There really is no one on Earth that can top the combined forces of Dario Argento and Goblin’s excellent “Suspiria,” so Luca Guadagnino doesn’t even try. Instead, this new version of “Suspiria” is less a remake and more of a new tale in the same universe, or a spiritual sequel if you really want to get technical. Luca Guadagnino definitely approaches his spin on “Suspiria” with about as much ambition and enthusiasm he can muster up and what results is a wonky, surreal, bizarre, and yet overstuffed six act horror film that never quite knows when to call it quits. That said, “Suspiria” will most definitely acquire a fan base and I assume years from now fans will debate on whether this or Argento’s original is the superior film.
Tag Archives: Drama
Butterfly Kisses (2018)
Despite the fact that I’m a fan of the found footage sub-genre, whenever I come across a new independent film that embraces the format, I release a small groan of worry. Granted, the format can still unleash some gems, but too many times filmmakers tend to fall in to the trappings of clichés and typical twists, not to mention building up to something and never actually delivering. Thankfully “Butterfly Kisses” is a strong horror film that skillfully implements the format while also examining the dangers of becoming obsessed with lore and the darkness of humanity.
Robin Hood (2018)
Every few years, the Hollywood machine dips in to their pool of public domain legends and stories, failing to realize that no one is interested in them. No matter what new spin they put on them, they almost always turn out poorly. “Robin Hood” is on the chopping block once again, with Summit Entertainment trying their damndest to superhero-ify the merry thief. The only problem is that we’ve had a superhero Robin Hood for decades now, and—no one gives a shit about Robin Hood anymore. No matter gloss the studios put on the tale, even turning him in to pseudo-Batman, “Robin Hood” (or “Robin Hood Begins” or “The Dark Hood Returns”) is a swing and a miss, a giant squishy thud that lands in a year filled with some truly stellar action and fantasy films.
You Have to See This! Pieces of April (2003)
Katie Holmes was always prone to playing more glamorous and squeaky clean roles back in 2003, but for “Pieces of April” she’s the center of what is a unique Thanksgiving set film. Peter Hedges film is all at once a funny, heartbreaking, and thought provoking film. It’s a film about redemption, and ultimately about forgiveness. Can we forgive someone who has hurt us over and over? Can we forgive someone who almost went out of our way to hurt us in the past? Can we forgive ourselves for the heinous things we’ve done in the past to our loved ones, if we work hard at redemption?
Sisters (1972): Criterion Collection [Blu-Ray]
What we see in “Sisters” is the template for what would become the basic mold for most Brian De Palma films. So enamored is he with Hitchcock that he essentially pays tribute to the man’s filmmaking techniques and films consciously and sometimes sub-consciously. “Sisters” is rough around the edges, but an otherwise fascinating thriller about the perversion of voyeurism, and the suppression of sexuality and female independence in an often matriarchal society. De Palma unfolds an interesting murder mystery filled with psycho sexual overtones that almost feel like nods to the Giallos of the decade.
Shorts Round Up for the Week (11/16/18)
Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
The 20th Annual Animation Show of Shows (2018)
Opens at Laemmle Theaters in Los Angeles on December 14th, and at the Quad Cinema in New York City on December 28th. Learn More Here.
Since 1998, “The Animation Show of Shows” has been a small program line up that selects the best in animated short films from all around the world. It’s presented new and innovative short films to animation aficionados at animation studios and schools, as well as theaters in the US and around the world since 2015. 38 shorts since, went on to become Oscar contenders with 11 winning the Oscar. This year, “The Animation Show of Shows” is not bereft of diversity and bold new voices, and it’s all in all a riveting experience, with eyes on personal statements and meaningful ideas.