Wolf Creek 2 (2013)

Posted on March 27, 2014 by Felix Vasquez

I didn’t think it was possible, but Greg McLean has managed to create a sequel to “Wolf Creek” that’s even more despicable than the first. Almost ten years later, Greg McLean has seemingly come up dry in the realm of new ideas for his character Mick Taylor, and apparently fulfills a contract, judging by the quality of this long in development follow up to his terrible 2005 horror film. Not only does “Wolf Creek 2” drop the pretense of a narrative, but it reduces the entire film to nothing but a string of really violent deaths, turning Mick Taylor in to a maniac who kills just because he has nothing else to do. Director McLean revels in cruel and disgusting murders that are repetitive and senseless and lacks any and all ability to provide scares, tension, and a genuine sense of unease. It’s just a large maniac running around destroying people left and right, and nothing else.

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Philomena (2013)

Posted on March 1, 2014 by Felix Vasquez

Stephen Frears’ drama about a woman touching down on her roots and seeking some sense of purpose is a sweet and simple dramedy that really reaches emotional lengths beyond its quaint story. Based on a true event, Steve Coogan is fantastic as a jaded and somewhat disgraced political journalist Martin Sixsmith who decides to leave his world in exchange for writing about Russian history. He’s approached by Jane, a waitress, at a party who offers him a chance to help her mother Philomena search for her long lost son. At first he’s put off by the idea of the search but soon sees it as his opportunity for a best seller.

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Dario Argento’s Dracula 3D (2013)

Posted on December 16, 2013 by Felix Vasquez

There’s a moment during “Dracula 3D” where I had to look away from the screen and cringe in utter embarrassment. It’s not the scene with the giant mantis, but where Dracula and Mina Harker are pitching woo on the castle balcony in the night. In between the pillars you can see a night sky and moon light so badly composited on to the screen, with atmosphere so poorly made up of blatant CGI, that it’s shocking in its sloppiness. Dario Argento is much better than this. Hell, Asia Argento is much better than this.

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Storage 24 (2013)

Posted on December 16, 2013 by Felix Vasquez

Despite being featured in an article as one of the lowest grossing movies of the year (It premiered in one theater), “Storage 24” is actually a solid monster movie. If you want to see a vicious monster murdering thirty something Brits, this is the movie you’ll want to watch. Director Johannes Roberts‘ genre entry is a film with big ambitions, but a small budget, so he uses the creature effects wisely and pays off with vicious violence, and a pretty interesting finale. I’m not about to call “Storage 24” a masterpiece, as Roberts film takes too much of its time on back story and set up.

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The Big Gundown (1966) (Blu-ray/DVD/CD)

Posted on December 11, 2013 by Felix Vasquez

Lee Van Cleef is a man who makes it look easy to dominate the screen with his presence, no matter what the film. “The Big Gundown” is purely a western thriller for the Lee Van Cleef fans that want to indulge in the sheer finesse and charisma of Van Cleef when he takes turns as the hero. Or in this case, the anti-hero. Van Cleef takes on the role of John Corbett, a man who is not afraid to gun down people that threaten him, but is never trigger happy. He is one of the best bounty hunters in the west, and is a man devoted to his duties. As Corbett, he’s asked by an aristocrat to hunt down a vicious criminal named Cuchillo. He’s wanted for raping and murdering a young girl, and is currently on the run in the west, giving the law a difficult time of finding him.

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The Wind Rises (Kaze Tachinu) (2013)

Posted on November 28, 2013 by Felix Vasquez

“The Wind Rises” is such a beautiful note for Hayao Miyazaki to leave us on. It’s a bittersweet affair as a film and an animated feature, mainly because Miyazaki hasn’t lost his ability to tell stories. He’s the most incredible animator working today, and his retirement is heartbreaking because the man has many more years left to deliver lucid, entertaining and thought provoking stories to his fan base. “The Wind Rises” is not an explosive, fantastical exit for Miyazaki, but a respectful and quiet bow out. One that really does stick with you long after the credits have ended.

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