Masters of Horror: Chocolate

This latest episode is not so much scary and frightening as it is often amusing and fascinating. For this week’s episode, director, writer, and creator Mick Garris brings to life one of his own stories. I was often thinking back to “Twilight Zone” for this installment as it deals with unknown identities and sudden powers that arise from circumstances. As little expectations I had for “Chocolate” it ends up as a very solid episode. Henry Thomas is very much in the vein of Norman Bates here as a prudish young man named Jamie who works as a scientist synthesizing smells and tastes for products. One night after a vivid dream he awakes with the strong taste of chocolate in his mouth and begins to wonder if the dream was an actual figment of his imagination.

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Masters of Horror: Jenifer

The story of Jenifer is the tale of the ultimate jealous girlfriend, who is a subservient, but very jealous person who claims her mates and then clings on to them serving what she feels they desire. To the monster Jenifer, she sees eating humans as eliminating rivals and basically giving her mate her own gifts. The story not only confronts the whole aspect of this grotesque girl, but examines the lolita-esque attraction with this man who–in spite of her face–still possesses a sexual obsession with her. As per Argento’s style, the tension is ripe from the very beginning, as the mystery Argento usually works on mounts. And there’s a great amount of gore that Nicotero works on including some genitalia munching (literally), and gorging on innards that never cuts away. So–this is all they gave Dario Argento to work with, eh?

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Masters of Horror: Dreams in the Witch House

Perhaps I set myself up for this, perhaps the first episode just had me on this orgasmic euphoric high only set to be lowered by anything. Director Stuart Gordon of “Re-Animator” takes center stage this time in the second episode of the series with an entertaining albeit disappointing installment based on HP Lovecraft’s story of the same name. I’ve never read a story from Lovecraft, but I know he’s an immense influence for many horror masters that borrow the elements from his story for their own. Gordon manages to create a very entertaining installment for Masters of Horror that’s sometimes surreal, many times whimsical and all times filled with dread.

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Masters of Horror: Incident on and off Mountain Road

The pilot episode of “Masters of Horror” pretty much brings to the table what I was expecting. Gore, good acting, and plot twists. and it’s just what I got, thank god. The story, compacted within a fifty minute window, is smart enough and well written enough that it doesn’t feel rushed. The plot for the pilot is simple enough to be squeezed in to a small segment, yet manages to give us enough character depth and subtext we would desire. Not to mention some brutally gruesome images of torture that make the viewing all worth it. Bree Turner (I think I’m in love) gives a good performance as Ellen, a young woman who crashes in to a deserted car in the middle of a road.

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The Devil's Rejects (2005)

Soon will begin the long debate about which film is better “The Devil’s Rejects” or “HO1K”. I’m all for “The Devil’s Rejects”. What this has over the first film is basically everything from characterization, a fascinating plotline, and most of all a coherent narrative that was severely lacking in its predecessor. The first film was the mark of a fan boy who was more concerned with paying homage to his favorite movies than telling a story, but ultimately “The Devil’s Rejects” is the redemption of that fan boy as he finally gives the audience a competent story with excellent action.

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Constantine (2005)

constantine_6While I was interested in watching “Constantine”, I didn’t really get what I was expecting. I never once read a comic of “Hellblazer”, but I know the general gist of it, and despite my disappointment with the miscasting of Reeves and the loose adaptation, I did get more than I bargained for. Constantine was essentially a story that takes place in the UK, but despite the Americanization, it ends up becoming a really solid adult thriller in the end. Constantine is a demon fighter who has been diagnosed with cancer and is now seeking to buy his way in to heaven, and through that journey, director Francis Lawrence who is shockingly a music video director, surprisingly gives some grade A direction for what is rightly a stylish yet very murky supernatural thriller.

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High Tension (Switchblade Romance) (2005)

I love slasher films, I go ape shit for them, and when I read about “Haute Tension” I went nuts especially after watching the trailer when I went to see “Saw” in theaters last year. Modern slasher films have been incredibly watered down with very little gore, and just nonsensical casting, hiring young hip actors to portray the victims. I always say that these days the best films are the foreign films, and the best horror films are indeed the foreign ones, and “Haute Tension” is no exception. This is a great film that was just so reminiscent of Argento’s gory style, with a killer that is awfully scary.

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