When it comes to hardcore well versed Scooby Doo Fans… we’re not one of them. But for a brief (oh so brief) period in the late nineties, Hanna Barbera thought it’d be a good idea before the live action movie to feature the Scoobies solving actual paranormal cases that they presumed were originally just scams and con jobs. “Zombie Island” is one of the best (and few) examples of Scooby-Doo done well and correctly with a case the entire gang gets in on that is creepy and actually risks their lives, in the end. With animation I’m never above being experimental, and my faith in “Zombie Island” was rewarded with a wicked and creepy little yarn about the Mystery Machine group re-uniting after a long stretch on their own.
Tag Archives: Family
The Boy Who Cried Werewolf (2010)
If “Ginger Snaps” was a hard flaming shot of vodka in a neighborhood bar, Nickelodeon’s counterpart “The Boy Who Cried Werewolf” is a Virgin Fruit Colada in an outdoor cafe. While this movie is meant as mere Halloween filler while simultaneously working as a vehicle for Nickelodeon’s key star Victoria Justice, “The Boy Who Cried Werewolf” ends up being a surprisingly solid family horror comedy that isn’t as soapy or girly as I originally assumed it would be. Within the pandering to preteens salivating after Justice, there is also a solid however flawed and derivative story and some wicked special effects. Sure the flick rips off of “Spider-Man,” and “Young Frankenstein,” but it’s still an entertaining time filler with potential to be a franchise or new series, which Nick seems to be going for in the goofy final scene.
Return to Halloweentown (2006)
I’m not sure why, but Kimberly J. Brown is nowhere to be found in this final film of the “Halloweentown” series. I read an interview online from Kimberly J. Brown that explains she never got a call to come back to the movies, even though she was more than willing. I peg it to the fact that Sara Paxton was then blossoming to be tailored for Disney Channel stardom, thus they kicked out the very adorable and quite talented Brown in exchange for the more streamlined and younger Sara Paxton. The difference is immensely noticeable as the character seems completely different from the original Marnie. Paxton is a good actress, but she’s not as charming or soft spoken as Brown was, thus there’s an element missing from this final film. Also, Debbie Reynolds is nowhere to be found, another sad fact considering she was a key element to the formation of Marnie. She was her Obi-Wan. Without her, Marnie is just another heroine.
Alex's Halloween (2008)

Though no masterpiece, director Daniel Persitz’ short family film entitled “Alex’s Halloween” is a touching and sweet slice of life about a boy with an over active imagination and his quest to get as much candy as possible on Halloween. Starring the hilarious Jane Lynch of “Glee,” she plays an over protective health obsessed mother who reduces her two sons to eating health food for dinner every night and even saves pumpkin guts for soups. Alex’s older brother Matt who openly expresses annoyance toward his little brother who is prone to dressing in costumes and concocting his very own fantastic fantasies, makes a deal with Alex. He’ll go trick or treating with him only if he can get enough candy to last them through the year to avoid eating their mother’s food.
Halloweentown High (2004)
While “Halloweentown High” really isn’t the most subtle of films with monsters and knights acting as symbolism for civil rights, it does excel in fully realizing the character of Marnie who is no longer a student and now just a matriarch of other students looking to make their way in to the human world. Kimberly J. Brown is as good and charming as ever in the role of heroine Marnie who takes it upon herself to play civil rights leader by insisting some of the monsters from Halloweentown should be allowed to go to human school for the sake of diversity and equality. The catch is by Halloween if she hasn’t made progress, her powers will be stripped away. This allows for a more open forum for new characters, all of whom have their own likable traits and quirks. One if a goblin, another is a werewolf, another a wood nymph, and so on. Marnie plays more of a protector this time watching over the new exchange students, and falling for a new guy named Cody.
Halloweentown II: Kalabar's Revenge (2001)
While 1998’s “Halloweentown” was a very cute and entertaining little Halloween movie, the sequel “Kalabar’s Revenge” is much darker and slightly more adult in tone and atmosphere this time around. What’s interesting is you can sense the seeds for “The Witches of Waverly Place” within this sequel, and it’s not a far off prospect that what with Kimberly J. Brown getting older with each movie, Disney wanted to pass the wand over with a new franchise about magic and wizards.
Halloweentown (1998)
Sure, this is a Halloween oriented film that isn’t scary, or creepy, or violent, or even remotely menacing and sure it’s a premise we’ve seen trotted out in “Sabrina The Teenage Witch,” “Twitches,” and “Buffy,” but deep down it’s a true Halloween movie and one you can watch be you a child or an adult looking for a good time, and I manage to come back to it every year because it’s such a fun time to be had for all.
