It should serve as no surprise that a zombie movie produced by Uwe Boll is nothing but an empty and utterly tedious experience. I’m not going to proclaim “Eaters” as the worst zombie movie ever made, but it’s definitely one where there’s simply no substance and nothing to take away from it. It’s not too much to ask for a zombie movie where we can empathize with characters, and experience something exciting while also having a good time. “Dead Set” managed to accomplish that well.
At the moment there are almost five remakes of “Night of the Living Dead” in the works, as well as another attempt to remake “Day of the Dead.” One of the “Night” remakes is being tackled by Romero’s opportunist son, who wants to give us an origin of some kind. And there is just no stopping indie filmmakers from digging in to Romero’s masterwork and fiddling around with it to mold their own film out of it. There are many more indie filmmakers right now who think they can do better than Romero ever could, and we’ll just keep seeing more “Night” remakes. Especially now that making movies is so easy and accessible. What was once a tough task that required immense resources is now something that can be accomplished on a fucking cell phone. A cell phone!
Here is the list of “Night” remakes ranked from “Inspired” to “What Were They Thinking?” We’re not counting sequels, remakes of sequels, unofficial sequels, or loose sequels. We’re talking about movies that attempted to completely redo the 1968 “Night of the Living Dead.”
What is your least favorite “Night” remake?
I won’t call “Dead Rising” the most original zombie movie ever made, but you have to give it to Zach Lipovsky. He makes a movie based around a zombie video game, and delivers big time on zombie carnage. Unlike “Resident Evil.” That said, while I wasn’t completely bowled over by the movie adaptation of the hit video game, I did find “Dead Rising” to be a surprisingly solid and entertaining zombie romp in the end. Its supply of guts and grue is hefty and it packs a punch with slick direction and some neat casting here and there. The film mixes dark comedy, horror and science fiction surprisingly well, with some good laughs followed by genuine zombie frights that I just dug from beginning to end.
I won’t accuse “Dead Kansas” of being a masterpiece of zombie cinema, but damn it you have to appreciate Aaron Carter’s ambition behind this project. I assume if given a huge budget, Carter would have given us a damn good zombie movie. But since it’s mainly a film on a tight budget, he gives us the best movie he can, and at times “Dead Kansas” has glimmers of a strong zombie film. In between it’s mediocre fodder with shaky performances. But damn, you have to appreciate the inherent ambition here.
[Horrible Imaginings Film Festival San Diego 2015]
Every year, Horrible Imaginings Film Festival in San Diego offers a carefully selected collection of genre short films. At this festival, the shorts are organized by blocks instead of being each paired with a feature length film each. The blocks at this year’s festival were “Child’s Nightmares”, “Horror-Comedy”, “Creature Features”, “Youth and Student Showcase”, “Horror for Humanity”, “LGBT”, “Natural Born Killers”, “Supernatural”, and “Animation”. Due to prior engagements and obligations, it was not possible to see all of them. Missed were the “Child’s Nightmares”, “LGBT”, “Natural Born Killers”, “Animation” blocks and most of the “Supernatural” one. 30 shorts were viewed and enjoyed and 33 were missed. Here are the best ones, the ones you should track down from the ones viewed (in no specific order):
A homeless man who used to have everything and lost it all wanders until he finds an unlocked house which beckons to him. This house is perfect, food and booze waiting for him in the fridge, a warm place to stay, a nice bath … However, soon he realizes that the house will not let him leave. As he explored the house and spends some time thinking, he starts to question why he is there, what brought him to this point in his life, what he could have done differently? To give away more would be to do the film and the viewers a disservice.
Director Ryan Spindell’s short horror film is something of sheer brilliance if only for the fact that he perpetuates the horror of the dentist. Going to the dentist is something no one enjoys doing and “The Root of the Problem” plays upon that fear by taking a young woman and putting her in to the hot seat of delirium and what may or may not be a heinous plot to take her wisdom teeth.