Most Anticipated Films at Fantasia International Film Festival 2016

Now that the full schedule is out, Fantasians have planned what they will see and bought their tickets.  This year’s line-up is full of potentially great stuff and some real oddities.  Personally, I look forward to being surprised.  In the past, I was happily surprised by Shaun of the Dead, GS Wonderland, A Christmas Horror Story, Borning, etc.

All films I randomly went to see without much planning.  So what am I looking forward to this year?  Here’s a few I want to see without knowing a ton about them in advance.

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What The Fantasia?! 5 WTF Films from Fantasia’s International Film Festival

Fantasia International Film Festival is renowned for showcasing some of the best and weirdest of the film world.  As someone who started going their second year and started seriously going for multiple screenings per week in 1999, some of the weird films I’ve seen cannot be unseen.  So, just to bring some to attention and have a bit of fun, here are five of the most WTF films I’ve seen.

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Saving Mr. Wu (2015) [New York Asian Film Festival 2016]

SavingMrWuIn 2004, actor Ruofu Wu was kidnapped and held for ransom in China.  With his blessing (he has a prominent part in the film), director Ding Sheng adapted his story into film for Saving Mr. Wu. The cinematic version of the events follows Mr. Wu as he is kidnapped by Zhang Hua and three accomplices as he comes out of a karaoke bar.  The kidnappers pretend to be cops to get him to cooperate but it becomes clear very quickly that they are taking him to pocket a ransom.

The actual police catch Zhang Hua while he’s gone to retrieve the ransom.  As the police interrogate him, Mr. Wu attempts to use his skills to survive and help the other kidnapping victim survive as long as possible and not lose hope. Director Ding Sheng co-wrote the film with Alex Jia.  Their script is an adaptation and fictionalization of the real kidnapping case most likely to make it more entertaining.

As with most adaptations if this kind, not all parties involved have the more exciting or exciting at all side of the story or even want to share it, so they add to fill in some gaps and spruce up some parts to make it more captivating.  The characters are based on real people but also have been tweaked to make them all interesting.

The cast of Saving Mr. Wu is composed of the original Mr. Wu, Ruofu Wu, who here has the part of one of the men charged with saving Mr. Wu, cop Cao Gang.  Wu does great work here and shows much interest in saving the movie version of himself.  As the character of Mr. Wu, Andy Lau gives a layered performance of a man who is scared, worried, wants to fight, tries to help is co-kidnapped.  His performance is one of the center pieces of the film, having the whole story revolve around him.  Lau’s acting is superb here.  The other very important performance is that of lead kidnapper Zhang Hua who spends a good part of the film gleefully being interrogated.

Qianyuan Wang plays this part to the fullest, not holding back and just going for it with the madness of the criminal he is representing.  His presence on screen is captivating.  His main interrogators are played by the aforementioned Ruofu Wu and Ye Liu as Xing Feng, an overworked father with a sick son he needs to get to.  The film rests on the strength of its cast mainly as the majority of the scenes are a lot of dialogue including the scenes between Mr. Wu and his kidnappers, Mr. Wu and the other kidnapping victim, the interrogation of Zhang Hua, et al.

There are a few actions scenes but they are not the main focus of the film, however they are very well done nonetheless.  The filmmakers gave these scenes plenty of attention, even hiring a car stunt coordinator, Bruce Law, who has close to 200 credits.  The car sequences here are great and slightly reminiscent of the low-shot car scenes in Luc Besson written films.  The other stunts are coordinated by Jun He and very well done as well.  The camera does not shy away from the action and shows the cars, the hits, the whole thing without constantly cutting away or over-editing.

Saving Mr. Wu is a tense crime thriller with a true story background that keeps the viewer interested and connected to the story with good characters and great performances.  The film is not build in a straight-forward manner, having its story skip forward and backwards in the timeline of the kidnapping which may require more attention but is absolutely worth it in the end.

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Alone (Hongmin) (2015) [New York Asian Film Festival 2016]

AloneHongminSumin is a photographer documenting the gentrification and changes of his neighborhood.  One day, as he’s taking more photos, he witnesses the murder of a woman.  The killers come after him and he wakes up naked on what looks to be a gazebo in his neighborhood.  Odd things happen; Sumin is rendered unconscious and wakes up in odd places over and over again. Alone, or Hongmin in its original language, was directed by Hong-min Park who co-wrote it with Hye-jin Cha.

The film is built in a way where the lead character of Sumin lives many events and those events may or may not be connected to each other.  The story built with these does bring up questions but answers few of them.  The film moves at a good pace, but with no established goal or point to it, it all feels a bit useless.  Why is Sumin going through this? Is he alive? Is he dead and this is his purgatory?  Was something lost in translation?  The proceedings are somewhat interesting but not captivating which makes the film feel long even with its pace moving things along nicely.

