Dynamite Graffiti (Suteki na dainamaito sukyandaru) (2018) [New York Asian Film Festival 2018]

In this biographical film, the viewer follows the rise and fall of porn magazine creator and runner Akira Suei.

Written and directed by Masanori Tominaga and based on the autobiography by Akira Suei, the film starts in the 1980s and goes back and forth in time, showing important moments in his life, from his childhood, including his mother blowing herself up, to his meeting his wife to his life painting cabaret billboards and then building his pornographic magazine empire. The film shows this in a light that lets the viewer makes up their own mind about Suei and his work and in a way that does not condone or condemn any of it. It shows things as they were and raises a few questions about censorship and morality policing.

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The Night Eats the World (La nuit a dévoré le monde) (2018)

Zombie movies have become the superhero movies of modern age where not a lot of people think there can be much original material to mined from it anymore. This year has proven those skeptics wrong with the haunting “Cargo,” and the incredibly complex “The Night Eats The World.” A healthy mix of “I Am Legend,” “Dawn of the Dead,” and “Castaway,” it’s ten minutes too long, but manages to come out in the end as a scary zombie movie with insight about the horrifying world that can linger outside of our doors.

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The Stranger (En fremmed flytter ind) (2017) [Toronto True Crime Film Festival 2018]

Amanda is not looking for love, she is not even looking to date really. That is until someone reaches out to her online to introduce her to this charming man. She reluctantly accepts and meets this man who might just be a dream. He’s charming, he’s well-mannered, he seems to love her right away, and he’s the descendant of one of the richest families in the country. Or is he?

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