The Top Ten Best Moments of “The Walking Dead” Season Seven

Despite a rocky start, “The Walking Dead” season seven was absolutely stellar, as we finally got to meet the man known as Negan. Since Season one most of the threats from outside haven’t shaken Rick and his group’s confidence. Hell, not even a town filled with cannibals could really shake Rick’s determination. It isn’t until Maggie was near death and the massive numbers of the Savior for Rick to be shaken at the core. Negan is a vicious monster who is just as organized and orderly as Rick and his group are. He commands big numbers, strikes fear in to the hearts of many, and is never afraid to demonstrate his wrath over others. Season seven saw Rick be knocked down, and find the courage to get back up again and fight for Alexandria. It was a compelling season and these are ten of the best moments that shocked, amazed, and gripped me.

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Dig Two Graves (2014)

Following her brother’s accidental death, a girl gets involved with the local black sheep and learns a thing or two about her family, the past, and revenge.

Written by Hunter Adams and Jeremy Phillips and directed by the former, Dig Two Graves is an ok drama with a few horror elements that goes at a decent pace. The film has decent characters, decent dialogue; it’s all decent, but it’s all a bit bland. The film has some interesting aspects, especially the family that lives in the woods, but it’s not quite enough to make it a stellar film or even a really interesting one, which is too bad as everyone involved is seemingly talented and capable of more.

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Kairo/Pulse (2001)

Kyoshi Kurosawa’s “Kairo” is a film dripping in terror that deliberately paces itself as a slow burning end of the world tale. Rather than an all out orgy of gore and carnage, “Pulse” eventually explodes in to something of a last gasp of humanity, and a civilization that ends in a whisper and somber whimper. “Kairo” is written as something of a two act structure where Kurosawa opts for a film that’s episode in the vein of “Pulp Fiction,” and then smashes together in the stunning climax. Much of what we see seems and feels random in many places, and events collide allowing for a cogent unfolding of events that doesn’t just make sense but feels so meticulously planned from square one. What makes “Kairo” so haunting even when the credits have drawn to a close is the way the director opts less for splatter and gore, and more for a requiem that depicts mankind as a stain and nothing more.

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Deadtime Stories (1986): Collector’s Edition [Blu-Ray/DVD]

Pee-yew! You have to appreciate Shout! Factory for restoring what is easily one of the worst anthology movies of the eighties. I admit to being a completely newcomer in regards to “Deadtime Stories,” and upon finishing it, I was not surprised it was such a rarity for so many years. “Deadtime Stories” watches like someone really loved “Creepshow” and decided to make their own version with only a quarter of the budget. Then mid-way when the studio realized how awful the movie was, they decided to turn it in to a comedy at the last minute so horror fans can convince themselves the whole disaster is intentional and a tongue in cheek jab at the anthology crazy of the decade.

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The Devil’s Candy (2015)

After buying their dream house in Texas, The Hellmans, a painter, his wife, and their daughter, must face human and supernatural threats.  As the father finds an incredible muse and must paint, his daughter and wife deal with lurking dangers.

Written and directed by Sean Byrne, The Devil’s Candy is a strong follow up to his debut feature The Loved Ones, showing that his talent was not fluke and showing that the man can craft a good horror story with truly creepy and even scary elements.  Here he creates an interesting family who is traditional in one way and not in others; they are a cool, artsy family with a love to heavy metal.  Their differences set them apart from the usual cinematic families who encounter evil in their new homes.  Also, the way the evil comes into their lives is original and works well in the film’s context.  His characters work well together, giving them more to care about, more to worry about, more to lose.  His writing and directing create a film with a family the viewer can identify with and care for.  Also, his human antagonist is one that has presence, who oozes creepiness while playing in the potential supernatural angles.

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The Dark Below (2017)

It’s kind of a tough situation with “The Dark Below” that I found myself in. Ultimately I appreciated its creativity, its twist on the stalker thriller, and how Douglas Schulze delivered his premise, but in the end “The Dark Below” is only a slightly serviceable thriller. Despite the film being genuinely creative in unfolding its narrative of a woman fighting to survive underwater in the arctic while evading a killer, the movie itself left me lukewarm and generally unengaged. Douglas Schulze banks a lot on audiences being either claustrophobic, terrified of drowning, and terrified of being alive, as the center of the films premise relies on our protagonist being stuck under a frozen lake while being hopelessly outmatched against a killer in the snow. Schulze does switch up the monotony of this kind of genre offering by creating a film that has absolutely no dialogue.

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Firestarter (1984): Collector’s Edition [Blu-Ray]

If there’s anything that Stephen King loves to write about, it’s powerful children with god-like abilities, and I imagine considering most of his stories connect in to a universe, someone with Danny Torrance’s abilities is married to someone with the abilities from “Firestarter.” Mike Lester’s adaptation of the Stephen King novel is not a masterpiece, but I still insist it’s a fun movie with a good amount of effort behind it. The only thing it really suffers from is being ahead of its time. I imagine were we given a new adaptation “Firestarter” might be a mix of dazzling and disturbing a la “Carrie.” As it is, “Firestarter” is mostly a compelling horror drama about another very powerful young girl who is being hunted by the government.

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