Director Mike P. Nelson’s “The Retirement of Joe Corduroy” is a fantastic throwback to the revenge films of the seventies, mixing “Death Wish” with a dash of “Taxi Driver” for good measure. I didn’t think Director Nelson could really offer anything new for a plot about a middle aged avenger, but lo and behold I gazed in awe in the final minutes of the film that were immensely trippy in the grand tradition of the seventies.
Mike Clarke’s short thriller “A Hand to Play” is an interesting and dynamic slight of hand for crime thriller fans, and it’s one that I hope really storms film festivals. Clarke is wise to cast the primary antagonist as the great Doug Bradley, who can play this role in his sleep. As the villain Mr. Trent, Doug Bradley brings with him a gravitas that posits him as one heck of a horrifying villain.
Director Aviral Kapoor’s “Rocket” is a pretty serene and cute short film about a father and a son that realize they’re much more alike than they’ve ever given each other credit for. In “Rocket,” director Kapoor sets down on a young boy named Kevin whose life is filled with loneliness occasionally interrupted by bullies who make a habit of beating him up every day after school. When Kevin returns home, he finds his father James doting over inventions while Kevin is forced to take to his own amusement, and figure out his own problems.
Short and much more succinct, director Donlee Brussel’s “Cabbie” has really managed to change its overall tone, lending to its a bittersweet taste that I thought worked much better. “Cabbie” still has its flaws, but when it was done, the purpose of “Cabbie” seemed much more focused. “Cabbie” is centered on aspiring cabbie Marty, who is a combination of naive and quirky. He sees the more interesting purpose of cabbies as being a noble profession, and wants desperately to be the nomadic cab driver that travels the city looking for new people to take to their destination.
It’s pretty funny that Tommy Lee Jones and William Devane who star in “Rolling Thunder” do their best to prevent talking about the elephant in the room for the extras in the “Rolling Thunder” Blu-Ray from Shout! Factory. “Rolling Thunder” is one in a line of post-Vietnam films about the defeat of the war and its effects on its veterans. “Rolling Thunder” is a bleak revenge film about a soldier that went to war for nothing, only to come home to nothing. DeVane gives a compelling performance as Major Charles Rane, a man who was imprisoned in a POW camp for seven years with a few other soldiers. Finally freed, he and the group return home to Texas to receive a grand welcome, but they’re unsure how to respond. They’ve lived like savages for almost a decade, and, as Rane admits, he gained something of a Stockholm effect. Not just for his captors, but for the torture inflicted on him and his men every single day.
This is what the “Star Wars” prequels should have been. An amazing young warrior torn by lust for power by an evil master, and honor and duty by a noble master, both of whom are fighting for the young soul’s innocence. If only, folks, if only. In the end though, Director Ang Lee’s masterpiece made me wish Director George Lucas would have just paid attention and taken some notes! That said, “Crouching Tiger, Hidden Dragon” is beautiful, it’s wonderfully acted, and yes, it’s a masterpiece. “Crouching Tiger, Hidden Dragon” is a beautifully layered and complex storyline with numerous sub-plots, all of which never go unresolved and under explored.
Many people comment on how Disney took a generally dark and adult novel and watered it down for their audience. To those people, I ask: Have you ever seen Paul WS Anderson’s version of the Dumas novel? If anything, what “The Three Musketeers” lacks in poeticism, it makes up for in entertainment value, at least. And I am a big fan of the casting of Keifer Sutherland as the leader of the Musketeers. Basically, Alexandre Dumas’ tale remains fairly in tact save for one caveat. The Musketeers live happily ever after. But then Disney took “Hunchback of Notre Dame” and turned Quasimodo in to a kind hearted gent with a mild facial disfigurement who becomes the hero of his city in the end of the movie, so it comes with the territory.