The Crush (1993) [Blu-Ray]

thecrushThere are a lot of allusions made to Nabakov’s “Lolita” with “The Crush.” Whether intentional or not, it’s interesting how the film parallels certain themes and scenes. When Nick decides to move in to a sort of run down house as he prepares to begin a new job at a magazine, his first look at fourteen year old stunner Adrian is almost beat for beat when Professor Humbert sees young Dolores for the first time. Rather than walking in on her in her yard, she’s in short shorts, a tee, and rollerblades. When we see Adrian, she’s dressed in about the kind of seductive attire she craftily saunters around in as a mode of luring in potential mates, and Nick is hooked.

Except unlike Humbert, he gains something of an awareness of what trouble he’s walking in to, as Adrian literally begins throwing herself at him. She shows up in his room while he’s showering, and does little to deflect sexual come ons and innuendo she’s not shy about giving him. By the time Nick realizes Adrian has taken their sexually playful relationship one step too far, he becomes his own worst enemy and digs himself in to a massive hole that seems inescapable by the finale.

“The Crush” is a very good look at the destruction of a simple man thanks to the wiles of a young girl, particularly a young Alicia Silverstone. Silverstone gives a very good performance, and handles her sexuality with pitch perfect precision making it an alluring trait, and a remarkable weapon that only hampers every and any attempt Nick makes to push her out of his life for good. Though its never explored outright, Nick almost finds the come ons and aggression by Adrian charming and even erotic.

One scene involving a botched attempt to steal back picture from her room that turns in to a strip tease clearly indicates Nick isn’t completely troubled by her fixation on him. Only when people begin getting seriously injured and nearly killed by Adrian’s manipulation and smart staging of events does Nick eventually have to ensure that he ends her obsession before it becomes all too fatal. “The Crush” is a solid thriller filled with strong turns by Cary Elwes and Alicia Silverstone. It’s also one of the stronger thrillers cut out of the cloth of “Fatal Attraction.”

The Blu-Ray release from Scream Factory includes the two minute theatrical trailer for the film, and a thirty second TV spot. There’s an audio commentary with writer and director Alan Shapiro who is joined by Mondo Digital’s Nathaniel Thompson. The pair of hosts trade questions with one another, and Shapiro discusses changing Silverstone’s characters name from Darian to Adrian.

If you watch the original trailer, you can hear Elwes calls the character Darian. “The Doting Father” is a ten minute interview with legendary character actor Kurtwood Smith, who plays Adrian’s father in the film. He discusses his large career and his experience working with Silverstone. “Stung by Love – An Interview with Jennifer Rubin” is a brand new thirteen minute sit down with with actress Jennifer Rubin who discusses how she was hired for the movie, and filming the infamous wasp sequence.

Angel III: The Final Chapter (1988)

Angel3Angel the prostitute with the heart of gold returns for the final installment (psst—not really) to investigate the disappearance of her long lost sister. For this even lower budget third part in the “Angel” saga, all of Angel’s colorful cohorts are gone, and the narrative suffers this time around because of it. Kit Carson and Solly are nowhere to be found, and Angel is pretty much just a free agent being led to the California strip, yet again. No longer a law student, Angel is now a freelance photographer who spends a lot of her nights running around with the police taking pictures of stings and busts for her paper.

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Angel (1984)

angel1984Robert Vincent O’Neill’s “Angel” is a fun mixture of a campy exploitation and a stern crime thriller that also conjures up some classic neo-noir overtones. The 1984 drama thriller about an under age prostitute trying to outwit a serial killer garners some clumsy plot elements but stands as a strong film overall. You’d figure it’d be distracting to be sucked in to a thriller starring a protagonist who hangs around an aged cowboy and a transvestite, but “Angel” gets the job done. Donna Wilkes gives a strong performance as young Molly Stewart, a high schooler by day who is also a prostitute by night.

