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Reversion (2015)

reversionThe makers of Oubli, a device that allows its wearer to relive moments from their past, prepare for a huge launch which could make or break the company.  Sophie Cle, daughter to Oubli’s creator Jack Cle, is the biggest proponent of the device.  That is until she gets kidnapped and shown a different truth which makes her question everything she knows.

Reversion was directed and co-written by Jose Nestor Marquez with writer Elissa Matsueda. Previously, Marquez worked on a film called Isa about a conspiracy through the government to control thoughts/minds.

This film is connected to Reversion on more than a thematic level as one of the supporting characters in Reversion is named Isa and played by the same actress.  The story here revolves around a device called Oubli which means something akin to “forgotten” or “not remembered” in French, a device made to help people remember and relive specific memories.  The cost of this is not simply monetary as more is at risk.  The story here explores the ethics and repercussions of technological advancements.  The main character is Sophie Clé whose last name means “key” in French, another name that is not accidental.

The characters and situations build a mystery wrapped up in technological advancements which keep the viewers’ attention throughout. Sophie Clé is interpreted by Aja Naomi King who turns in a solid performance of a character with hidden information within herself which is not an easy part.  Supporting her are Gary Dourdan as her driver, Colm Feore as her father, Jeannette Samano as her kidnapper, and Amanda Plummer as the mysterious woman with a lot of information.  All turn in good performance, Feore and Samano giving the best ones of the support group with layers being peeled back as the story evolves.

The film is shot in two different styles, one for the main story and one just slightly different for the memories brought back by the Oubli device, adding to the mystery of whether or not these memories are real or not and as to if they have been tinkered with to make their owner happy. To support these styles, the score is created in part within the movie for the Oubli sequences which have a dream like feeling in great part due to the sounds and music making their ambiance felt by the viewers, immersing them into the character’s experience. This effect adds a lot to the movie and its atmosphere as a whole.

Reversion is an interesting watch that will make the viewer think about how far technology has come, how far it could go, and if it should be allowed to go that far.  The film keeps the mystery and intrigue going throughout its runtime while not giving everything away, making it a movie with a rewatchability factor.

Streets of Fire (1984)

streetsoffireIt’s difficult to explain “Streets of Fire” to anyone and make it sound coherent. Walter Hill’s action film has just about everything, and ends up creating one of the most vivid and exciting amalgams of genres and themes I’ve ever seen. “Streets of Fire” is a film you just have to sit down, shut up, and experience. It’s a post depression, mid-fifties, action, crime thriller and romance noir with a rock and roll and soul beat. See? I can’t sum this movie up in one whole sentence, and I’m not going to try to. I’m ashamed I took so many years getting around to watching “Streets of Fire,” but goddamn I’m very glad that I did.

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X-Men: Apocalypse (2016)

xmenapocalypseAt the end of the day, “X-Men Apocalypse” is a big step up from the films in the series that preceded it, but it’s still just a Bryan Singer “X-Men” movie. Its two and a half hours of surface level action and superficial ideas that still haven’t broken in to the more complex themes of prejudice, racism, hatred, and bigotry that have made the X-Men property so beloved and widely embraced. Six movies later and only now FOX seems to be getting that a big advantage of the “X-Men” movies is that there are so many fascinating heroes and average people turned in to heroes of varied shapes, sizes, and colors. Only now that Marvel has embraced the team movie are Singer and FOX transforming the “X-Men” in to a team franchise.

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An American Tail: Fievel Goes West (1991)

AnAmericanTail-FGW“Fievel Goes West” is a childhood favorite and a fitting end to the legacy of Jimmy Stewart. Not only does Stewart play an old dog who was once an old West hero, but Stewart was a man very fond of family friendly entertainment. “Fievel Goes West” is a film just as good as the original where the Mousekewitz family find themselves being exploited by a capitalist cat who wants to enslave the mouse community before eating them. Masquerading as a Southern mouse promising a new start in the old west town of Green River, the Mousekewitzes make another trek in to a new frontier after the crowded slums of New York didn’t quite work out for them.

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An American Tail (1986)

AnAmericanTail-1986Like a lot of Don Bluth’s films, “An American Tail” feels like a very personal animated film that tells a universal story about the immigration experience. It’s sad that “An American Tail” has gone somewhat pushed to the corner of the animated world over the years, since it’s such a touching movie and brilliant exploration of family and bonds. Fievel is one of the most likable and human protagonists of all time. He’s not heroic or overly courageous. He’s just a young mouse looking to make his way in the world and explore the vast open land that lies before him.

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You’ll Like My Mother (1972) [Blu-Ray]

youlllikemymotherThough director Lamont Johnson’s “You’ll Like My Mother” is generally well received, I found it to be a mostly flat thriller with a lot of the attempted suspense lost in translation. “You’ll Like My Mother” is a mix of “Misery” and “Flowers in the Attic,” in where a young woman tries to reconcile with her dead husband’s family and gets much more than she bargained for. The late Patty Duke plays Fran, a very pregnant young woman who ventures in to Minnesota in the dead of winter to visit her husband’s family and perhaps make peace with them.

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Belladonna of Sadness (1973)

BDoS“Belladonna of Sadness” is an animation film from 1973 which had not been released in the US until now for multiple reasons, one most likely being due to the nudity and sex.  The style of animation is reminiscent of watercolor paintings with a touch of 70s/80s anime.  The film is a mix of painted images being panned across and moving parts which makes for mesmerizing visuals.  The restoration looks fantastic and the attention to details put into it show the work thousand of hours spent on it brought in terms of colors, visuals, and feelings.

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