post

The Laundryman (2015) [New York Asian Film Festival 2016]

thelaundrymanA hit man who works for a laundry company as a cover up grows a conscience.  He’s highly trained and excels at his job, however, for a while now, he is plagued by ghosts and he must find out what they want from him in order to restore some sort of peace to his life.  To do this, he enlists the help of a cute but possible clueless clairvoyant.  Through all of it, he finds out more about his victims, his boss, and himself.

The Laundryman is a hybrid horror/comedy/action film by director Chung Lee and written by Yu-Hsyun Chen and Chung Lee.  The tale built here fills the complex task of mixing multiple genres without going into parody or satire or become a send-off/homage to its genres.  Here the mix of the genres works very well and has the story evolves its elements just work.  However, the comedy levels are more present in the first third or so of the film and then occasionally throughout the rest of the film.  The comedy works because the viewer is not hit over the head with it.

That being said, some of the scenes are completely ridiculous in the best way possible.  The horror, mainly from the ghosts and not much blood outside of a few short scenes works here as well.  The ghosts here are not meant to scare but they work so well with the story.  The first fight sequence is fantastic, the way its written and shot make it really fun.  The rest of the fighting is also entertaining.  Getting all of these elements together creates a really fun whole.

The casting here feels rather perfect for the story and the style.  Hsiao-chuan (Joseph) Chang is an entertaining lead.  He has a charisma that helps carry the whole film.  His acting is just about perfect for the material.  It may not be the top performance seen at New York Asian Film Festival, but it’s still a damn good one.  Supporting him is Regina Wan as the clairvoyant and Sonia Sui as the boss, both opposites until the end.  Their performances show excellent talent as they both do extremely well.  The cast for the ghosts is fantastic too and they manage to keep a straight face through some truly ridiculous situations.

For a partially horror movie, the effects are not super prominent but what we’re given is well done.  The CGI is good and blends well in the scenes where it is present.  It’s not overly used which avoids it becoming an annoyance.  Outside of the effects, the film looks really good, it grabs the attention from the get go with its colorful representation of Taiwan and the life of a man who, by all accounts, could be living a very grim life.  Most of the film, besides the flashbacks, feels all so chipper.  In general, the film looks very good.

The Laundryman is a really fun, funny, and entertaining film.  It may be hard to find for a while being a festival title, however it’s absolutely worth checking out.  The story is good, the acting is on point, the fighting “punchy”, and the ending, all the way after the credits, will make you giggle.

Train To Busan (Bu-San-Haeng) (2016)

traintobusan“Train to Busan” is very much steeped in the idea of humans using the warped concepts of segregation and isolation as a means to survive, not only from the menaces lurking outside our doors, but inevitably from one another. Sook-woo is a hopelessly disconnected workaholic who is confined to his office desk and is still reeling from a bad divorce. Trying to rebound from a bad business deal with a local corporation, and re-connect with his estranged daughter Soo-ahn, he submits to her birthday plea of taking her to Busan on train to see her mother. Despite protesting against it initially, he accompanies her to see her mom. But much to his, and everyone’s surprise, a viral outbreak has exploded on to the train station turning the infected in to rabid, running, flesh eating zombies.

Continue reading

Batman: The Killing Joke (2016)

batman-killingjokeDC And Warner have at their hands one of the most iconic Batman narratives of all time, a narrative that asks the question if the Joker is truly someone too weak to endure a really awful life, or if he can submit someone to so much pain they can become exactly like him. All it takes is one bad day, he insists. “The Killing Joke” is surprisingly only seventy six minutes in length and still manages to feel way too long. For an iconic story with such a meaty premise, DC and Warner obviously have absolutely no idea how to put it to screen, and manage to botch this adaptation big time. With “The Killing Joke” we have to endure what is one long winded and dull prologue that leads literally to nowhere, just to allow the viewer to connect to heroine Batgirl.

Continue reading

Ghostbusters (2016)

ghostbusters-2016If you subscribe to the idea of multiverses (where there are various universes for TMNT, DC Superheroes, and Marvel superheroes alike), I like to think of “Ghostbusters” 2016 as an Elseworlds tale, where the concept of Ghostbusters exists, but on its own plain and on its own terms. The Ghostbusters we know from the eighties are also existent, but in their own personas and fulfilling their own purposes. “Ghostbusters” 2016 even as its own horror comedy is just mediocre. It’s not as great as the original “Ghostbusters” but is definitely a notch above “Ghostbusters 2.” Melissa McCarthy is her usual wry self as Abby Yates, a once paranormal researcher who has spent many years trying live down co-publishing a book about the paranormal.

Continue reading

Never Tear Us Apart (2016) [Fantasia International Film Festival 2016]

NTUASid Zanforlin’s short horror comedy is a fantastic bit of gruesome, grue, and slapstick comedy that will definitely strike a nerve with folks that like HG Lewis. I am shocked how much Zanforlin is able to squeeze in to in only seven minutes in length. And considering this is a proof of concept for a potential feature film, I think Zanforlin has enough material for a potentially bonkers splatter horror comedy down the road. Filled with amazing special effects by Justin Tripp, Zanforlin centers his film on two young men traveling to meet their family who stop alongside the road.

