Visually and viscerally, “Amer” is a film that is a throwback to the classic Giallo thrillers, but deep down it is much more of an academic breakdown of the Giallo sub-genre and not so much a straight forward giallo film. True it has shades of the visual flourishes with uses of color and specific dashes of sharp editing that suck us in to the narrative, all the while invoking memories of “Suspiria” and “Tenebre” upon which both directors call on to create something of an evocative sexual thriller, in the end. “Amer” is admittedly an exhausting film and that counts as a criticism and a recommendation.
I’m one of the few horror buffs across the board who have yet to read the 2003 cult book “The Zombie Survival Guide.” So back in 2006 when author Max Brooks released his highly publicized and promoted sequel entitled “World War Z,” I jumped at the chance and actually shelled out the dough to read his latest tome rather than borrow it from a friend or from a library as I typically did in the past. As a rule I don’t usually read zombie fiction because most of the time it’s usually just material that attempts to drastically re-invent the zombie sub-genre by reducing them to nothing but monsters, or more so turning them in to gimmicky creatures easily forgotten. Sue me but I grew up on Romero’s zombie films and admittedly I’ve been spoiled by his films.