The Poison Ivy Collection [Blu-Ray]

For all three of you fans of the “Poison Ivy” movie series wondering when we’d finally see all four of the films from the series on Blu-Ray, Shout Factory finally brings it to us with extras and restorations. Truth is I’m eagerly awaiting the “Devil in the Flesh” duology on Blu-Ray (Sidenote: Do you think anyone has the balls to release the entire “Wild Things” saga?), but for now we have this neat box set of some of the best worst erotic trash that’s ever been brought to movie fans from Warner bros. And just in time for Valentine’s Day and Women in Horror Month, too! You can ogle a pre-career renaissance Drew Barrymore, or up and comer Jaime Pressly, or a post-“Degrassi” Miriam McDonald.

There’s no wrong option, is the bullet point of my explanation.

Continue reading

Knock Knock (2018) [Final Girls Berlin Film Festival]

“Social Horror” Shorts Block

Kennikki Jones-Jones’s short horror drama is a film with a premise that rang a bit too close to home for yours truly. Growing up in the Bronx, there are certain kind of boundaries and rules people are expected to follow. Often times children can be heard in the distance crying or being disciplined by their parents and it’s kind of a mutual agreement among many to ignore it unless it gets all too severe. And even then, people tend to turn a blind eye.

Continue reading

Valentine (2001): Collector’s Edition [Blu-Ray]

Jamie Blanks’ “Valentine” is one of the many latter day slasher films that would completely steal from the premise of “Slaughter High” and retrofit it to a new generation, as well as blatantly ape the gimmick of “I Know What You Did Last Summer.” “Valentine” is one of the more ambitious slashers that not only steals from “Slaughter High” but also jumps on the valentine holiday as its primary gimmick for the stalking and slashing. “My Bloody Valentine” always has my loyalty, while “Valentine” is just a sub-par absolutely vanilla slasher thriller with the classic whodunit plot motivation that also became a common element of latter day slashers post-“Scream.”

Continue reading

Mothering (2018) [Slamdance Film Festival 2019]

There are those short films that you go in to, and when they’re done, you wish they could have been so much longer. Lucy Bridger’s drama about a young girl name Mia (Sapphire Paine) who learns to live with a new foster family is subtle, sweet, touching, and actually quite excellent. I would have to see director Bridger adapt this in to a full length film someday very soon.

Continue reading

023_Greta_S (2018) [Slamdance Film Festival 2019]

Director Annika Birgel short thriller asks: How far are you (or anyone) willing to go to get the job of your dreams? Set during a casting call, young Greta is called in to the office of a director and his assistant. Being subjected to various questions for the sake of getting to know her and connect her to his character on his film, his vague questions about her life turns in to very invasive and emotionally upsetting probes about her love life, and her family.

Continue reading

Wet Pavilion (2018) [Slamdance Film Festival 2019]

People tend to take for granted how much love can be turned on and off, and how quickly relationships can end. “Wet Pavilion” is an unusual but interesting short drama about a young man sitting in the back of his brother’s car. While he, his brother, and his brother’s girlfriend slide through a car wash, he watches their relationship disintegrate before his eyes.

Continue reading