In 2000, the Canadian low budget horror movie entitled “Ginger Snaps” was a bonafide metaphor for coming of age and a girl getting her period. Expanding on Red Riding Hood, “Ginger Snaps” was a full on series of metaphors about a young girl blossoming in to adult hood with lycanthropy acting as a symbol for her becoming a predatory sexual being that was brought out from her wolf-like tendencies after surviving a mauling from a vicious werewolf. 1994’s “Wolf” however is a tongue in cheek social commentary that examines almost the same themes except acts as a metaphor for male dominance in a youth obsessed consuming society.
Tag Archives: Horror
Long Pigs (2007)
At first glance of “Long Pigs” and screen captures, many movie goers will be quick to dismiss Chris Power and Nathan Hyne’s mock documentary as merely a low budget film attempting to shock us in to submission and while in many ways “Long Pigs” is a gruesome and shocking film, “Long Pigs” also has a sense of sardonic humor and intelligence to it that makes it much more than just a movie about a cannibal and his fixation on the fine art of grooming human corpses to be eaten for his cooked delicacies. The directors behind this clearly were influenced by the likes of the classic film “Man Bites Dog” about a documentary crew anxiously trying to get in to the mind of a criminal who get too close for comfort, and “Long Pigs” is very influenced by that title engaging in a long moral and social breakdown of the greatest of taboos: cannibalism, and what repercussions they have in today’s society.
Amer (2009)
Visually and viscerally, “Amer” is a film that is a throwback to the classic Giallo thrillers, but deep down it is much more of an academic breakdown of the Giallo sub-genre and not so much a straight forward giallo film. True it has shades of the visual flourishes with uses of color and specific dashes of sharp editing that suck us in to the narrative, all the while invoking memories of “Suspiria” and “Tenebre” upon which both directors call on to create something of an evocative sexual thriller, in the end. “Amer” is admittedly an exhausting film and that counts as a criticism and a recommendation.
The Vampire Diaries: The Complete First Season (DVD)
Out of all the vampire properties in pop culture today from “True Blood,” to “Twilight,” to Anne Rice’s books, “The Vampire Diaries” is the least annoying franchise of the bunch mainly because since its premiere and evident take off in to longevity, Warner Bros. has completely undersold the series and snuck it under the radar in spite of its solid ratings. “The Vampire Diaries” is essentially like “Twilight” with a girl afflicted by tragedy, a series of vicious murders in her town, and a new student who sneaks in to her school with the obvious love for blood who begins stalking and romancing her. Sure Stefan looks like he could be well in to his thirties, but when you’re a vampire I guess you can get in to any place without trouble. Especially since the series makes note of pointing out that these vampires have mind-control abilities. A la “Gossip Girl,” most of the characters keep diaries of their thoughts and wants and desires.
A Love Letter to Trick 'r Treat
A shimmering pumpkin lit from the inside as if illuminated from the fires of hell, a young trick or treater with a sack over his head braves trick of treating the night of all Hallow’s Eve as we’re treated to glimpses of Missing posters hinting at the rash of disappearances across the town our young trick or treater is perusing. He manages to visit a few houses and is met with a mysterious figure who sucks him in to the darkness and after splashes of blood and sounds of beating, minutes later the small trick or treater emerges from the darkness of the alley with the body of his attacker in his sack. The mask this young trick or treater is not an elaborate mask built from a sack, but instead his face upon which he gazes back at the audience with an evil grin welcoming us in to the world of Halloween.
The Boy Who Cried Werewolf (2010)
If “Ginger Snaps” was a hard flaming shot of vodka in a neighborhood bar, Nickelodeon’s counterpart “The Boy Who Cried Werewolf” is a Virgin Fruit Colada in an outdoor cafe. While this movie is meant as mere Halloween filler while simultaneously working as a vehicle for Nickelodeon’s key star Victoria Justice, “The Boy Who Cried Werewolf” ends up being a surprisingly solid family horror comedy that isn’t as soapy or girly as I originally assumed it would be. Within the pandering to preteens salivating after Justice, there is also a solid however flawed and derivative story and some wicked special effects. Sure the flick rips off of “Spider-Man,” and “Young Frankenstein,” but it’s still an entertaining time filler with potential to be a franchise or new series, which Nick seems to be going for in the goofy final scene.
The Crazies (2010)
Breck Eisner’s high tension remake of the practically obscure George Romero horror film is much less biological horror film and much more Southern fried “28 Days Later,” with a small town being taken siege by an ambiguous and horrifying infection that turns people in to crazy people. What makes “The Crazies” such an entertaining slice of horror escapism is that it’s about as politically important as the “Dawn” remake was, but still manages to make an impression by being an awfully uneasy horror thriller. The disease that feeds upon the seemingly mild mannered people of Ogden Marsh is spontaneous, confusing, and almost completely unexplained. We never get a full idea of what the disease entails and when it can start to show signs and this allows for two elements among the story. It guarantees the element of surprise and mystery, while also allowing the writers to pop monsters up whenever they please chalking it up to the erratic effects of this disease.