The Texas Chain Saw Massacre (1974): 40th Anniversary Edition [Blu-ray]

TCM40Forty years later and there’s still nothing like “The Texas Chainsaw Massacre.” Not a single film no matter how brutal has managed to be as unsettling and nerve rattling as Tobe Hooper’s masterpiece. It’s astonishing how Hooper’s master work hasn’t aged a day and still retains much of its raw guerilla filmmaking aura. The man and the cast suffered to make his horror thriller about maniacs in the South, and it shows through every single film cell.

“The Texas Chain Saw Massacre” is a horror film I not only respect, but revere, if only because it bears such a realism to it that feels as if Tobe Hooper let loose a bunch of lunatics on an unwitting cast of actors. Much in the realm of Ruggero Deodato’s “Cannibal Holocaust,” there’s the sense that Hooper clings very closely to reality, and covers every single aspect of this vicious environment. You can sense the thick stifling heat, the horrific confusion and chaos, and Leatherface. Leatherface is still the wild insane rabid dog let off of his collar, free to roam as he pleases. Gunnar Hansen as Leatherface is still a terrible force of nature who spares no one, and inflicts immense punishment on the flower children.

It’s interesting to see how Tobe Hooper doesn’t just provide a flawless masterwork of horror, but also manages to depict a very rotten and disgusting environment by sight alone. Every aspect of “The Texas Chain Saw Massacre” feels very aged and filled with years of decay, and Hooper is a master at creating so much out of very little. Hooper’s horror film is still an iconic artifact in grade A horror filmmaking, as well as building an entire narrative around chaos and pure anxiety. From Sally’s forced attendance at the family dinner, to her insane cackling in the final scene of the film as she bathes in blood, director Tobe Hooper’s film takes on a pulse all its own that’s yet to be duplicated or rivaled to this day.

The 40th Anniversary Edition comes with four audio commentaries. There are about six hours worth of commentaries, with director Hooper sitting down with the surviving cast and crew of the film. There’s an audio commentary with Director/Writer/Producer Tobe Hooper, Actor Gunnar Hansen, and Cinematrographer Daniel Pearl, there’s a second commentary with Production Designer Robert Burns and cast members Marilyn Burns, Allen Danziger, and Paul A. Partain. There’s an audio commentary with Tobe Hooper, and finally a commentary with Cinematographer Daniel Pearl, Editor J. Larry Carroll, and Sound Recordist Ted Nicolaou.

Grindhouse Trailer Classics Volume 1 (DVD)

Volume 1 of “Grindhouse Trailer Classics” brings fans fifty five of the best grindhouse trailers around, and they’re all available on one compilation on volume one of the DVD from Intervision Picture Corp. There are zombies, Nazis, cannibals, and exploitation galore with some of my favorite grindhouse flicks present and accounted for. They’re shameless and very well put together trailers that revel in the insanity of the films and deliver onslaughts of really surreal imagery.

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Diabolique Magazine No. 17 (Aug/Sep 2013) [Magazine]

Diabolique-17

For folks who want to avoid all the insider stuff you can usually find on the internet, “Diabolique” ventures to offer something different in the horror spectrum. There’s less focus on the Hollywood aspect of horror, and more on the more underground anti-establishment perspective that horror aficionados will definitely appreciate. This is the first time in a while I’ve read a magazine without skipping past a section I just didn’t want to waste time on. The centerpiece of the magazine is the wonderful history of the horror comedy.

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The House of Seven Corpses (1974)

The-House-of-Seven-Corpses

As far as murder mystery movies about evil houses, “The House of Seven Corpses” is not a masterpiece. I’m by no means intent on watching it again for at least a few years, but it makes a good argument for nonsensical genre fodder that doesn’t even try. The main character’s cat gets in to a stare down with a painting on a wall featuring the head of a severed cat. There’s the “Tibetan Book of the Dead” that’s bandied about like it’s an encyclopedia, and did I mention a zombie pops up in the end? Why? Who the hell knows? The zombie just gets out of its grave, kills the entire cast, carries a naked girl to his grave, and the movie ends.

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Bada$$ Mothaf**kas (2013)

badass-mothafuckasOh, Marilyn Joi. You truly are a babe. I may begin looking for your films just to bask in your curvaceous glory. That said, “Bada$$ Mothaf**kas” is the newest trailer compilation from Full Moon Entertainment, the sub-genre for this fun series is blaxploitation. To host the fun, they turned to the man, the myth, the legend: Fred “The Hammer” Williamson. He doesn’t just have a good time hosting this compilation, but is damn funny.

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Nothing Men (Digital)

In the interest of full disclosure, I am a long time friend with author Doug Brunell, but this review is as objective and fair as possible.

Reading “Nothing Men” is a lot like the beginning of a rollercoaster, where you’re riding up further and further and building up to momentum. You’re sitting waiting thinking “Here it comes, here it comes,” and when the rush finally does come, author Doug Brunell delivers on a final half that soaked with blood, guts, and an ending that will likely make you re-think travelling to small towns ever again. “Nothing Men” made me think about the like of Herschell Gordon Lewis, Tobe Hooper, and prompted flashbacks of films like “The Wicker Man” and “Texas Chainsaw Massacre.”

No matter how far you run, you’re never really quite out of the grasp of the environment and its deadly residents that dwell in its bowels, and that sends a surge of dread and a bleak atmosphere in “Nothing Men” that’s wrenching. Especially in its final pages. Author Brunell simply doesn’t let his characters off the hook, and punishes just about everyone in the book. It’s almost like a splatter version of “Funny Games” at times. Partly they pay for playing god, and partly for their hubris in the situation. Hubris is the ultimate undoing for just about everyone in the book, and Brunell unfolds layers of Valley Bottom slowly with every chapter.

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