One of my favorite modern storytellers in the animation genre happens to be Brad Bird. Not only is the man a wonderful writer, but he gets modern story themes and basic characterization, all the while building on adult themes that children can understand but will also appeal to adults as well. One of the most underrated and innovative filmmakers in film today, Brad Bird only seems to get better with every film. “Iron Giant” was a masterpiece of friendship and alienation, “The Incredibles” was a wonderful take on the dysfunctional family in modern suburbia, and now Bird yanks Pixar from its horrible “Cars,” with this fantastic follow-up “Ratatouille.”
Tag Archives: Disney
Cars (2006)
Maybe it’s because Pixar seems to be attempting to appeal to the NASCAR crowd, maybe it’s because Pixar seems to be glorifying a “sport” that’s really just cars driving around in circles, or maybe it’s because Pixar has created a movie that is preaching about the good days of society when it was more innocent, from a company like Disney that’s basically sterilized and dominated the world with its utterly sickening spree of overpriced merchandise. Turn any corner in Times Square in New York and you’re guaranteed to see something from Disney. And that’s not a coincidence. Disney is the cause of many problems in America, one of which is their sheer monopoly on companies and media, and the contribution to the overall vast consumption that’s ruined how Americans think.
Pirates of the Caribbean: Dead Man's Chest (2006)
To pretend “The Curse of the Black Pearl” possessed an elaborate, epic story rich in characterization and subtle dialogue, would be to set up all sorts of pretensions. “Dead Man’s Chest” is in the same vein as the former, only slightly more intent on showing its blatant grab for big bucks. Disney ran out of ideas, turned to make their rides into movies and got lucky. Big whoop. “Dead Man’s Chest” is fun, though, and I can’t sweat them for that. Verbinski’s direction is on par as usual, and “Dead Man’s Chest” is a gorgeous epic, with some of the better action scenes that trump the original’s.
Howl's Moving Castle (Hauru no ugoku shiro) (2004)
“Howl’s Moving Castle” is probably one of the weaker entries from Miyazaki. Miyazaki’s films have one thing for them that you can not deny. Originality. “Howl’s Moving Castle” is original, and it’s brutally entertaining, and that’s why I enjoyed this very much. Sure, I was watching the American dubbing (accidental, give me a break), but “Howl’s Moving Castle” possesses more unique fantasy elements and plot progression that really kept me in awe constantly. A scarecrow that follows our heroine like a lovesick dog? An old dog that weighs a ton? A little boy who masquerades as an old man? And a heroine who turns into an elderly woman sporadically? You take a look at Miyazaki’s universe and you’re nothing short of breath taken the entire time.
Sky High (2005)
I’m a sucker for a good tale about superheroes and the learning of their abilities and so on. I admit that. I love a good superhero tale, and that’s why I didn’t completely dislike “Sky High,” because beneath its Disney muck, it’s actually a pretty fun tale about living up to your parents and the pressures of it. Michael Angarano is Will, the only son of a suburban couple who happen to be the world’s strongest superheroes. Ahem—they met during a battle and fell in love, and now are a team. “The Incredibles,” you say? Well, yes, but I just plain enjoyed Kurt Russell as a somewhat demented working class father who encourages his son to take up the family business. “Sky High” is busy, it’s colorful, and it will keep its target audience watching with a smile.
Valiant (2005)
Messenger pigeons were a crucial aspect to the victory of World War 2, and an integral foundation to the survival of the soldiers on the battlefield. “Valiant” is a fun adventure story revolving around messenger pigeons during the Second World War, and it’s surprisingly entertaining. I know it’d be hip to describe “Valiant” as simply lackluster, but I had fun, I had a lot fun, and there are possible reasons for it: I love the British culture, so I have a weakness for anything involving it. I love British comedy. And I love British comedians, and the cast is filled with nothing but talented, legendary British actors and comedians. I mean with cast of Ewan McGregor, Ricky Gervais, Hugh Laurie, Jim Broadbent, Tim Curry, John Cleese, and many, many more, how could I not enjoy this film? And I did.
Herbie Fully Loaded (2005)
After a montage of earlier “Herbie” films, we continue with the “extreme” semi-remake quasi-sequel to “Herbie The Love Bug” called “Herbie: Fully Loaded”. Do people still race with Buggies? Who cares, but you just know Lindsay Lohan must have owed something to Disney to have to do this film. It’s not like Lohan’s “career” has been all about quality films, mind you, but this film has “Contract fulfillment” written all over it. Granted, it’s not one of the worst movies I’ve ever seen, not even one of the worst I’ve seen in a while, but it’s pretty damn lame, even for a kids film.