Director Mark Lester’s giant monster movie is a mix of rock bottom budgets and mediocre common sense. It’s a classic B monster movie about muscle bound pirates, busomy scientists, and a military battling a gigantic monster while operating out of a tool shed with only three people manning the helm. You also have to love how so much hoopla is raised about Poseidon Rex, with the military set to nuke the entire island that’s held Poseidon Rex, only for our busomy heroine to kill it single handedly with a missile launcher. How did no one think of that? What of its eggs in the bottom of the ocean? Also, how can divers talk while their lips are wrapped around air regulators?
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Poseidon Rex (2013) (DVD)
Director Mark Lester’s giant monster movie is a mix of rock bottom budgets and mediocre common sense. It’s a classic B monster movie about muscle bound pirates, busomy scientists, and a military battling a gigantic monster while operating out of a tool shed with only three people manning the helm. You also have to love how so much hoopla is raised about Poseidon Rex, with the military set to nuke the entire island that’s held Poseidon Rex, only for our busomy heroine to kill it single handedly with a missile launcher. How did no one think of that? What of its eggs in the bottom of the ocean? Also, how can divers talk while their lips are wrapped around air regulators?
The Amazing Spider-Man 2 (2014)
Sony seems to be following the plan of Christopher Nolan’s “Batman” movie series, with “Amazing Spider-Man 2” being “The Dark Knight” of the series. Except Sony doesn’t seem to have a clear end in sight for their own flagship franchise. Which may or may not be a good thing. If they keep up the momentum that “The Amazing Spider-Man 2” does, we might be in store for a very complete reboot with a clear cut satisfying evolution of its titular hero. The writers and producers focus very heavily on correcting former director Sam Raimi’s mistakes, and they have pulled it off well. Granted this follow up to the 2012 reboot isn’t perfect, but it’s better than its Raimi predecessor.
Fargo (1996)
Leave it to the Coen Brothers to provide movie audiences with a crime heroine that we’d never really see coming at some of the worst criminals around. Marge Gunderson is not your typical gumshoe and probably never really desired to be one growing up. She’s a small town simple woman who is about to give birth to a baby, and only really works until she is able to head off to the hospital. But things go from mundane to extraordinary when what seems like a random series of homicides on a snowy road side turns in to a very disastrous plot to extort and embezzle money out of a car dealership.
Blazing Saddles (1974)
You have to give credit to Mel Brooks for being so ballsy. In today’s day and age, a movie like “Blazing Saddles” would never get off the ground and become a mainstream comedy. Even with its material, Brooks runs the risk of becoming low brow, but thankfully manages to create the best comedy of all time. It’s my favorite from Brooks, edging out “Young Frankenstein” if only for the lead performance by Cleavon Little. “Blazing Saddles” satirizes the Western sub-genre, while also mocking its inherent racism, setting it in the middle of the slave era. Though the film is biting in its social commentary, it still manages to be incredibly funny, sidestepping the mockery of the slavery, and instead poking fun at the Caucasian characters.
Kindergarten Cop (1990)
Back in the eighties and nineties, Arnold Schwarzenegger was larger than life. With his large build and thick Austrian accent, his rough exterior was contradicted by his sweet personality. This carries over more than successfully in Ivan Reitman’s “Kindergarten Cop,” one of his many efforts to connect with younger audiences. His transformation in to kids film star is nearly seamless, as he’s able to connect with his primarily younger cast surprisingly well, and garners a strong chemistry with just about everyone in the film.
Last Action Hero (1993) (DVD)
I know a lot of people argue that “Last Action Hero” was ahead of its time, but I’d wager a bet we’ll likely never see a time where it’d be considered genius. Director John McTiernan matched with Arnold Schwarzenneger bring movie fans an action movie that never knows what it wants to be. It’s too straight faced to be considered satire, too silly to be taken as an action movie, too menacing to be a kids film, and too juvenile for hardcore Schwarzenneger fans. Yes, even more juvenile than “Kindergarten Cop.”Most of “Last Action Hero” can never decide on putting Schwarzenneger’s character in to the background. Considering he’s mostly just a fictional character that young Danny Madigan worships whenever he visits the theaters, it’s jarring the film basically begins on Jack Slater and his adventures.