The cast for this film is fairly small and everything revolves around Sumin who is played by Lee Ju-won.  His performance is good with some nuances but with nothing really standing out which makes his presence a bit monotone through the film.  However, it does feel like it may have been the point as his character seems to lead a bit of a humdrum life leasing to a less than exciting personality.

There is one scene with a major special effect and it’s quite good.  However, to not spot it, details will not be discussed.  The effect is, well, effective and well done.  The sound accompanying it is a bit cringe-inducing, in a good way.  A few other bloody bits are found here and there and they all look realistic as well, even when how they happen feels out of context for their scene.

As is the case with a lot of middle of the road films, neither great nor horrendous, Alone is hard to review without making it sound worse than it is.  Alone is not a bad film and it has some good ideas, it’s just that the execution comes off as rather bland and that despite all of its efforts, it fails at really captivating the attention of its viewer.  It may very well be a case of a film that is just not for everyone, so feel free to give it a try.

20 Past Films From Fantasia International Film Festival Worth Looking For

ichi-the-killerFantasia International Film Festival is having its 20th edition this July and I am proud to say I have only missed 4 of them, the first one, 2006, 2012, and 2014.  That being said, I’ve played catch up and seen some of the films from those years and can say without a doubt that Fantasia International Film Festival plays a fantastic selection of films from around the world, with a penchant for the odd, the weird,. And the often overlooked by mainstream movie goers.

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The Pack (2015) [Blu-Ray]

pack-bluOnce again, “The Pack” is another in a long line of modern horror films that feel as if they were once written for the late seventies. Nick Robertson’s horror thriller is a very stripped down and simplistic survival thriller that packs in enough excitement and suspense to compensate for the lack of plot. “The Pack” is a combination of a home invasion thriller, and a nature run amok movie, where a seemingly normal family of four is attacked by a pack of large black wolves that arrive out of the wilderness of the Australian outback one night. The wolves are large and powerful as well as relentless, making the fight for survival absolutely intense.

The Wilson family are going through their troubles, as dad Adam finds out their farm is about to be foreclosed on. This creates familial tension, especially with daughter Sophie who wants to move to the city and be among actual people for once. Suddenly the pack of wild wolves burst from the woods and begin terrorizing the family, causing them to look for a way out of their farm and in to civilization. This proves to be more difficult than they could ever imagine, since they have no radio contact with the outside world, and any efforts from local authorities to rescue them results in the wolves literally tearing apart anyone that enters the threshold. A good amount of “The Pack” is built around the family spread apart and looking for a way to outwit and outmatch the wolves.

Their hunger is insatiable making them vicious and powerful in their pursuit. Robertson films some really tight and intense moments of evasion, as the characters hide in corners and small rooms trying to stay as quiet as possible while they devise a route out of the farm without being mauled. Though the budget obviously keeps us from seeing a full on attack by the wolves every minute, director Robertson works well with the limitations, making the wolves feel almost supernatural at times. Many of the best moments feature our characters making wise moves while the deck is stacked against them with these fierce clever monsters, and I was rooting for this family until the very end.

Though the final scene is a bit goofy for its blatant way of leaving the door open for a follow up, “The Pack” is a very good survival thriller and one I could definitely re-watch. The blu-ray from Scream Factory and IFC Midnight features an eight minute “Making Of” focusing on the dogs in the film, and how they worked with them, along with typical interviews about working with the director. There’s also the original theatrical trailer.

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Dèdalo (2016)

dedaloI hope director Jerónimo Rocha eventually turns his idea for “Dèdalo” in to a feature length horror film. While I love “Dèdalo” all on its own, I’d love to learn more about the specifics behind this narrative, and how these monsters spawned. The monsters presented in this nightmarish feature seem almost bred out of oil and muck, and they seem to infect those around them with this crude substance that makes their victims deformed prey. “Dèdalo” begins on a very strong note as we witness young Siena climbing along the side of a Space Freighter/Refinery.

Wounded and very torn after what seems like a hellish fight for survival, she seeks out a medical kit lying alongside the body of one of her shipmates. While one of the disgusting beasts on the ship feasts on a lost comrade, she looks to inject herself with some kind of antidote that can perhaps cure her of what seems to be an infection that’s made right hand black as coal. But the situation become more difficult as she tries to cure herself without being heard, and out wit the creature only inches away from her.

“Dèdalo” has a marvelous atmosphere and sense of mood behind it, making it feel like a nightmare. It definitely draws its inspiration from “Alien” even borrowing the strobe light effect that gives director Rocha’s short an added layer of menace and terror. “Dèdalo” is a wonderful short horror film that uses its apparent influences to enhance its narrative and concept; I’d love to see director Jerónimo Rocha use this as material for a feature length production. I think “Dèdalo” could become a classic.