere and genuinely heartfelt right until the final tear jerking scene. Watching like a take on Paul Schrader’s “Hardcore,” director Stabley invokes a unique cautionary tale while successfully building two very flawed but absolutely brilliant protagonists. I cared about everyone involved in “Everlasting” and director Stabley implements every cast member well from his stars to notable supporting players like Pat Healey and Elizabeth Rohm.
Unseen (2017) [San Francisco Documentary Film Festival 2017]
In Cleveland, a murderer and rapist is accumulating victims while people do not seem to care about the missing women. This documentary explores his victims, through surviving family members and, most importantly, through surviving victims. This is done with interviews, court footage, and information written on the screen.
Dead Man’s Shoes (2006)
Shane Meadows previously worked with Paddy Considine in the criminally underseen “A Room for Romeo Brass.” Considine is a man capable of playing many things, and someone without much of a mental balance is probably his best character yet. Paddy Considine is admittedly one of the most unorthodox choices for the lead in a very dramatic and powerful revenge thriller, but he’s a man who can lend a lot of menace and terror to someone who doesn’t quite look like someone who’d knock heads. When he first meets the men that tormented his younger brother, he lays the fear of God in to them by merely glaring at them when they attempt to crowd him. One scene even finds him rattle a power drunk thug in the middle of a crowded bar.
Fist Fight (2017) [Blu-Ray/DVD/Digital]
Richie Keen’s “Fist Fight” is pretty much just a remake of “Three O’Clock High,” this time around it’s amped up to a lighter tone and steeped in hazy intentions. “Fist Fight” could have an important message to tell, but the commentary about public education, class overcrowding, and the under appreciation of teachers is lost in a flurry of empty sub-plots, pointless gags, and under developed characters. “Fist Fight” could have worked since the film itself does garner some laughs every now and then, but it never can figure out if it wants to make a social statement, or if it merely just wants to show Charlie Day and Ice Cube engage in a huge fist fight by the climax. For all intents and purposes, “Fist Fight” works in some areas, setting itself up as a teacher’s nightmare fueled by anxiety of unemployment and poor work conditions.
Sing (2016)
“Sing” is a lot like many of the other movies from Illumination Studios. It’s basically a moving greeting card. It’s cute for a few minutes, and then you’ll eventually find yourself tucking it away and looking for something more stimulating. As per most of the films from Illumination, “Sing” is just a middle of the road film that barely gets by because of the neat animation. “Sing” is cute. And that’s about it. It’s cute. And it packs a humongous soundtrack filled with pop songs both old and new that are meant to basically distract from the fact that it’s a very barebones animated movie with a paper thin narrative, that does little to convey to its audience something more meaningful.
Snatched (2017)
This trend of comedies involving multi-generations where younger actors and or comedians team up with older actors and or comedians has worn thin. Seth Rogen and Barbara Streisand, Zac Efron and Robert DeNiro, I get it, it’s not funny. “Snatched” is another in a line of this growing sub-genre, where we spend ninety minutes noting how old one character is and how young the other is. Will they ever get along? Will they reach a firm understanding and common ground? Of course they’ll learn to love one another by the time the movie ends, and there will be some kind of self-sacrifice, and we’ll probably get a sequel. This time around it’s Amy Schumer and Goldie Hawn, both of whom have zero chemistry. They have so little chemistry it’s unpleasant. Their chemistry and lack thereof derives no laughs in what is a joyless sitcom that transforms in to a dark comedy about kidnapping, torture, xenophobia, third world countries, and human trafficking.