Demons 2 (Dèmoni 2) (1986)

demons1Playing October 29th in a double screening with “Demons,” at the Anthology Film Archives, NYC [Tel: (212) 505-5181]. “Demons 2” star Coralina Cataldi-Tassoni is set to appear and present both films. Check theater times and ticket prices here.

Lamberto Bava and Dario Argento bring us quite an interesting universe where all elements of their narrative and concept tend to transcend reality and common sense and the realities kind of intercept one another. In either case, “Demons 2” much like the original, is a film where you basically buckle up and take the ride without picking apart too much of the ideas. When dissected nothing makes much sense, but it’s at least a fun tour through some genuinely fun shocks and creative moments of horror cinema. Unlike the first film, “Demons 2” lacks the novelty of the movie theater setting. Wherein the original had demonic forces infiltrating a safe haven for movie lovers, director Bava and producer-writer Dario Argento confine their victims to a locked down apartment complex.

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Other Shorts from Brooklyn Horror Film Festival [Brooklyn Horror Film Festival 2016]

other-shorts-pigskinGwilliam (USA) (2015)
This flat out gross short follows a recently released criminal looking to get off.  From there it goes in an unexpected direction.  Written by Victoria S. Cook, Brian Lonano, and Kevin Lonano and directed by Brian Lonano, this short is odd and aims to either gross out or make the viewer uncomfortable or possibly both.  This is the kind of short that you just can’t look away from, you want to but you also want to see how far it will go.

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The Greasy Strangler (2016) [Horrible Imaginings Film Festival 2016]

greasystranglerAn old man, Ronnie, lives with is adult son, Brayden, giving disco tours to gullible customers. Things get a bit greasy when Brayden falls for one of their customers and Ronnie becomes jealous. Their home becomes a sexual battleground and a monster is unleashed onto the public.  Co-Written by Toby Harvard and Jim Hosking (who both collaborated on the same short in ABC’s of Death 2) and directed by Jim Hosking for his first full length film, The Greasy Strangler is a mind-melting experience. The film’s humor is apparent from the first scene of the movie and, like the Energizer Bunny, it keeps going and going; quips so not funny that they end up becoming gut rolling, blatant displays of comically sized genitalia and pubic hair, and disgusting food.

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Let Her Out (2016) [FrightFest 2016]

let-her-outAfter Helen, a bike messenger, gets hit by a car, she awakens in the hospital and soon finds herself haunted and taunted by her twin who she absorbed during her development in utero.  As Helen seems to lose her mind more and more, her evil twin makes more and more appearances and damage.  Or does she? Written by Adam Seybold based on a story by himself and director Cody Calahan, the film explores the evil twin subject in an interesting manner as the viewer is almost never sure if it’s a twin, a ghost, a possession, or simply mental issues that are causing all the mayhem.

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Blood Feast (2016) [FrightFest 2016]

BloodFeastremakeThe Ramses family moved to France for a new start and opened an American-style dinner in the Paris vicinity.  As business is floundering, Fuad Ramses works a second job as after hour watchman at the Musée de l’homme (Museum of Man) where he encounters visions of the goddess Ishtar.  Under her charms, he begins plans for a blood feast in her honor at his diner.

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Red Christmas (2016) [Fantasia International Film Festival 2016]

redchristmasA mother wants to have the best Christmas ever with her family.  During the traditional day, tensions come to a boiling point when a stranger shows up at their door and wants to kill them all.  This sets the mother on a warpath to protect her brood.

This Australian horror film is written and directed by Craig Anderson who starts by building a family with lots of issues and strife between its members.  Most of their issues are the same as a lot of families while others are more unique.  This family cares for each other against these odds and when all hell breaks loose, their bonds are tested.  The writing here develops this family well and then brings some original kills to the table but the characters are not the most likable so it’s hard to root for them.  This is all well directed for most of the film so the few issues seen here and there are not entirely awful, but the film lacks a bit in fun.  Sadly, the killer’s motivation feels a bit preachy at times, making his condition a bit of a case of one too many things in the story.  The way the killer is portrayed is unfortunately a bit grating and not really menacing.

