Lee Van Cleef is a man who makes it look easy to dominate the screen with his presence, no matter what the film. “The Big Gundown” is purely a western thriller for the Lee Van Cleef fans that want to indulge in the sheer finesse and charisma of Van Cleef when he takes turns as the hero. Or in this case, the anti-hero. Van Cleef takes on the role of John Corbett, a man who is not afraid to gun down people that threaten him, but is never trigger happy. He is one of the best bounty hunters in the west, and is a man devoted to his duties. As Corbett, he’s asked by an aristocrat to hunt down a vicious criminal named Cuchillo. He’s wanted for raping and murdering a young girl, and is currently on the run in the west, giving the law a difficult time of finding him.
Tag Archives: Foreign
The Wind Rises (Kaze Tachinu) (2013)
“The Wind Rises” is such a beautiful note for Hayao Miyazaki to leave us on. It’s a bittersweet affair as a film and an animated feature, mainly because Miyazaki hasn’t lost his ability to tell stories. He’s the most incredible animator working today, and his retirement is heartbreaking because the man has many more years left to deliver lucid, entertaining and thought provoking stories to his fan base. “The Wind Rises” is not an explosive, fantastical exit for Miyazaki, but a respectful and quiet bow out. One that really does stick with you long after the credits have ended.
Zatoichi: The Blind Swordsman (Criterion Collection) (1962)
If you’re like me, you’re a fan of “Zatoichi” and know all too well how expensive the movie series can be to purchase. Zatoichi garners almost thirty films in his movie series, two of which are released separately. The first twenty five are, of course, often released in box set form and are sold at terribly expensive prices, and immediately go out of print. If you want to collect all of the movies individually online through a purchase, good luck finding an online seller that won’t charge an arm and a leg. Back in the early aughts I attempted to buy as many “Zatoichi” films as I could, and only ended up finding four. I never could bear to buy the rare box sets at almost five hundred bucks. Thankfully, Criterion comes to the rescue, offering a deluxe box set of one of my favorite action movie series of all time, “Zatoichi.”
Aftershock (2013)
Have we reached so low down the totem pole that we’re now ripping off Eli Roth movies? Is that the definition of desperation or what? “Aftershock” feels like one of those situations with “Poltergeist” where Eli Roth was ghost directing while Nicolas Lopez was credited as director. It’s a half hour of a lame tourist dramedy, followed by an hour of really silly gore and zero direction in its story, all leading in to a finale that shamelessly rips off the final scenes of “The Descent.” Thank goodness “Aftershock” is a merciful ninety minutes.
Stalled (2013)
Director Christian James’ “Stalled” is a very creative, and often clever horror comedy that takes the zombie movie to a new direction. It tries, at least. “Stalled” really seems to have a grasp on its premise for the first forty minutes, and then scrambles to keep monotony from setting in the rest of the way. In spite of that, “Stalled” is a creepy, interesting, and very unique zombie horror comedy that takes a few notes from “Shaun of the Dead.” It’s a horror movie about a perpetual loser who gets his life together in the wake of a bona fide zombie apocalypse. But it tries to add its own twists to the conventions, which make for a good experience.
Juan of the Dead (2011)
“Juan of the Dead” is a silly and occasionally creepy zombie movie, but one that also dares to have a brain and display some very volatile commentary about the state of Cuba, and the inherent poverty that runs rampant. Though Juan lives in poverty and is mostly considered a loser by most in his neighborhood, he’s managed to carve out a comfortable existence for himself, and is something of a saving grace for neighbors. After Juan and his friend Lazaro come across a rotted corpse while fishing that attempts to bite them, they kill it and then decide never to talk about it again. What’s funny is that most of the situations may seem like a warning sign to most, but director Brugués comments on the state of Cuba through it.
Howling III – The Marsupials (1987)
It’s really tough to make sense of “The Marsupials,” but much like the second film, it has a good idea but a terrible execution. It wants to be a psychological thriller, a horror romance, a satire of horror movies, and a werewolf picture all in one and fails to deliver on these aspects two fold. “The Marsupials” garners too much of a narrative for one picture, and should have been spread out in to another film, altogether. One thing is for certain: The connection to the Joe Dante film stops at the fact that it has werewolves in it.