Lesson of the Evil (Aku no kyôten) (2012)

Posted on April 11, 2014 by Felix Vasquez

It’s so gratifying to see Takashi Miike returning to his chaotic roots that helped make him such a beloved auteur. While I’m sure his court room movie “Ace Attorney,” and the “Ninja Kids” actioner were fine outputs, “Lesson of the Evil” is a return to form for a man who proves he hasn’t lost a bit of his step. “Lesson of the Evil” isn’t just shocking, but it’s gory, disturbing, and features some of the most surreal supernatural elements I’ve seen in years. Miike comes back with a bang, and I had a difficult time turning away from “Lesson of the Evil,” even when it was tough to sit through.

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Last of the Living (2009)

Posted on March 30, 2014 by Felix Vasquez

What’s worse than a bad zombie movie? A bad zombie where the zombies are painfully easy to kill. How can you be terrified of zombies that can be killed by drum sticks and golf clubs? It’s also a lot of fun when the director can’t seem to decide if his zombies are shamblers or runners. Sometimes they run, sometimes they shamble around in a sleepy haze. Sometimes they bite relentlessly, but when lunging at our characters, they’re easier to fight than a toddler with a full diaper. Which is a shame, because nine times out of ten, the zombies look creepy as all hell, while director Logan McMillan manages to paint a pretty atmospheric apocalypse. For the first fifteen minutes, at least.

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Wolf Creek 2 (2013)

Posted on March 27, 2014 by Felix Vasquez

I didn’t think it was possible, but Greg McLean has managed to create a sequel to “Wolf Creek” that’s even more despicable than the first. Almost ten years later, Greg McLean has seemingly come up dry in the realm of new ideas for his character Mick Taylor, and apparently fulfills a contract, judging by the quality of this long in development follow up to his terrible 2005 horror film. Not only does “Wolf Creek 2” drop the pretense of a narrative, but it reduces the entire film to nothing but a string of really violent deaths, turning Mick Taylor in to a maniac who kills just because he has nothing else to do. Director McLean revels in cruel and disgusting murders that are repetitive and senseless and lacks any and all ability to provide scares, tension, and a genuine sense of unease. It’s just a large maniac running around destroying people left and right, and nothing else.

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Philomena (2013)

Posted on March 1, 2014 by Felix Vasquez

Stephen Frears’ drama about a woman touching down on her roots and seeking some sense of purpose is a sweet and simple dramedy that really reaches emotional lengths beyond its quaint story. Based on a true event, Steve Coogan is fantastic as a jaded and somewhat disgraced political journalist Martin Sixsmith who decides to leave his world in exchange for writing about Russian history. He’s approached by Jane, a waitress, at a party who offers him a chance to help her mother Philomena search for her long lost son. At first he’s put off by the idea of the search but soon sees it as his opportunity for a best seller.

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Dario Argento’s Dracula 3D (2013)

Posted on December 16, 2013 by Felix Vasquez

There’s a moment during “Dracula 3D” where I had to look away from the screen and cringe in utter embarrassment. It’s not the scene with the giant mantis, but where Dracula and Mina Harker are pitching woo on the castle balcony in the night. In between the pillars you can see a night sky and moon light so badly composited on to the screen, with atmosphere so poorly made up of blatant CGI, that it’s shocking in its sloppiness. Dario Argento is much better than this. Hell, Asia Argento is much better than this.

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Storage 24 (2013)

Posted on December 16, 2013 by Felix Vasquez

Despite being featured in an article as one of the lowest grossing movies of the year (It premiered in one theater), “Storage 24” is actually a solid monster movie. If you want to see a vicious monster murdering thirty something Brits, this is the movie you’ll want to watch. Director Johannes Roberts‘ genre entry is a film with big ambitions, but a small budget, so he uses the creature effects wisely and pays off with vicious violence, and a pretty interesting finale. I’m not about to call “Storage 24” a masterpiece, as Roberts film takes too much of its time on back story and set up.

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