John Hughes’ iconic eighties drama has always remained a timeless favorite for me. It’s not just because he manages to speak to the teenage condition, but the human condition. Surely, “The Breakfast Club” still manages to speak waves about how teenagers lived back in the eighties, and how they still live today, but “The Breakfast Club” had something to say about being an adult and how the lessons we learned as a teenager would carry us in to adulthood, for better and for worse. The characters we meet in “The Breakfast Club” essentially find common ground in the way they approach life, and think about themselves, but when we part from them we never quite know where they’re headed.
Tag Archives: Drama
Dutch (1991)
Back in 1991, I was a big fan of “Married with Children,” and loved Ed O’Neill. He was raucously funny as the blue collared Al Bundy, whose life was an endless series of misfortunes, so a big screen career seemed only a natural next step. I never caught “Dutch,” however I do fondly remember it as the failed big screen feature of O’Neill’s that became a consistent running joke on his hit sitcom. You can even see a “Dutch” standee during an episode where Al and Peggy are in a video store, promising a free copy for all customers. Oddly enough, “Dutch” isn’t that bad.
Northpole: Open for Christmas (2015)
Yes, primarily Hallmark have used the “Northpole” movies to sell whatever kitschy Christmas ornament they’re touting for the year, but they’ve accidentally built a neat Christmas movie series I want to see more of. Years ago, I would have really loved the adventures of Clementine the Elf, and her quest to restore the Christmas spirit in one unhappy soul. Right now, she’s still a charming Christmas heroine played by the always adorable Bailee Madison. Madison doesn’t even have to do much to look like an Elf, as she’s given pointy ears, and achieves the rest with her wide smile, and large saucer eyes.
Spotlight (2015)
One of the most important cinematic accounts of journalism changing corruption since “All the President’s Men,” director Thomas McCarthy’s “Spotlight” garners an understated brilliance in where it explores a long legacy of corruption that’s not only been widely under reported but somewhat accepted. McCarthy manages to draw immense thrills and paranoia from a film that’s very much the antithesis of sensationalism. “Spotlight” is a gut wrenching and mind blowing account of a group of reporters tasked with uncovering one of the largest scandals in world history, a scandal that’s left thousands of victims in its wake.
Trainwreck (2015)
It’s nice to see Judd Apatow break free from his formula of a dopey slacker falling in love with the perfect woman. This time around, Apatow has the fresh mind of Amy Schumer who helps deliver one of the most human romance comedies of the year. “Trainwreck” is a film with an array of emotionally gray characters filled with flaws and scars from their youth, and still can’t quite grasp the idea of adulthood quite yet. Schumer is bold enough to take on the lead role of character Amy, a magazine writer who is comfortable in her rut, and doesn’t mind aiming for the bare minimum in both her career and her love life.
We Are Your Friends (2015) (DVD)
I really like Zac Efron. I have nothing particularly against him. He’s a nice looking guy with some chops to him when pushed hard enough by a competent director. When he’s really just asked to flash his looks around and literally do nothing, we get “We Are Your Friends,” one of the stupidest, most forgettable movies of 2015. I’m glad I’m not the only person who felt this way about the film, as it was one of the bigger flops of the year. “We Are Your Friends” has no substance to it, and pretends to be about something, when it really isn’t. Deep down it’s a remake of “Saturday Night Fever” and fails to capture any of the substance and complexity that John Badham’s masterpiece obtained.
Jem and the Holograms (2015)
It’s hard to imagine a movie this year more sadistically boring and bland than “Jem and the Holograms.” This comes as somewhat of a surprise since director John M. Chu is a pro when it comes to making films that are visually dazzling and marketed toward teens. “Step Up 3” was a fun, beautifully edited, visual feast, while “GI Joe: Retaliation” was a decent follow up to a much maligned movie. So it’s disappointing and crushing to see Chu not even really seem to try. Everything about “Jem and the Holograms” is so vanilla and uninspiring that I never even care about anything happening on screen. I’m not one of the kids from the eighties that watched “Jem,” so I have no nostalgic connection to the animated series, but I can understand that anger toward such a horrible movie.