The cast does ok with the material but it’s hard to tell if their characters were written that way or if they were directed to do this or if the way they act leads to this, but almost all the characters come off as unlikable and just disagreeable, selfish people.  From the looks of things, it seems to be a combination of the three with other factors added to those.  Knowing that Dee Wallace can play mother so well, her performance here is not as expected which may be due to putting too much hope on her.  She is good, but some angles of her character are so dislikable, it’s hard to look over those.  The rest of the cast being less familiar, they did not have as much expectations put on them, yes they still come off as dislikable to despicable as well.

As Red Christmas is a slasher, the kills and their effects are of high importance.  The kills here are good with some original ones.  However, the effects are decent at best with some pieces being not so good to just bad.  The make-up and prosthetics on the killer look a bit like Toxie, with a low budget look and even somewhat of a family resemblance.  Also an odd choice is how the kill set pieces are shot.  In some cases, the lighting makes it hard to see what is going; on while in other cases, the shaky cam is nauseating, making the viewer look away and miss out on the scene.

This film has a lot of potential, but does not go for it.  It has good ideas for kills with effect that are just not good enough to support those ideas.  The characters are not people the viewers can get attached to.  The killer is one of those that could have been good but his background and reason to kill make him hard to get into or behind.  This reviewer wanted to love this as the last few years have given us so many good holiday themed horror movies, but even after giving Red Christmas as much slack as possible, it’s not a movie that can be considered good.  A few good scenes here and there do not a great movie make.

Fantasia International Film Festival ran from July 14th until August 3rd, 2016 and will be back in the summer of 2017.

Hardcore Henry (2016) [Blu-Ray/Digital]

hardcorehenryblu-rayAll I have to say is thank goodness “Hardcore Henry” bombed, even after its unique publicity campaign. I’d really hate to have five other movies out there in theaters trying to copy this wretched movie’s formula. “Hardcore Henry” isn’t even really a movie, as it has no narrative, zero characterization, and is essentially just a series of cut scenes from a video game meant to evoke the fantasies of fourteen year old boys with rage issues. The plot, I use the term loosely, feels like a concept for an NES game in 1991, where LJN saw “Robocop” and decided to create their own clone. “Hardcore Henry” is essentially like watching someone play a video game.

At first it’s a novelty then it becomes incredibly monotonous. Even with director Ilya Naishuller putting our hero through the wringer as he pulls out people’s intestines, battles a flame throwing assassin, and watches soldiers bounce from grenade explosions, I was bored by it all. It’s not so much that the movie is so fast and relentlessly loud, but it’s too fast to the point where the running, chasing, fighting and explosions become so repetitive. I eventually began to grow so accustomed to exploding heads, and bodies being thrown off buildings, that I was wishing for one moment where characters would sit down and explain something, or discuss a bit of exposition that didn’t sound like video game instructions.

To make the events so dull and miserable, character Henry conveniently has no voice, making him easily the most paper thin action hero in movie history. Without a personality, emotions, a voice, or even occasional glimpses at his face and reactions, all we’re left with is a stale attempt to turn the viewer in to some sort of avatar for an action hero who is indestructible and blowing people up left and right without consequence. It doesn’t help that the movie seems to realize it has no story of substance and leans heavily on long drawn out action and weak moments of suspense. The further Henry flees from the super secret cyborg making organization led by the albino psychic mutant guy, the less sense the movie makes.

We all know the minute we see the group of undead cyborgs that Henry will have to fight them all at the same time to get to the final boss of the movie, so why should we even care about why they were invented, and what threats they serve? “Hardcore Henry” is a miserable, and tedious gimmick that feels like cut scenes from a stale Sega CD beat em up game, spliced together to form a limp cinematic experience. It’s a cheap, shallow gimmick that I’m glad failed, and it’s one I hope never catches on.

The Blu-Ray release comes with a Digital Copy. We’re given four deleted scenes emphasizing Henry’s battles, and a twelve minute fan chat with supporting actor Sharlto Copley and Writer/Director Ilya Naishuller, both of whom answer fan questions. Finally there are two audio commentaries. There’s one with Director and Producer Ilya Naishuller who covers the movie in very fine detail including the pacing, visual effects and much more. The second audio commentary features Director and Producer Ilya Naishuller and Star and Executive Producer Sharlto Copley, both of whom cover the same line of insight and details from the first commentary, with Copley adding his own interplay.