Halloweentown (1998)

Sure, this is a Halloween oriented film that isn’t scary, or creepy, or violent, or even remotely menacing and sure it’s a premise we’ve seen trotted out in “Sabrina The Teenage Witch,” “Twitches,” and “Buffy,” but deep down it’s a true Halloween movie and one you can watch be you a child or an adult looking for a good time, and I manage to come back to it every year because it’s such a fun time to be had for all.

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Upstairs (2006)

upstairs-06Writer-Director Mark Howell’s short is one of the finest examples of short horror cinema I’ve seen in a while. He wastes no time in explaining his characters to us, leaves our experience completely ambiguous and also leaves me wanting a sequel. When a young couple happen upon a house being sold in a seemingly mundane neighborhood, they decide to buy it under the house’s value and are talked in to the purchase by a content realtor who seems to know the house’s ins and outs as the new buyers prepare to move.

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Shutter (2008)

shutter2008Here’s what I learned from watching the remake of “Shutter”:
1. Even purely Asian women look Caucasian only because they should.
2. There are such things as spirit photography magazines.
3. There are experts in spirit photography.
4. Ghosts love a good game of piggyback!
5. And Maya Hazen is a stone cold fox.

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Paranormal Activity (2007)

In the days of overexposed, computer heavy FX extravaganzas, horror films that go for a more subtle build of terror are usually dismissed as cheap throwaways that just don’t have the budget to compete with the big studio thrill rides. It’s no secret that the “less is more” philosophy is the independent filmmaker’s best friend, but occasionally there comes along a movie that embraces its sense of mystery and uses a building sense of menace to its advantage.

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White Noise 2: The Light (2007) (DVD)

white-noise-2-the-lightI always say that if you’re going to derive from another better and well established concept, you’d better sure as hell do it well. Or do it to the point well it feels unique. The sequel to “White Noise” is a bonafide take on my favorite “Twilight Zone” episode of all time, “The Purple Testament.” Except this time it’s updated to a man who has a Near Death Experience after attempting suicide. When he returns from the dead, he can see white auras around people who are about to die. As well he can also hear EVP’s, and see transmissions of the dead on televisions, and he’s really about to experience something he never thought was possible. “White Noise 2” is by all accounts a superior film to the original, and that’s odd considering the original had so much potential, while this sequel had the odds stacked against it.

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Urban Legends: Bloody Mary (2005)

Kate Mara is a surefire saving grace for “Bloody Mary” as she turns a potentially annoying and whiny heroine into a sympathetic and highly entertaining central character. She has an innocence and genuine charisma to her that makes this film rise above a typical horror sequel, and I cared about her journey. All the clues and hints to the potential unveiling of Mary’s next targets always worked for me, and Mara really had me right there with her, wondering what surprises were next.

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Poltergeist (25th Anniversary Edition) (1982) (DVD)

Who directed this movie? Was it control freak egomaniac Steven Spielberg (Still my hero, Stevie!), or poor sap semi-talent Tobe Hooper? The debate continues, and I could care less. For me, “Poltergeist” is still one of my favorite horror flicks of all time, and it’s a wonderful combination of both directors’ styles. For the Spielberg nuts, there’s wonder and magic and epic nightmarish fantasy, and for the Hooper fans, there’s the horror, the terror, the frantic energy in the climax, and that great scene of the face being torn from its bone in the mirror. This is a wonderful demented bastard child from two great directors, and “Poltergeist” is simply still a great piece of filmmaking.

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