Director Taika Waititi has a keen and admirable understanding of humanity as well as the relationship with death and loss we have every waking moment of our life. Whether it’s a gory horror comedy like “What We Do in the Shadows” or a family drama like “Hunt for the Wilderpeople,” Waititi is never above examining our everlasting relationship with death that begins when we’re very young. “Hunt for the Wilderpeople” is destined to be a classic drama comedy that pits two men against the wilderness in their efforts to make sense of life and come to terms with death.
Tag Archives: Foreign
Day of the People (2016)
It feels like there’s a little bit more gong on in “Day of the People” than a simple experimental short film. Based on the research I’ve done, director Philip Stainsby seems to have aimed for a short film reminiscent of “Night of the Comet,” but the visual cues seem to hint at something else entirely. “Day of the People” opens with a young man waking up at the very end of humanity and then begins traversing through the city and making his way through something of a business district where the sky is painted a dark shade of Red.
With only the discovery of a soda can, he walks through the streets looking for something, and finds it when he comes across a man walking around in a dark suit. Ultimately I interpreted “Day of the People” as something of a subtle commentary on the downfalls of a perfect Utopia and how some people are so committed to building a new world, they’re not likely to notice when something beyond their control is set to end their plans. Based on the small hints Stainsby adds, the people built this world and they also contributed to destroying it, thus making it a pretty open target for something else. Who knows?
Maybe I’m merely over thinking an experimental film, but Philip Stainsby’s short packs in a lot of nuance and complexity in only ten minutes time. The photography and direction are superb, with Stainsby committing to the dream like atmosphere and paints a grim look at what is the perfectly functioning society where all life isn’t quite present or even emotionally attached, for that matter. I gather “Day of the People” will leave many an audience debating about its meaning when it hits the festival circuit. Philip Stainsby’s short science fiction film is a remarkable short with unique and bold use of color and landscape. I hope to see more from him in the future.
Most Anticipated Films at Fantasia International Film Festival 2016
Now that the full schedule is out, Fantasians have planned what they will see and bought their tickets. This year’s line-up is full of potentially great stuff and some real oddities. Personally, I look forward to being surprised. In the past, I was happily surprised by Shaun of the Dead, GS Wonderland, A Christmas Horror Story, Borning, etc.
All films I randomly went to see without much planning. So what am I looking forward to this year? Here’s a few I want to see without knowing a ton about them in advance.
What The Fantasia?! 5 WTF Films from Fantasia’s International Film Festival
Fantasia International Film Festival is renowned for showcasing some of the best and weirdest of the film world. As someone who started going their second year and started seriously going for multiple screenings per week in 1999, some of the weird films I’ve seen cannot be unseen. So, just to bring some to attention and have a bit of fun, here are five of the most WTF films I’ve seen.
Saving Mr. Wu (2015) [New York Asian Film Festival 2016]
In 2004, actor Ruofu Wu was kidnapped and held for ransom in China. With his blessing (he has a prominent part in the film), director Ding Sheng adapted his story into film for Saving Mr. Wu. The cinematic version of the events follows Mr. Wu as he is kidnapped by Zhang Hua and three accomplices as he comes out of a karaoke bar. The kidnappers pretend to be cops to get him to cooperate but it becomes clear very quickly that they are taking him to pocket a ransom.
The actual police catch Zhang Hua while he’s gone to retrieve the ransom. As the police interrogate him, Mr. Wu attempts to use his skills to survive and help the other kidnapping victim survive as long as possible and not lose hope. Director Ding Sheng co-wrote the film with Alex Jia. Their script is an adaptation and fictionalization of the real kidnapping case most likely to make it more entertaining.
As with most adaptations if this kind, not all parties involved have the more exciting or exciting at all side of the story or even want to share it, so they add to fill in some gaps and spruce up some parts to make it more captivating. The characters are based on real people but also have been tweaked to make them all interesting.
