All in the Family: The Complete Series (DVD)

Based on the British sitcom “Til Death Us Do Part,” Norman Lear’s American sitcom “All in the Family” has managed to live on for decades as one of the most volatile and controversial American television series of all time. Even decades after its premiered, “All in the Family” continues to live on as a series that examined many themes about the world that are still relevant, and still widely examined by the greatest minds. In its nine season run, “All in the Family” explored themes of homosexuality, capital punishment, abortion, religion, the Vietnam war, feminism, civil rights, rape, racial stereotypes, sexual dynamics, homophobia, terrorism, gun control, and so much more.

“All in the Family” did so with a fearlessness that signaled a series that was willing to tackle such issues with a sincerity that made it very popular, while also making audiences laugh non-stop. With relatable down to Earth characters, “All in the Family” went to live on television for nine seasons, and conceived five spin offs of varying success. Norman Lear examined the themes deemed incredibly taboo in the seventies with a comedic dynamic that used its characters to become the catalysts for such arguments and dissections of what was troubling the world in the seventies, and what’s going to continue troubling the world.

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The Aggression Scale (2012)

Director Steven C. Miller is quickly becoming one of my favorite genre directors of late. Premiering with the solid zombie film “Automaton Transfusion,” his films seem to have a grit and guerilla style that often add a sense of urgency. His treatment of “Silent Night” skirted the edges of camp and slasher, while his latest “The Aggression Scale” is a definite step up. Though the film can sometimes show its low budget, director Miller makes great use of marvelous editing along with limited scenery to create an intense and absolutely excellent home invasion thriller.

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Adam and Dog (2011)

Writer and director Minkyu Lee presents a hypothetical and bittersweet animated short about the first dog ever created. Somewhere along the line after the creation of man and woman, God figured he’d create a dog. The dog however had to find its purpose in nature, and “Adam and Dog” garners an interesting story about man and dog eventually became best friends in nature. Upon the creation of man, the dog found his way around the startling and often frightening landscapes of the world, and Lee presents us with vast and fantastic terrain in which the dog travails.

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Life of Pi (2012)

6vFCjCdBasically, Ang Lee’s “Life of Pi” is a brilliantly directed and incredibly beautiful film, with amazing special effects and just breathtaking visuals. It is also a tedious sermon wrapped up in an agnostic package that will leave viewers clinging to whatever they want to believe. When it comes to confronting the themes of faith and religion, “Life of Pi” seems bold in explaining that they’re all just basically good for the soul and rejuvenating, but in the end the film seems to stick to the notion that there is only one real God and that’s the Catholic/Christian one.

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Lincoln (2012)

I love how Steven Spielberg continues to skirt expectations from his core fanbase by providing them with films that are mature and often times thought provoking. Where in “Lincoln” could have been another hollow biography about one of the greatest presidents of the United States, he transforms it in to an intellectual exercise and exploration in to the most important event in American history. “Lincoln” is a beat by beat relaying of the events before and during the passing of the Emancipation Proclamation and how the passing would come to affect everyone within the inner circle of Abraham Lincoln. “Lincoln” is mostly a look in to the seething fear of the American status quo whom spent most of their time worrying how freeing the slaves would affect their own luxuries and lot in life. The irony of the conflict is that most of the men featured were against the bill passed because they worried the African Americans would soon become an equal voice in America thus turning the white man in to a minority.

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Cujo (1983)

Cujo_(quad)What I love about Lewis Teague’s “Cujo,” is that while it is a story about a rabid dog mercilessly ravaging a mother and son in their car, the movie seems to be more about karma gone awry. Dee Wallace as Donna Trenton is a woman who is devoted to her son, but is also very committed to the affairs she’s currently having on her husband. The first half of “Cujo” is spent on familial discord and how Donna’s misdeeds with a colleague seems to be rotting this unit from the inside out.

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Zero Dark Thirty (2012)

I love the storytelling and directorial subtleties of Kathryn Bigelow in her concerted effort to explore the folly of war and violence in the name of patriotism. In the end of the film Maya stands in the belly of a massive jet that is ready to carry her home, and she’s lavished with praise by the pilot who insists she can sit anywhere. Maya sits at the very end of the massive passenger wagon out of ear shot from the soldier. When asked where Maya wants to go, we see the fallout from the raid on Bin Laden once and for all. What was it all for? And in the end, did we really manage to gain something of ourselves back when we finally eliminated Osama Bin Laden? Or did Osama really win when he brought down the towers, destroying our very identities? “Zero Dark Thirty” is a very thoughtful and objective look at the events that led to the death of Osama Bin Laden. And for folks convinced Bigelow would stage a rah rah America film are wrong in their assertions.

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