Dustin Cook’s family drama is a brilliant and tragic picture of two sons forever strapped down to their mother. Too often has this image resonated where kids feel not only constrained to their parents, but dutiful despite their own unhappiness and lack of fulfillment. Cook’s short drama is immediately a compelling character study that explores how families can become a burden and how the children, grown or young, can be forced to forever keep their burden.
Director Carlos Andre Stevens’s “The Alchemist’s Letter” is quite an accomplishment. It’s a fairy tale that also works as a cautionary tale about the ills of greed, and the dangers of over ambition. Would you trade memories and family for piles of gold? That’s what the alchemist asks his son when he leaves behind a letter that gives him a stern warning on what putting aspirations over the truly important things can do to a person.
When it isn’t trying to be profound or reaching for metaphor and goofy Spike Jonze style photography, “Wish I Was Here” ends up being a pretty interesting family melodrama. It’s not by any means Braff’s masterpiece. I think we’re a long way from ever seeing one. Here he repeats the same beats of his former indie drama “Garden State,” ad nauseum. He’s either intent on reminding people why the aforementioned was so good, or he’s bereft of offering anything new. There’s Jim Parsons, a fractured relationship with a father figure, the ghost of a dead mother, Braff’s character is an actor, and there be plenty ‘o montages set to indie rock music.
Nineties nostalgia is big money now, and it seems like every studio are trying to continue what fans once thought were completed franchises and television series. Supposedly, there’s a sequel to “Married… with Children” in the works, focusing on Bud as a married man in a dead end job. I don’t see how that could possibly work, especially with Christina Applegate, Katey Sagal, and Ed O’Neill going on to new things, the latter two of whom have either come off or are still working on hit series of their own.
In either case, we spotlighted five of our favorite episodes from the hilarious sitcom about a blue collar family and their perpetually miserable lives.
Part one in an apparent movie series from Hallmark Entertainment, “Northpole” is a cute film about Christmas, and trying to preserve the happiness. Literally. It’s a simple and down to Earth movie that celebrates the more entertaining aspects of the holiday, while also building on a new hero in the form of elf Clementine. Bailee Madison is the definition of adorable as the rambunctious cherubic elf, desperately trying to keep the North Pole from dying what with the happiness of Christmas fading away in a sea of unfortunate cynicism. “North Pole” depends on Madison’s enthusiastic performance, and as always, she steals the movie. “North Pole” has its fair share of silliness, but it’s a fine Christmas movie with amusing quirks that I sat through with ease.
If it’s at all possible, “Into the Storm” manages to out silly “Twister” by miles. It features a giant hurricane, absolutely valiant attempts to comment on global warming, and a fire tornado! A fire tornado trumps a flying cow any day of the week, sad to say. “Into the Storm” is a silly movie without a single compelling character, but when it stops trying to create drama it’s actually a lot of fun to sit through. From the great special effects, to the absolutely tense carnage inflicted by nature, “Into the Storm” is that kind of movie you could see Paul Newman and Red Buttons co-starring in 1979.
Seeing as I never liked the original animated shorts the movie is based on, I was very skeptical toward “Mr. Peabody and Sherman.” There hasn’t been much interesting entertainment mined from the Rocky and Bullwinkle short series. Surprising enough, “Mr. Peabody and Sherman” doesn’t just adapt the shorts, but expands on them, injecting heart, characterization, and isn’t reliant on pop culture nods and winks to keep the audience entertained. It’s that refreshing element that makes this adaptation such a stellar piece of animation.