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Cellblock Sisters: Banished Behind Bars (1995)

cellblockHenri Charr’s “Cellblock Sisters: Banished Behind Bars” (aka “Banished Behind Bars”) is one of the most nineties straight to video movies ever released. It’s a rip off of “Bad Boys” that pits nothing but gorgeous blond women against one another in a women’s prison and forces them to fight it out for control and petty grudges. Henri Charr’s crime thriller is surprisingly convoluted, but one that also gets a free pass for being one of the last of its kind before the early aughts indie resurgence of women in prison films.

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Reversion (2015)

reversionThe makers of Oubli, a device that allows its wearer to relive moments from their past, prepare for a huge launch which could make or break the company.  Sophie Cle, daughter to Oubli’s creator Jack Cle, is the biggest proponent of the device.  That is until she gets kidnapped and shown a different truth which makes her question everything she knows.

Reversion was directed and co-written by Jose Nestor Marquez with writer Elissa Matsueda. Previously, Marquez worked on a film called Isa about a conspiracy through the government to control thoughts/minds.

This film is connected to Reversion on more than a thematic level as one of the supporting characters in Reversion is named Isa and played by the same actress.  The story here revolves around a device called Oubli which means something akin to “forgotten” or “not remembered” in French, a device made to help people remember and relive specific memories.  The cost of this is not simply monetary as more is at risk.  The story here explores the ethics and repercussions of technological advancements.  The main character is Sophie Clé whose last name means “key” in French, another name that is not accidental.

The characters and situations build a mystery wrapped up in technological advancements which keep the viewers’ attention throughout. Sophie Clé is interpreted by Aja Naomi King who turns in a solid performance of a character with hidden information within herself which is not an easy part.  Supporting her are Gary Dourdan as her driver, Colm Feore as her father, Jeannette Samano as her kidnapper, and Amanda Plummer as the mysterious woman with a lot of information.  All turn in good performance, Feore and Samano giving the best ones of the support group with layers being peeled back as the story evolves.

The film is shot in two different styles, one for the main story and one just slightly different for the memories brought back by the Oubli device, adding to the mystery of whether or not these memories are real or not and as to if they have been tinkered with to make their owner happy. To support these styles, the score is created in part within the movie for the Oubli sequences which have a dream like feeling in great part due to the sounds and music making their ambiance felt by the viewers, immersing them into the character’s experience. This effect adds a lot to the movie and its atmosphere as a whole.

Reversion is an interesting watch that will make the viewer think about how far technology has come, how far it could go, and if it should be allowed to go that far.  The film keeps the mystery and intrigue going throughout its runtime while not giving everything away, making it a movie with a rewatchability factor.

Streets of Fire (1984)

streetsoffireIt’s difficult to explain “Streets of Fire” to anyone and make it sound coherent. Walter Hill’s action film has just about everything, and ends up creating one of the most vivid and exciting amalgams of genres and themes I’ve ever seen. “Streets of Fire” is a film you just have to sit down, shut up, and experience. It’s a post depression, mid-fifties, action, crime thriller and romance noir with a rock and roll and soul beat. See? I can’t sum this movie up in one whole sentence, and I’m not going to try to. I’m ashamed I took so many years getting around to watching “Streets of Fire,” but goddamn I’m very glad that I did.

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X-Men: Apocalypse (2016)

xmenapocalypseAt the end of the day, “X-Men Apocalypse” is a big step up from the films in the series that preceded it, but it’s still just a Bryan Singer “X-Men” movie. Its two and a half hours of surface level action and superficial ideas that still haven’t broken in to the more complex themes of prejudice, racism, hatred, and bigotry that have made the X-Men property so beloved and widely embraced. Six movies later and only now FOX seems to be getting that a big advantage of the “X-Men” movies is that there are so many fascinating heroes and average people turned in to heroes of varied shapes, sizes, and colors. Only now that Marvel has embraced the team movie are Singer and FOX transforming the “X-Men” in to a team franchise.

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