I consider myself a very mature man who knows how to restrain himself in terms of disagreeing with people. But to the people who found this to be a remotely good film, I must ask: Are you stupid or something? Is this what you define as entertainment? But, I digress. My apologies. With basically the same plot, we delve in the San Antonio Bay/Island where they’re preparing for their ceremony to pay respect to the town’s founders. Fog rolls in. People die. Ghosts return mighty pissed off. And the shit hits the fan. By shit, I mean this film. Who thought this remake would be a good idea? Not the concept of remaking it, but this script? I’ve never seen such sloppy writing before in my life. I can safely say, I can squeeze out a better version out of my ass, without hesitation, but hey, we’re not all working for Hollywood. So, what do the writers force feed through this manufactured screenplay?
Tag Archives: F
Four Brothers (2005)
I was surprised to discover how much I really enjoyed “Four Brothers.” Even for a remake. “Four Brothers” is a worthy successor to the original film, and with a dose of cheese every so often it really accomplishes the slight camp from the original film. What made it a more enjoyable experience is that Singleton and the writers turn this in to a modern western. Gladly, this is a modern western in every sense of the word with some great elements from the genre, and some of Singleton’s style thrown in for good measure. Like a cowboy on horseback, Wahlberg’s character Bobby makes his entrance in to the inner-city of Detroit with old school soul playing in the background. Wahlberg becomes the basic drive here (the replacement for John Wayne) who enters back in to his stomping grounds from a life of business to mourn the loss of his foster mother who was killed viciously in a store robbery.
Fantastic Four (2005)
In spite of what many, many others think, I kind of like the original “Fantastic Four” directed by Roger Corman. It’s pretty damn bad, but for entertainment value, it’s so bad it’s good. Well, this new adaptation is basically in the same boat. It’s so poor quality it works only as a guilty pleasure. Word to wise, some times some comic book series shouldn’t be made in to movies, because it will be lost in the translation. Example one. Face it, while “Fantastic Four” was good on the page, you have to take in to consideration that film is extremely literal. And sometimes this type of material just shouldn’t be put to the page. What I found pretty humorous was that during the release, the producers made is perfectly clear, “This is not The Incredibles” over and over to crowds comparing the two.
Frankenstein vs. the Creature from Blood Cove (2005)
What I always enjoy is the schlock brought upon us by new directors that take it upon themselves to carve their own pastiche with films that both spoof yet pay respect to the films of old that audiences are no longer interested in. What William Winckler does or tries his hardest in doing is both spoofing the classic horror film while paying his own homage telling this story that is both simple but entertaining. “Blood Cove” is often cheesy and goofy, but that’s the intent, its low tech in many respects with the creature’s monster suit and the Frankenstein make-up.
Fat Albert (2004)
I used to love “Fat Albert and the Cosby Kids”. As a child I spent many days watching the Cosby Kids from their junkyard solve problems while bringing us along for the fun that ensued. It was really no surprise to me when I discovered that the adaptation was being filmed, especially with the successes of popular shows being processed in to bad movies like “Scooby-Doo”, and “Rocky and Bullwinkle”. Very few were hits, and many were utter misses, because instead of giving us a truly good story that works, they were just made to cash in on the popularity and take our money. Luckily, I never paid for any of them. “Fat Albert”–though not as awful as claimed repeatedly–is still a terrible film and was a bit of a match to sit through.
Finding Neverland (2004)
I love the story of Peter Pan, I love the legend and myth, I love the allegory Peter Pan represents, and I love the peanut butter. Peter Pan was always my favorite story as a child simply because it was a young boy who could fly and fight, fighting a man twice his size who had a hook for a hand, it was great! But on the other hand, Pan was a deeper symbol for childhood and having to grow up and let go of childish things.
Fortress (1986)
If you’re a fan of “Lord of the Flies”, “Battle Royale”, or just hostage thrillers in general, that is a very rare film to find, one that may be lost if time has its way. The film, based on a true story, is not only just a hostage thriller reminiscent of stories like “The Most Dangerous Game”, but in the end, ends up becoming a truly cautionary tale on what kids, with the right influence from adults, and pushed far enough to the edge, are capable of without conscience. Directed by Arch Nicholson, this is a very tense and engrossing thriller that calls for the wits of a young teacher named Sally, played by the decent Rachel Ward. Sally is a character that never really loses her cool in the face of danger and ends up becoming a very primal influence on the children she teaches, whom in the end, end up becoming deadlier than they seem.