Ghost Warrior (1984)

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It’s mostly known as “Ghost Warrior,” but I think I prefer the alternate title “Swordkill.” While “Ghost Warrior” is given an insightful and meaningful definition during the narrative, “Swordkill” just makes the movie sound cheap and silly. I’d love to know who thought the title “Swordkill” was a proper summary of what is a dramatic fish out of water film. J. Larry Carroll’s “Ghost Warrior” is a surprisingly straight faced tale of a warrior placed out of his time, who finds that living in mid eighties Los Angeles kind of sucks. The movie is admittedly thin on narrative, but works for the most part as a series of unfortunate events Yoshimitsu experiences. Life sure does suck for the master samurai.

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Facing Down the Bullies: “Angus” and “My Bodyguard”

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There’s been a lot of talk about movie anniversaries this year, but two of the movies that have been left out of the discussion are two of my childhood favorites. There’s the 1995 teen drama “Angus,” and the 1980 “My Bodyguard.” Oddly enough, both films deal with the idea of coming of age, surviving high school, and learning to deal with a specific kind of bully. Both films also confront the idea that sometimes staring down the bullies is a right of passage we all must confront at one time or another. And yet, both films have been off the radar for a very long time.

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Room (2015)

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Brie Larson is probably the most underrated actress working today. She’s a force of nature in every film she leads, and manages to outshine even in films that she co-stars in. “Room” is another in a line of original and unique films that Larson makes her own, delivering one of the most layered and heartbreaking performances of the year. “Room” is an unlikely thriller that surrounds the strong bonds of a mother and son, one that overcomes the horrendous circumstances in which the mother and son are ensconced in. Even young Jack, who is a child of violence, is the lone strand of sanity that keeps her from completely breaking down and giving up on life.

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Aloha (2015)

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One thing I can say for “Aloha” is that it’s a beautiful film. If you put it on mute and watch it the whole way through, you can at least appreciate the lovely sights of Hawaii and Emma Stone, with her piercing large eyes, and adorable lisp that rival anything in Hawaii. With the volume on, it’s a horrendous mess that Cameron Crowe bungles up. It’s jumbled, hard to follow, and ultimately feels like three pretty mediocre movies mashed in to one trifecta of incoherence, sugar coated by a great cast, a killer soundtrack, and wonderful cinematography.

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The Breakfast Club (1985)

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John Hughes’ iconic eighties drama has always remained a timeless favorite for me. It’s not just because he manages to speak to the teenage condition, but the human condition. Surely, “The Breakfast Club” still manages to speak waves about how teenagers lived back in the eighties, and how they still live today, but “The Breakfast Club” had something to say about being an adult and how the lessons we learned as a teenager would carry us in to adulthood, for better and for worse. The characters we meet in “The Breakfast Club” essentially find common ground in the way they approach life, and think about themselves, but when we part from them we never quite know where they’re headed.

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Dutch (1991)

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Back in 1991, I was a big fan of “Married with Children,” and loved Ed O’Neill. He was raucously funny as the blue collared Al Bundy, whose life was an endless series of misfortunes, so a big screen career seemed only a natural next step. I never caught “Dutch,” however I do fondly remember it as the failed big screen feature of O’Neill’s that became a consistent running joke on his hit sitcom. You can even see a “Dutch” standee during an episode where Al and Peggy are in a video store, promising a free copy for all customers. Oddly enough, “Dutch” isn’t that bad.

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Northpole: Open for Christmas (2015)

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Yes, primarily Hallmark have used the “Northpole” movies to sell whatever kitschy Christmas ornament they’re touting for the year, but they’ve accidentally built a neat Christmas movie series I want to see more of. Years ago, I would have really loved the adventures of Clementine the Elf, and her quest to restore the Christmas spirit in one unhappy soul. Right now, she’s still a charming Christmas heroine played by the always adorable Bailee Madison. Madison doesn’t even have to do much to look like an Elf, as she’s given pointy ears, and achieves the rest with her wide smile, and large saucer eyes.

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