Continue reading

Midnight Movie Madness 50 Movie MegaPack (DVD/Digital)

mmdvdFor movie buffs and collectors looking to gather up some classic schlock and silly horror films, “Mill Creek Entertainment” brings us a 50 Movie MegaPack DVD Set of some their worst and most infamous horror films. Thrown in to the mix, there are some science fiction, juvenile terror movies like “I Accuse My Parents,” and even the George Hamilton starring “Evel Knievel.” Further digging in to the selection of fifty titles, there’s 1944’s “Delinquent Daughters,” the Francis Ford Coppola horror classic “Dementia 13,” the slasher “Driller Killer,” and 1977’s “Drive In Massacre.”

There’s the deliriously bad but hilarious science fiction action film “Future Hunters” starring Robert Patrick, and Bruce Le, William Castle’s fun “House on Haunted Hill,” the early Brandon Lee starring stinker “Laser Mission,” the classic MST3K spoofed “Manos-The Hands of Fate,” the so bad it’s great drug hysteria movie “Reefer Madness,” the goofy science fiction film “Slipstream,” the classic dwarfsploitation movie “The Terror of Tiny Town,” and the Fred Williamson post apocalyptic science fiction film “Warriors of the Wasteland.” All movies come packed in a cardboard box by Mill Creek and in paper sleeves. I have to say I miss the plastic clam cases, but maybe it’s a cost thing.

This year movie collectors might enjoy knowing that Mill Creek Entertainment has taken to the digital world, allowing their consumers to redeem their fifty megapack purchases for digital libraries for their laptops, cell phones, and Ipads. Much like every other home release, the consumers will be given a unique code with their purchase, allowing them to redeem their movie packs in digital form at Mill Creek’s new service Watch.MillCreekEnt.Com where they can watch them, stream them, or download them.

post

Bad Moon (1996) [Blu-Ray]

BadMoon-Blu-rayEric Red’s “Bad Moon” is a brutally underrated werewolf movie that, much like “Fright Night,” takes a classic Hitchcock movie and twists it to his own conventions. “Bad Moon” is a take off of “Shadow of a Doubt” where a sister is forced to confront her beloved brother’s evil side and realize that their once picturesque relationship was a complete lie the whole time. “Bad Moon” comes in at a little under eighty minutes, but is a tight and brisk horror thriller that is very well written and directed. Granted it has some of the special effects trappings of the nineties with a somewhat weird werewolf transformation, but at least director Red tries his damndest to show pure evil lurking within the heart of a once good man.

“Bad Moon” stars Mariel Hemingway as a tough as nails lawyer and single mother Janet. She lives alone with her son Brett and his over protective German Shepherd Thor. Thor is an especially close guardian of his two owners who is smarter than an average watch dog and seems to know much more than any dog on planet Earth. After Janet re-connects with her long lost brother Ted, she and her son Brett, along with Thor visit him to learn he’s kind of falling apart and isolated after his travels. Before they reunited, Ted was attacked in Nepal by a vicious monster that wounded him before he murdered it in self defense. After local hikers begin turning up dead, Ted moves in with his sister Janet and soon he begins forming an adversarial relationship with their guard dog Thor.

Despite Ted’s best efforts to remain secretive and cryptic with his sister and nephew, Thor is very suspicious of Ted and begins lurking in his trailer and following him around. This prompts Ted to try and devise a new way to be rid of Thor, before he helps Janet and Brett find out his ultimate secret as a werewolf. Michael Pare is a wonderful villain, who begins the narrative as charming and very well meaning, but begins to sour gradually as he realizes Thor isn’t just a passive family pet. The performances all around are fantastic, especially by dog performer Primo, who plays the protective guardian Thor. Thor is a remarkable guard for his family who looks for ways to warn them, as Ted becomes increasingly dangerous and comes to the realization that the only way he can protect himself is by eliminating Janet and Brett from his life.

Michael Pare does a damn good job as villainous Ted, working hard to convey a sense of rotted humanity within him, doing the work until Red reveals the werewolf in the light, and then the bang up special effects complete the transformation. Considering the budget and period, the special effects and monster of “Bad Moon” still looks incredible in motion and Red’s strong direction matched with the excellent editing offer up a wonderful climax you’ll have a difficult time being sucked in to. It’s a shame “Bad Moon” gets looked over in the annals of great werewolf movies as Eric Red provides a thrilling, exciting, and creepy horror movie soaked in a simple family drama.

The Blu-Ray release from Scream Factory comes with the theatrical edit and director’s cut of “Bad Moon.” The difference is a mere thirty seconds, where there’s slightly more gore and nudity in the prologue, while director Red trims down the digital transformation in the climax. The Director’s Cut comes with an audio commentary with director Eric Red alone, who provides an informative session here. He discusses everything from the screenplay, casting, and effects work, right down to cutting most of the digital transformation. The Theatrical Edit comes with an audio commentary with cast member Michael Pare, director Eric Red and John Fallon of Arrow in the Head.

It’s an okay commentary with Pare and Red being the highlight. Both cuts come with “Nature of the Beast: The Making of ‘Bad Moon’” a thirty five minute informative look at the making of the film, with interviews from the cast and crew, and how Eric Red became involved with the film itself. There’s the unrated opening sequence, clocking in at six minute, which establishes the location and gives Ted’s girlfriend a little more exposition before the sex scene. There’s the Transformation Sequence Storyboards, The Storyboards for the climactic fight between Thor and Werewolf Ted, Storyboards for Ted and Thor staring each other down, and finally the original trailer for “Bad Moon.”