Mad Monster Party (1967)

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Rankin Bass’s “Mad Monster Party” (or “Mad Monster Party?”) is a monster bash of animated proportions that brings the great Boris Karloff aboard to lend credibility to an already fun animated film. Comprised of some excellent voice work and some classic stop motion animation from the Rankin Bass studio, “Mad Monster Party” sets down on the geeky and lovable Felix Flankin, a pharmacist with an allergy problem who is called to his old uncle Baron Boris von Frankenstein’s island for a party where he plans to announce to his monster community that he’s giving up the life of monster making and plans to hand over the business to his nephew.

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The Bates Haunting (2012)

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I’m sure Byron Turk thought the Bates Motel and Haunted Hayride was amazing, so setting a horror film in and around it would be amazing. It wasn’t. It was also likely going to be a good opportunity to promote the ride. Originally titled “Welcome to the Bates Motel,” the movie gives audiences the impression it has something to do with “Psycho,” when it really doesn’t. The owner of the haunted hayride is named Randy Bates, but that’s as far as it goes. Really, the only reason you’d be interested in seeing this is if you’re a “Jackass” fan. Bam Margera has a five second cameo for a commercial for the attraction, while the late hilarious Ryan Dunn plays an angry customer ordering a pizza. Beyond that, the tagline for the film “Some Things are Best Left Alone” should serve as instructions for anyone looking to rent this title.

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Blade (1998)

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Though the media often cites Bryan Singer for starting the comic book movie boom of the twenty first century with his adaptation of “X-Men,” most comic book fans argue that “Blade” really started it all. “Blade” was a scaled down production based on a popular comic book character and managed to present an epic story with a minimal budget. It’s ironic that the character that would restart the comic book movie boom was a kitschy seventies horror character known primarily for being one of the few minority superheroes in the Marvel Universe. The adaptation of the Marv Wolfman character manages to get the character just right.

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Diabolique Magazine No. 17 (Aug/Sep 2013) [Magazine]

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For folks who want to avoid all the insider stuff you can usually find on the internet, “Diabolique” ventures to offer something different in the horror spectrum. There’s less focus on the Hollywood aspect of horror, and more on the more underground anti-establishment perspective that horror aficionados will definitely appreciate. This is the first time in a while I’ve read a magazine without skipping past a section I just didn’t want to waste time on. The centerpiece of the magazine is the wonderful history of the horror comedy.

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The House of Seven Corpses (1974)

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As far as murder mystery movies about evil houses, “The House of Seven Corpses” is not a masterpiece. I’m by no means intent on watching it again for at least a few years, but it makes a good argument for nonsensical genre fodder that doesn’t even try. The main character’s cat gets in to a stare down with a painting on a wall featuring the head of a severed cat. There’s the “Tibetan Book of the Dead” that’s bandied about like it’s an encyclopedia, and did I mention a zombie pops up in the end? Why? Who the hell knows? The zombie just gets out of its grave, kills the entire cast, carries a naked girl to his grave, and the movie ends.

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Interview with the Vampire (1994)

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Author Anne Rice has been accused of feminizing the vampire creature for a very long time. While Bram Stoker was one of the first authors to take a fear creature of its period and turn it in to an individual with feeling and romantic urges, Anne Rice gets the brunt of the blame for taking a horrifying creature and transforming it in to a romance novel element. I can safely say I’ve never read a single Rice novel, but I am always surprised when I find that “Interview with the Vampire” is an entertaining film. It’s probably the most erotic mainstream film of all time. It’s a glorified Jean Rollin vampire film that places sexual emphasis on blood sucking and vampirism that Jess Franco or Jean Rollin would have offered fans in the early seventies.

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Profoundly Disturbing: The Shocking Movies that Changed History [Paperback]

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Joe Bob Briggs is a well of horror knowledge, and in “Profoundly Disturbing,” he is filled with amazing stories about some of the most game changing films in movie history. He re-visits the grindhouse and the drive-in once again to profile some truly incredible and unique films. Rather than explain why the movies altered cinema, he also discusses interesting facts about their productions and the odd effects they had on pop culture. Did you know on “The Exorcist” that the actress who could projectile vomit sued the studio for not crediting her as the vomiter? Did you also know Ellen Burstyn had at least five different stage names before she was Ellen Burstyn?

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