The cast of Saving Mr. Wu is composed of the original Mr. Wu, Ruofu Wu, who here has the part of one of the men charged with saving Mr. Wu, cop Cao Gang. Wu does great work here and shows much interest in saving the movie version of himself. As the character of Mr. Wu, Andy Lau gives a layered performance of a man who is scared, worried, wants to fight, tries to help is co-kidnapped. His performance is one of the center pieces of the film, having the whole story revolve around him. Lau’s acting is superb here. The other very important performance is that of lead kidnapper Zhang Hua who spends a good part of the film gleefully being interrogated.
Qianyuan Wang plays this part to the fullest, not holding back and just going for it with the madness of the criminal he is representing. His presence on screen is captivating. His main interrogators are played by the aforementioned Ruofu Wu and Ye Liu as Xing Feng, an overworked father with a sick son he needs to get to. The film rests on the strength of its cast mainly as the majority of the scenes are a lot of dialogue including the scenes between Mr. Wu and his kidnappers, Mr. Wu and the other kidnapping victim, the interrogation of Zhang Hua, et al.
There are a few actions scenes but they are not the main focus of the film, however they are very well done nonetheless. The filmmakers gave these scenes plenty of attention, even hiring a car stunt coordinator, Bruce Law, who has close to 200 credits. The car sequences here are great and slightly reminiscent of the low-shot car scenes in Luc Besson written films. The other stunts are coordinated by Jun He and very well done as well. The camera does not shy away from the action and shows the cars, the hits, the whole thing without constantly cutting away or over-editing.
Saving Mr. Wu is a tense crime thriller with a true story background that keeps the viewer interested and connected to the story with good characters and great performances. The film is not build in a straight-forward manner, having its story skip forward and backwards in the timeline of the kidnapping which may require more attention but is absolutely worth it in the end.
Alone (Hongmin) (2015) [New York Asian Film Festival 2016]
Sumin is a photographer documenting the gentrification and changes of his neighborhood. One day, as he’s taking more photos, he witnesses the murder of a woman. The killers come after him and he wakes up naked on what looks to be a gazebo in his neighborhood. Odd things happen; Sumin is rendered unconscious and wakes up in odd places over and over again. Alone, or Hongmin in its original language, was directed by Hong-min Park who co-wrote it with Hye-jin Cha.
The film is built in a way where the lead character of Sumin lives many events and those events may or may not be connected to each other. The story built with these does bring up questions but answers few of them. The film moves at a good pace, but with no established goal or point to it, it all feels a bit useless. Why is Sumin going through this? Is he alive? Is he dead and this is his purgatory? Was something lost in translation? The proceedings are somewhat interesting but not captivating which makes the film feel long even with its pace moving things along nicely.
The cast for this film is fairly small and everything revolves around Sumin who is played by Lee Ju-won. His performance is good with some nuances but with nothing really standing out which makes his presence a bit monotone through the film. However, it does feel like it may have been the point as his character seems to lead a bit of a humdrum life leasing to a less than exciting personality.
There is one scene with a major special effect and it’s quite good. However, to not spot it, details will not be discussed. The effect is, well, effective and well done. The sound accompanying it is a bit cringe-inducing, in a good way. A few other bloody bits are found here and there and they all look realistic as well, even when how they happen feels out of context for their scene.
As is the case with a lot of middle of the road films, neither great nor horrendous, Alone is hard to review without making it sound worse than it is. Alone is not a bad film and it has some good ideas, it’s just that the execution comes off as rather bland and that despite all of its efforts, it fails at really captivating the attention of its viewer. It may very well be a case of a film that is just not for everyone, so feel free to give it a try.
20 Past Films From Fantasia International Film Festival Worth Looking For
Fantasia International Film Festival is having its 20th edition this July and I am proud to say I have only missed 4 of them, the first one, 2006, 2012, and 2014. That being said, I’ve played catch up and seen some of the films from those years and can say without a doubt that Fantasia International Film Festival plays a fantastic selection of films from around the world, with a penchant for the odd, the weird,. And the often overlooked by mainstream movie goers.