After a considerable slump with “The Last Airbender,” and “After Earth,” Shyamalan gives us yet another humanistic, demented, mystery that is filled with his trademark themes about life and coming of age. In this case, it’s young Becca and Tyler, both of whom are still healing from a broken marriage that saw their father leave them years before we meet them. Cut like a mock documentary, Shyamalan tailors the film to give us more of a personal view in to the dilemma Becca and Tyler find themselves in, and what it ultimately means in their development as adults.
