Hey did you see “The Vampire Journals” from Full Moon? Yes? Well, prepare to watch it again, but in a ten minute nutshell version. On par with much of Full Moon’s corner cutting productions, “Decadent Evil” is mostly just nothing but filler, with clips to the days of Full Moon Entertainment when they were actually trying. “Decadent Evil” is barely eighty minutes in length, and counting the opening clip show, and credits, it’s only about an hour of actual movie. All of which is contrived and based heavily around the hope that you’ve seen and remember “The Vampire Journals” fondly.
Tag Archives: D
Death Race 2000 (1975)
“Death Race 2000” is notable, not only for being one of the best cult action films ever made, but for the amazing foresight it showed in being one of the many fictional tales predicting the entertainment of the twenty first century. Sure, video game violence and reality television were established before the twenty first century, but it didn’t become prevalent and common until much later, when the extremes for entertainment were established as norms for amusement. “Death Race 2000” is a prophetic and darkly genius action thriller that pinpoints the very nature of human illness and how we view violence as nothing more than a mortal hurdle we can ignore in the face of rewards.
D.N.A (1997)
It’s pretty funny that “DNA” manages to be a total rip off of “Predator.” Because once you get a full glimpse at the alien monster in this 1997 Mark Dacascos vehicle, you realize that the alien in the film looks exactly like the early concepts for the monster in “Predator.” Anyone who knows movies, knows that the early designs for the monster in “Predator” featured a long necked more primal beast with a beak like mouth later changed in to a dreadlocked crab like hunter. The beast in “DNA” looks similar to the aforementioned monster from early drafts of “Predator,” except this time he’s tangling with Mark Dacascos and his boss long hair. “DNA” is not the worst “Predator” wannabe I’ve ever seen, it’s just incredibly silly. Especially when the first half is pretty much a riff on “African Queen” that then turns in to “Predator” once we learn of the evil plans bad guy Jurgen Prochnow has in store.
The Devil Inside (2012)
Tell me if this exchange sounds idiotic to you:
“I think I might have AIDS someday, doctor.”
“We may never know. I know one solution.”
“What is that?”
“Let’s give you AIDS and see if you have it.”
“I’m in!”
So if a girl is afraid she may be possessed one day like her mother, why on Earth do you bring her along on a dangerous possession ritual that may take the lives of all involved? What does that even prove? “But Felix, we wouldn’t have a movie if she didn’t go along.” Then why even call this a found footage film? Why not just stage it as a feature film?
Don’t Tell Mom the Babysitter’s Dead (1991)
After the massive success of “Home Alone” in 1990, every studio was searching for their own twist on the formula. “Don’t Tell Mom…” has the privilege of being held down mainly by its ridiculous title, and by the fact that it’s not really a “Home Alone” clone when all is said and done. Sure, the movie is about a group of suburban kids left to their own devices, and yes it shows kids wreaking havoc in their house, but it’s not really a clone of the Chris Columbus film. It’s nowhere near as funny or interesting, either. But you can sense the studio working for their own franchise.
Deadly Friend (1986)
One of the many movies I first saw when I was a kid that didn’t really cater to the Disney movie standards enforced on me by my parents, that incidentally enough helped nurture my love for movies, was Wes Craven’s 1986 horror romance “Deadly Friend.” For those completely unaware, “Deadly Friend” one of the least notable Wes Craven horror pictures even if it’s his most creative after “Nightmare on Elm Street.” Merging a science fiction killer robot concept with a revenge plot, director Craven tells the story of a young genius who moves to a new town to work on a project at the local college. You see this young man has a thorough understanding of the brain, and is destined for great things. Which is made apparent by his robotic sidekick BB.
The Devil’s Carnival (2012)
Ticket-Keeper: A rebel in hell–how original.
Apparently Darren Lynn Bousman’s “Repo! The Genetic Opera” has not only become a massive cult classic, but it’s rising to the status of “Rocky Horror Picture Show” where fans swarm in droves to pay homage to the punk rock horror musical engineered by the director. While its initial release was piss poor, that never means it’s the death of an actual film. Quality always rises above horrible marketing and advertising. While “Repo!” was an entertaining enough horror treat, director Darren Lynn Bousman follows up his hit musical with a quasi-sequel of a sorts. While it’s not a direct continuation of “Repo!” it definitely garners the spirit of the former film, and even casts some actors from “Repo!” including Paul Sorvino, Bill Mosely, and Alex Vega in an especially saucy role as the demonic Wick.