Tag Archives: Dark Comedy

Black Christmas (1974)

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We never did find out who Billy was, did we? Was he a disgruntled ex-boyfriend? A humiliated crush? Or perhaps just a lunatic who drifted into the sorority house one night before Christmas? It’s always more frightening to be left with questions, isn’t it? Why do killers always have to have a motive or connection to the characters? Do real murderers always make sense? From the first frame director Bob Clark leads us through a labyrinth of absolute red herrings advising us to pay attention, notice the clues, and really focus in on where he’s going with “Black Christmas.” For years I heard many people trying to figure out who Billy is and what his intent was toward this group of young women in their sorority house one Christmas. How is able to get in and out without notice? How is he able to sneak back and forth in this house without being seen?

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The Bad Cookie (2010)

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badcookieDirector Drew Daywalt’s short “The Bad Cookie” is something of a twisted dark comedy and horror story that is really almost impossible to peg down but is nonetheless very entertaining and goofy in some instances, it’s that classic horror story of pure evil born out of hatred, and the romance between a woman and a her cookie. Daywalt comprises a genuinely entertaining and simultaneously ridiculous fantasy horror film about a young woman named Denise who is something of an angelic young woman prone to many hobbies, one of which is celebrating Halloween with horror movies, and baking cookies.

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Noise (2007)

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09noise.xlarge1In the end I really wanted to love “Noise,” because as a born and bred New Yorker, I tend to sympathize with character David Owen whose humble nature makes it impossible for him to ignore the random city sounds around him that eventually begins to disrupt his life. Regardless of what he does he is a fish out of water, and soon he becomes a beast who uses that disturbance and somehow gains something of a thrill out of it. He loves to hate what he hates, and he never quite knows why, even after confrontations with the mayor and a courtroom stand off. By the final scene he’s embraced his lunacy, but hasn’t found a way to resolve it. And that’s where the problem lies in the narrative, Henry Bean never quite knows what message he’s trying to convey.

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Paint Shaker (2008)

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MV5BMjAxNTI1NjEzNV5BMl5BanBIt’s getting to where whenever director Patrick Rea or anyone from Senoreality releases a new short from their company, we’re ecstatic to see what they have in store for us, because there’s always a guaranteed surprise in store whether we enjoy the film or not. Patrick Rea’s “Paint Shaker” is not a horror film as it is an examination on life and a dark comedy based around monotony propelling in to all out chaos thanks to a misunderstanding and a manipulative co-worker. “Paint Shaker” is very much in the vein of films where there’s always seething rage and aggression boiling underneath our characters where they’re doomed to burst at any second and such is never made more apparent than in “Paint Shaker.”

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The Heartbreak Kid (2007)

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the_heartbreak_kidSo this is how far Ben Stiller has come in his years. He went from rather ingenious comedy in his old FOX show now starring in remakes of romance comedies that try to break free from the doldrums with over the top sex comedy, and utterly flat improv with his father who plays (surprise, surprise!) a wacky outspoken senior citizen. And trying to break from the conventions, he also pretty much dives head first in to them with endless montages set to forgettable pop rock, and there’s even a prat fall with a bad stunt double that the Farrelly brothers rely on when everything Stiller does fails to draw even the slightest of chuckles.

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Inglourious Basterds (2009)

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inglourious_basterds_ver9Tarantino is often touted as a filmic sensation, a director who understands film and the art of storytelling and despite the backlash he gets from some, the man simply knows how to tell a damn story. In a world where blockbusters and animated films shake us down for cash in exchange for a movie that only acts as an amusement park ride (experienced now, easily forgotten later), Tarantino opts instead to give us bang for our buck with films that surpass their genres and provide us with the old fashioned art of storytelling. With his flair for dialogue and his mastery of the film camera, Tarantino is always performing at his best regardless of his film’s quality (erm–“Death Proof”) and “Inglourious Basterds” is one of his best works yet.

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Dead Fury (2008)

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deadfur1bFrank Sudol’s “Dead Fury” is inspired by classics such as “John Carpenter’s The Thing,” “Evil Dead” and most likely “Night of the Living Dead” and as such is a clear homage that notifies the audience of its intentions before the credits even roll. I’m a fan of Sudol’s “City of Rott” even in spite of the general problems it had in the final act, and he follows it up with a surreal and unusually constructed monster in the house story about four friends out on a hunting trip who find… demons? I want to say Demons who act like Zombies. Either way, “Dead Fury” is a film that’s been met with a bit of scorn from critics, but I like it.

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